Publications:  Dr Catherine Silverstone

SILVERSTONE C(2018). Rev. of Staging Queer Feminisms: Sexuality and Gender in Australian Performance, 2005-2015 by Sarah French. Modern Drama vol. 61, (3) 463-465.

SILVERSTONE C (2017). ‘Survival as Legacy: Eulogy for The Sissy’s Progress.’ Museum of the Sissy. 'Where 4 Roads Meet: Death and the Sissy' by Nando Messias. Toynbee Studios, London, 12 October 2017. Notes: This text was also displayed as part of the 'Museum of the Sissy' that accompanied Nando Messias's performance 'Where 4 Roads Meet: Death and the Sissy' at Toynbee Studios, London, 12 October 2017.,

SILVERSTONE C(2015). Review of Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania by Diana Looser. Theatre Annual vol. 68, 101-103.

SILVERSTONE C(2015). Image Containers: Julia Bardsley’s media series. ‘u’ see the image of her ‘i’: Pinhole Photographs by Julia Bardsley, Blurb

SILVERSTONE C(2015). Lois Performs in Aotearoa New Zealand. The Only Way Home is Through the Show: The Performance Work of Lois Weaver, Editors: Weaver, L, Harvie, J, Live Art Development Agency and Intellect (London and Bristol),

SILVERSTONE C(2015). Textual Editing. Contemporary Theatre Review vol. 25, (1) 64-67.

Greenblatt S, Cohen W, Gossett S, Maus KE, McMullan G, Silverstone C (2015). Titus Andronicus in The Norton Shakespeare. W.W. Norton pp. 491-554. Medium: Book & digital, Notes: Silverstone edited Q1 (print and digital) and F (digital only) of Titus Andronicus and authored the textual introduction and comments; Maus wrote the introduction, glosses and notes.,

SILVERSTONE C(2014). Editorial: Derek Jarman and “the Renaissance”. Shakespeare Bulletin: a journal of performance, criticism, and scholarship vol. 32, (3) 329-336.

SILVERSTONE C, Walsh F(2014). Editorial: On Affirmation. Performance Research: a journal of the performing arts vol. 19, (2) 1-3.

SILVERSTONE C(2014). Image Containers: Julia Bardsley’s media series. ‘u’ see the image of her ‘i’: Pinhole Photographs by Julia Bardsley, Blurb

SILVERSTONE C(2014). Remembering Derek Jarman: Death, Legacy, and Friendship. Shakespeare Bulletin: a journal of performance, criticism, and scholarship vol. 32, (3) 451-470.

SILVERSTONE C(2014). Review of Contemporary British Queer Performance by Stephen Greer. Contemporary Theatre Review vol. 24, (1) 127-128.

SILVERSTONE C (2014). Rubén Szuchmacher interviewed by Catherine Silverstone. vol. 7, is. 2, pp. 257-269.

SILVERSTONE CE(2013). Duckie's Gay Shame: Critiquing Pride and Selling Shame in Club Performance. Critical Live Art: Contemporary Histories of Performance in the UK, Editors: Johnson, D, Routledge (Abingdon),

SILVERSTONE C(2013). Festival Showcasing and Cultural Regeneration: Aotearoa New Zealand, Shakespeare’s Globe and Ngākau Toa’s A Toroihi rāua ko Kāhira (Troilus and Cressida) in Te Reo Māori. Shakespeare Beyond English: A Global Experiment, Editors: Bennett, S, Carson, C, Cambridge University Press (Cambridge),

SILVERSTONE C(2013). Review of Eroticism and Death in Theatre and Performance edited by Karoline Gritzner. Contemporary Theatre Review vol. 23, (2)

SILVERSTONE C(2013). Shakespeare, Cinema and Queer Adolescents: Unhappy Endings and Heartfelt Conclusions. Shakespeare vol. N/A, Article N/A, 1-19.

SILVERSTONE C(2012). Duckie’s Gay Shame: Critiquing Pride and Selling Shame in Club Performance. Contemporary Theatre Review vol. 22, (1) 62-78.

SILVERSTONE C(2012). Review of Apocalyptic Shakespeare: Essays on Visions of Chaos and Revelation in Recent Film Adaptations edited by Melissa Croteau and Carolyn Jess-Cooke. Early Theatre: a journal associated with the Records of Early English Drama vol. 15, (1) 215-217.

SILVERSTONE C(2011). Sexing Death: Giuseppe Patroni Griffi’s 'Tis Pity She’s a Whore. Shakespeare Bulletin: a journal of performance, criticism, and scholarship vol. 29, (4) 559-572.

Silverstone C(2011). Shakespeare, Trauma and Contemporary Performance. Routledge (New York),

SILVERSTONE C(2010). Fatal Attraction: Desire, Anatomy and Death in 'Tis Pity She's a Whore. 'Tis Pity She's a Whore: A Critical Guide, Editors: Hopkins, L, Continuum (London),

Silverstone C(2010). Review of Shakespeare’s Othello (directed by Barrie Rutter for Northern Broadsides and West Yorkshire Playhouse) at Trafalgar Studios (Studio 1), London, 2 December 2009. Shakespeare vol. 6, (2) 263-266.

SILVERSTONE C(2010). Review of Violence Against Women in Early Modern Performance: Invisible Acts by Kim Solga. Early Theatre: a journal associated with the Records of Early English Drama vol. 13, (1) 180-183.

SILVERSTONE C(2009). 'Honour the real thing': Shakespeare, Trauma and Titus Andronicus in South Africa. Shakespeare Survey, Editors: Holland, P, vol. 62,

SILVERSTONE C(2008). Review of Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas by Christopher B. Balme. Contemporary Theatre Review vol. 18, (2) 261-262.

SILVERSTONE C(2007). 'It's not about gender': Cross-gendered casting in Deborah Warner's Richard II. Women: A Cultural Review vol. 18, (2) 199-212.

SILVERSTONE C(2007). Afterword: Ending Tragedy. Tragedy in Transition, Editors: Brown, SA, Silverstone, C, Blackwell (Oxford),

BROWN S, SILVERSTONE C(2007). Tragedy in Transition. Editors: Silverstone, C, Brown, SA, Blackwell (Oxford),

Silverstone C(2006). Performing early modern trauma from Shakespeare to Milton. REV ENGL STUD vol. 57, (232) 801-803.

SILVERSTONE C(2006). Speaking Maori Shakespeare: The Maori Merchant of Venice and the Legacy of Colonisation. Screening Shakespeare in the Twenty-First Century, Editors: Burnett, Thornton, M, Wray, R, Edinburgh University Press (Edinburgh),

Silverstone C(2005). Shakespeare live: reproducing Shakespeare at the 'new' globe theatre. TEXTUAL PRACT vol. 19, (1) 31-+.

SILVERSTONE C(2003). Othello's Travels in New Zealand: Shakespeare, Race and National Identity. Remaking Shakespeare: Performance Across Media, Genres and Cultures, Editors: Aebischer, Pascale, Esche, EJ, Wheale, N et al., Palgrave (Basingstoke),

SILVERSTONE C(2002). Exposing Shakespeare: Introducing English Studies at University. For All Time? Critical Issues in Teaching Shakespeare, Editors: Skrebels, P, Hoven, SVD, Wakefield Press (Kent Town, South Australia),

SILVERSTONE C(2002). Lauris Edmond. Encyclopedia of Life Writing, Editors: Jolly, M, Fitzroy Dearborn (London),