Publications:  Prof Margaret Reynolds

REYNOLDS ML(2018). ‘Of the Rage, sing Goddess: Epic Opera’ in ed. Fiona MacIntosh, Justine McConnell, Stephen Harrison and Claire Kenward, Epic Performances from the Middle Ages into the Twenty-First Century, ( Oxford University Press, Oxford, 2018), pp. 524-539. ed. Fiona MacIntosh, Justine McConnell, Stephen Harrison and Claire Kenward, Epic Performances from the Middle Ages into the Twenty-First Century, Editors: ed. Fiona MacIntosh, Justine McConnell, Stephen Harrison and Claire Kenward,, Oxford University Press (Oxford),

REYNOLDS ML(2016). '"The Poem of Force in Australia: David Malouf Ransom and Chloe Hooper The Tall Man'. Ancient Greek Myth in World Fiction Since 1989, Editors: Edith Hall, Justine McConnell, Bloomsbury Publishing (London),

Reynolds M(2014). AFTER ELIOT: ADAPTING ADAM BEDE. English vol. 63, (242) 198-223.

REYNOLDS ML (2007). Adam Bede by George Eliot. Notes: Introduction, annotations and supporting material.,

REYNOLDS ML (2007). The Child in Poetry. Notes: Proceedings of the British Academy,

REYNOLDS ML(2005). Agamemnon, Speaking the Unspeakable. Agamemnon in Performance, Editors: Hall, E, McIntosh, F et al., Oxford University Press (Oxford),

REYNOLDS ML(2003). The Sappho History. Palgrave (Basingstoke),

REYNOLDS ML(2001). "I am Medea": or, Why is Medea a Woman?. Medea in Performance, Editors: Hall, E, McIntosh, F et al., Legenda (Oxford),

Reynolds M(2000). Sapphic refractions. HISTORY WORKSHOP JOURNAL (50) 275-278.