Publications:  Prof Nicholas Ridout

Ridout N(2020). Scenes from Bourgeois Life.

RIDOUT NP(2019). Intermission. Postdramatic Theatre and Form, Editors: BOYLE, MS, Cornish, M, Woolf, B, Methuen Drama

RIDOUT NP(2017). Social Functions: Producers and Consumers. A Cultural History of Theatre in the Modern Age, Editors: SOLGA, K, A&C Black

Jones J, Ridout N(2015). A history of modern Oman.

RIDOUT NP(2015). I vivi e i morti: la solitudine in relazione’. Toccare il reale, il teatro di Romeo Castellucci, Editors: Di Matteo, P, Cronopio (Napoli),

Ridout N(2014). Regarding Theatre: Thoughts on Recent Work by Simon Vincenzi and Romeo Castellucci. Theatre Journal vol. 66, (3) 427-436.

Jones J, Ridout N(2013). Oman, culture and diplomacy.

RIDOUT NP(2013). Passionate Amateurs: Theatre, Communism, and Love. University of Michigan Press (Ann Arbor, MI),

RIDOUT NP(2013). The Vibratorium Electrified. Vibratory Modernism, Editors: Enns, A, Trower, S, Palgrave (Houndmills),

RIDOUT NP(2012). Opera and the Technologies of Theatrical Production. The Cambridge Companion to Opera Studies, Editors: Till, N, Cambridge University Press

RIDOUT NP(2012). Mis-spectatorship, or, 'redistributing the sensible'. Archaeologies of Presence, Editors: Giannachi, G, Kaye, N, Shanks, M, Routledge

RIDOUT NP(2012). On the Work of Things: Musical Production, Theatrical Labor and the 'General Intellect'. Theatre Journal (Baltimore) vol. 64, (3) 389-408.

Ridout N, Schneider R(2012). Precarity and performance: An introduction. TDR - The Drama Review - A Journal of Performance Studies vol. 56, (4) 5-9.

Ridout NP, Jones J(2011). Oman, Culture and Diplomacy. Edinburgh University Press

Ridout NP(2010). ‘Ice, or a Collective History of the History of our Collectivity in the Theatre’. Theater Historiography, Editors: Bial, H, Magelssen, S, Univ of Michigan Pr

Ridout N(2009). Theatre & ethics. Palgrave MacMillan

Ridout N(2009). Small Acts of Repair: Performance, Ecology and Goat Island. TDR-DRAMA REV-J PERF vol. 53, (3) 170-172.

RIDOUT N(2008). 'Performance in the Service Economy. Double agent, Editors: Bishop, C, Sladen, M, Gallery, M, Art, BCFC et al.,

Ridout N(2008). Perfomance and democracy. The Cambridge companion to performance studies, Editors: Davis, TC, Cambridge Univ Pr

RIDOUT NP(2007). Welcome to the Vibratorium. Senses and Society

RIDOUT NP, Castellucci R, Kelleher J, Castellucci C, Guidi C(2007). The Theatre of Societas Raffaello Sanzio. Routledge (London),

RIDOUT NP(2007). The Worst Sort of Places. Theater vol. 3, (37) 6-15.

RIDOUT NP, Kelleher J(2006). Contemporary Theatres in Europe: A Critical Companion. Routledge (Oxon),

RIDOUT NP(2006). Make-believe: Societas Raffaello Sanzio do theatre. Contemporary Theatres in Europe, Editors: Ridout, Nicholas, Kelleher, J, Routledge (London),

RIDOUT NP(2006). Stage Fright, Animals, and Other Theatrical Problems. Cambridge University Press (Cambridge),

Ridout N(2005). Tragedy at home - Societas Raffaello Sanzio at Laban. PAJ (81) 83-92.

Jones J, Ridout N(2005). Democratic Development in Oman. Middle East Journal vol. 59 (3), 376-392.

Ridout N(2005). Staging the savage God: The grotesque in performance. THEATRE J vol. 57, (2) 344-345.

Ridout N(2005). On theatre. PERFORM RES vol. 10, (1) 1-1.

Ridout N(2004). Animal labor in the theatrical economy. THEATRE RES INT vol. 29, (1) 57-65.

Ridout N(2004). After jihad: America and the struggle for Islamic democracy. INT AFF vol. 80, (1) 134-135.

RIDOUT NP(2002). Two Parrots and an Answering Machine: Some Problems with Knowledge and Memory. Performance Research vol. 7.4, 42-47.

RIDOUT NP(2002). Eat, Drink, LIFT: reflections on the festival. TheatreForum vol. 22, 108-111.

RIDOUT NP(2002). Voir Defaire, translated by Dominique Hollier. To Carthage Then I Came, Editors: Castellucci, R, Actes Sud (Arles),