Publications: Dr Michael McKinnie
McKinnie M(2019).
King-Maker: Reading Theatrical Presentations of Canadian Political History. Theatre Research in Canada
vol. 15,
(2)
Mckinnie M(2017).
Institutional Frameworks: Theatre, State, and Market in Modern Urban Performance. A Cultural History of Theatre in the Modern Age,
MCKINNIE MRT(2016).
Olympian Performance: The Cultural Economics of the Opening Ceremony of London 2012. Public
(53)
48-57.
McKinnie M(2013).
Performing like a city: London's South Bank and the cultural politics of urban governance. Performance and the Politics of Space: Theatre and Topology,
MCKINNIE MRT(2012).
Rethinking Site-Specificity: Monopoly, Urban Space, and the Cultural Economics of Site-Specific Performance. Performing Site-Specific Theatre,
Editors: Birch, A, Tompkins, J,
Palgrave Macmillan
(Basingstoke),
MCKINNIE MRT(2011).
Space Administration: Rereading the Material History of Theatre Passe Muraille in Toronto. Theatre and Performance in Toronto,
Editors: Levin, L,
vol. 21,
Playwrights Canada Press
(Toronto),
McKinnie M(2010).
Capital: Theaterkultur und Stadtplanung am Beispiel von Londons South Bank. Politik des Raumes,
Editors: Fischer-Lichte, E, Wihstutz, B,
Wilhelm Fink
(Munich),
McKinnie M(2010).
Bringing Down the House: The Crisis in Britain's Regional Theatres. MOD DRAMA
vol. 53,
(2)
283-285.
MCKINNIE MRT(2010).
From Liberal Shakespeare and Illiberal Critiques: Necessary Angel's King Lear. Canadian Shakespeare,
Editors: Knuston, S,
vol. 18,
Playwrights Canada Press
(Toronto),
McKinnie M(2009).
Performing the Civic Transnational: Performance, Governance, and Citizenship in Contemporary London. Performance and the city,
Editors: Hopkins, DJ, Orr, S, Solga, K,
Palgrave MacMillan
(Basingstoke),
MCKINNIE MRT(2009).
Infinite Variations. 18 Arcolas,
Chiffchaff Editions
(London),
McKinnie M, Pearson L (2009).
Visual Arts Organisations and Higher Education Collaboration: Developing Digital Priorities. London Centre for Arts and Cultural Exchange
(London),
MCKINNIE MRT(2007).
City Stages: Theatre and Urban Space in a Global City. University of Toronto Press
(Toronto),
MCKINNIE MRT(2007).
Space and the Geographies of Theatre. Playwrights Canada Press
(Toronto),
MCKINNIE M(2006).
"The State of the Nation". Canadian Theatre Review
(125)
5-8.
McKinnie M(2005).
Bees, horseshoes, and puppets for the elderly: The local initiatives program and the political economy of Canadian theatre. CONTEMP THEATRE REV
vol. 15,
(4)
427-439.
MCKINNIE MRT(2004).
A Sympathy for Art: The Sentimental Economies of New Labour Arts Policy. Blairism and the War of Persuasion: Labour's Passive Revolution,
Editors: Steinberg, DL, Johnson, R,
Laurence and Wishart
(London),
MCKINNIE MRT(2003).
"Canadian Theatre and Industrial Development". Canadian Theatre Review (Special issue on Celebrating Canadian Plays and Playwriting)
vol. 114,
16-20.
MCKINNIE MRT(2003).
"Legacies: Richard Rose's Vision for Tarragon Theatre". Canadian Theatre Review (Urjo Kareda Issue)
vol. 113,
29-33.
McKinnie M(2003).
The state of this place: 'Convictions', the courthouse, and the geography of performance in Belfast (Tinderbox-Theatre-Company). MOD DRAMA
vol. 46,
(4)
580-597.
MCKINNIE MRT(2002).
"Liberal Shakespeares and Illiberal Critiques: Necessary Angel's King Lear". Shakespeare in Canada: A World Elsewhere?,
University of Toronto Press
(Toronto),
McKinnie M(2001).
Urban national, suburban transnational: Civic theatres and the urban development of Toronto's downtowns. THEATRE J
vol. 53,
(2)
253-276.