Publications: Prof Margaret Reynolds
REYNOLDS ML(2018).
‘Of the Rage, sing Goddess: Epic Opera’ in ed. Fiona MacIntosh, Justine McConnell, Stephen Harrison and Claire Kenward, Epic Performances from the Middle Ages into the Twenty-First Century, ( Oxford University Press, Oxford, 2018), pp. 524-539. ed. Fiona MacIntosh, Justine McConnell, Stephen Harrison and Claire Kenward, Epic Performances from the Middle Ages into the Twenty-First Century,
Editors: ed. Fiona MacIntosh, Justine McConnell, Stephen Harrison and Claire Kenward,,
Oxford University Press
(Oxford),
REYNOLDS ML(2016).
'"The Poem of Force in Australia: David Malouf Ransom and Chloe Hooper The Tall Man'. Ancient Greek Myth in World Fiction Since 1989,
Editors: Edith Hall, Justine McConnell,
Bloomsbury Publishing
(London),
Reynolds M(2014).
AFTER ELIOT: ADAPTING ADAM BEDE. English
vol. 63,
(242)
198-223.
REYNOLDS ML (2007).
Adam Bede by George Eliot.
Notes: Introduction, annotations and supporting material.,
REYNOLDS ML (2007).
The Child in Poetry.
Notes: Proceedings of the British Academy,
REYNOLDS ML(2005).
Agamemnon, Speaking the Unspeakable. Agamemnon in Performance,
Editors: Hall, E, McIntosh, F et al.,
Oxford University Press
(Oxford),
REYNOLDS ML(2003).
The Sappho History. Palgrave
(Basingstoke),
REYNOLDS ML(2001).
"I am Medea": or, Why is Medea a Woman?. Medea in Performance,
Editors: Hall, E, McIntosh, F et al.,
Legenda
(Oxford),
Reynolds M(2000).
Sapphic refractions. HISTORY WORKSHOP JOURNAL
(50)
275-278.