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Publications:  Dr Elizabeth Saxton

Saxton E(2020). No Power Without an Image: Icons Between Photography and Film. Edinburgh University Press
Saxton E, Pick A(2019). Introduction (to special issue, 'Religion in Contemporary Thought and Film'). Paragraph vol. 42, (3)
Saxton E(2019). Make Believe: Marie-José Mondzain and Cinema's Christian Economy. Paragraph vol. 42, (3)
SAXTON EA(2016). 'The Falling Soldier' and Film. Screen (Oxford) vol. 57, (3) 353-361.
WESTWELL GR, Hicks J, Saxton E(2016). Rising Flags, Falling Soldiers: Film, Icons and Political Violence. Screen (Oxford)
SAXTON EA(2014). Passion, Agamben and the Gestures of Work. Cinema and Agamben: Ethics, Biopolitics and the Moving Image, Editors: Gustafsson, H, Gronstadt, A, Bloomsbury Publishing USA (New York),
SAXTON EA(2013). Between God and the Machine: Buñuel's Cine-Miracles. A Companion to Luis Buñuel, Editors: Stone, R, Gutierrez-Albilla, JD, Wiley-Blackwell
Bangert A, Gordon RSC, Saxton L(2013). Holocaust Intersections: Genocide and Visual Culture at the New Millennium. Editors: Bangert, A, Gordon, RSC, Saxton, L, Legenda
Saxton EA(2011). Night and Fog and the Concentrationary Gaze. Concentrationary Cinema: Aesthetics as Political Resistance in Alain Resnais’s ‘Night and Fog’, Editors: Silverman, M, Pollock, G, Berghahn (Oxford and New York),
Saxton L(2011). The Empire of Trauma: An Inquiry into the Condition of Victimhood. HISTORY OF THE HUMAN SCIENCES vol. 24, (2) 159-163.
Saxton EA(2011). Holocaust Writing and Film. Cambridge History of French Literature, Editors: Burgwinkle, B, Hammond, N, Wilson, E, Cambridge University Press (Cambridge),
Saxton EA(2011). Terms of Engagement: Algeria, France and the Middle East in Barbet Schroeder’s L’Avocat de la terreur and Philippe Faucon’s Dans la vie. Modern and Contemporary France vol. 19, (2) 209-222.
Saxton EA(2010). Horror By Analogy: Paradigmatic Aesthetics in Nicolas Klotz’s and Elisabeth Perceval’s La Question humaine. Yale French Studies vol. 118/119, 209-224.
Downing L, SAXTON EA(2010). Film and Ethics: Foreclosed Encounters. Routledge (Abingdon, Oxon; New York),
SAXTON E(2008). Close Encounters with Distant Suffering: Michael Haneke’s Disarming Visions. Authorship from Assayas to Ozon: Five Directors, Editors: Ince, K, Manchester University Press (Manchester),
SAXTON EA(2008). Haunted Images: Film, Ethics, Testimony and the Holocaust. Wallflower (London),
SAXTON E(2008). History, Memory, Fiction in French Cinema. Teaching Holocaust Literature and Film, Editors: Eaglestone, R, Langford, B, Palgrave (Basingstoke),
SAXTON EA(2007). Fragile Faces: Levinas and Lanzmann. Film-Philosophy vol. 11, (2) 1-14.
SAXTON EA(2007). Secrets and Revelations: Off-Screen Space in Michael Haneke's 'Caché'. Studies in French Cinema vol. 7, (1) 5-17.
SAXTON E(2004). Anamnesis and Bearing Witness. For Ever Godard: The Work of Jean-Luc Godard 1950–2000, Editors: Temple, M, Williams, JS, Witt, M, Black Dog (London),
SAXTON E(2004). Through the Spy-Hole: Indecent Exposures on Screen. Exposure: Revealing Bodies, Unveiling Representations, Editors: Banks, K, Harris, J, Peter Lang (London and Bern),
SAXTON EA(2003). Anamnésis: Godard/Lanzmann. Trafic vol. 47, 48-66.
SAXTON E(2003). Surrendering Possession? Images and Ethics after Auschwitz. Possessions: Essays in French Literature, Cinema and Theory, Editors: Horn, J, Russell-Watts, L, Peter Lang (London and Bern),
SAXTON E(2003). The Forbidden Real of French Filmic Testimony. Reading and Writing the Forbidden: Essays in French Studies, Editors: Roberts, H, Roberts, H, Facques, B, 2001 Group (Reading),
SAXTON EA, Kemp S(2002). Seeing Things: Vision, Perception and Interpretation in French Studies. Editors: Kemp, S, Saxton, EA, Peter Lang (London and Bern),
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