Publications: Prof Nicholas Ridout
Ridout N
(
2020
)
.
Scenes from Bourgeois Life
.
University of Michigan Press
RIDOUT NP
(
2019
)
.
Intermission
.
Postdramatic Theatre and Form
,
Editors:
BOYLE, MS, Cornish, M, Woolf, B
,
Methuen Drama
Ridout N
(
2019
)
.
Media: Intermission
.
Postdramatic Theatre and Form
,
Ridout N
(
2019
)
.
Social Functions: Consumers and Producers
.
A Cultural History of Theatre: In the Modern Age: Volume 6
,
vol.
6
,
Ridout N
(
2018
)
.
On Dialectics
.
Performance Research
vol.
23
,
(
4-5
)
71
-
73
.
RIDOUT NP
(
2017
)
.
Social Functions: Producers and Consumers
.
A Cultural History of Theatre in the Modern Age
,
Editors:
SOLGA, K
,
A&C Black
Jones J, Ridout N
(
2015
)
.
A History of Modern Oman
.
Cambridge University Press (CUP)
RIDOUT NP
(
2015
)
.
I vivi e i morti: la solitudine in relazione’
.
Toccare il reale, il teatro di Romeo Castellucci
,
Editors:
Di Matteo, P
,
Cronopio
(
Napoli
),
Ridout N
(
2015
)
.
THE THEATRICAL PUBLIC SPHERE
.
TLS-THE TIMES LITERARY SUPPLEMENT
(
5843
)
32
-
32
.
Ridout N
(
2014
)
.
Regarding Theatre: Thoughts on Recent Work by Simon Vincenzi and Romeo Castellucci
.
Theatre Journal
vol.
66
,
(
3
)
427
-
436
.
Ridout N
(
2014
)
.
On literality and limits: Romeo Castellucci of Socìetas Raffaello Sanzio in conversation with Nicholas Ridout
.
Theatre and Adaptation: Return, Rewrite, Repeat
,
Ridout N
(
2014
)
.
THE GHOSTS OF THE AVANTGARDE(S) Exorcising experimental theatre and performance
.
TLS-THE TIMES LITERARY SUPPLEMENT
(
5784
)
27
-
27
.
Jones J, Ridout N
(
2013
)
.
Oman, culture and diplomacy
.
RIDOUT NP
(
2013
)
.
Passionate Amateurs: Theatre, Communism, and Love
.
University of Michigan Press
(
Ann Arbor, MI
),
RIDOUT NP
(
2013
)
.
The Vibratorium Electrified
.
Vibratory Modernism
,
Editors:
Enns, A, Trower, S
,
Palgrave
(
Houndmills
),
RIDOUT NP
(
2012
)
.
Opera and the Technologies of Theatrical Production
.
The Cambridge Companion to Opera Studies
,
Editors:
Till, N
,
Cambridge University Press
RIDOUT NP
(
2012
)
.
Mis-spectatorship, or, 'redistributing the sensible'
.
Archaeologies of Presence
,
Editors:
Giannachi, G, Kaye, N, Shanks, M
,
Routledge
Jones J, Ridout N
(
2012
)
.
Oman, culture and diplomacy
.
RIDOUT NP
(
2012
)
.
On the Work of Things: Musical Production, Theatrical Labor and the 'General Intellect'
.
Theatre Journal (Baltimore)
vol.
64
,
(
3
)
389
-
408
.
Ridout N, Schneider R
(
2012
)
.
Precarity and performance: An introduction
.
TDR - The Drama Review - A Journal of Performance Studies
vol.
56
,
(
4
)
5
-
9
.
Ridout NP, Jones J
(
2011
)
.
Oman, Culture and Diplomacy
.
Edinburgh University Press
Ridout NP
(
2010
)
.
‘Ice, or a Collective History of the History of our Collectivity in the Theatre’
.
Theater Historiography
,
Editors:
Bial, H, Magelssen, S
,
Univ of Michigan Pr
Ridout N
(
2009
)
.
Theatre & ethics
.
Palgrave MacMillan
Ridout N
(
2009
)
.
Small Acts of Repair: Performance, Ecology and Goat Island
.
TDR-DRAMA REV-J PERF
vol.
53
,
(
3
)
170
-
172
.
RIDOUT N
(
2008
)
.
'Performance in the Service Economy
.
Double agent
,
Editors:
Bishop, C, Sladen, M, Gallery, M, Art, BCFC et al.
,
Ridout N
(
2008
)
.
Perfomance and democracy
.
The Cambridge companion to performance studies
,
Editors:
Davis, TC
,
Cambridge Univ Pr
RIDOUT NP
(
2007
)
.
Welcome to the Vibratorium
.
Senses and Society
RIDOUT NP, Castellucci R, Kelleher J, Castellucci C, Guidi C
(
2007
)
.
The Theatre of Societas Raffaello Sanzio
.
Routledge
(
London
),
RIDOUT NP
(
2007
)
.
The Worst Sort of Places
.
Theater
vol.
3
,
(
37
)
6
-
15
.
KELLEHER J, RIDOUT N
(
2006
)
.
Introduction
.
Contemporary Theatres in Europe
,
Taylor & Francis
RIDOUT N
(
2006
)
.
Make-believe: Socìetas Raffaello Sanzio do theatre
.
Contemporary Theatres in Europe
,
Taylor & Francis
RIDOUT NP, Kelleher J
(
2006
)
.
Contemporary Theatres in Europe: A Critical Companion
.
Routledge
(
Oxon
),
Kelleher J, Ridout N
(
2006
)
.
Introduction
.
RIDOUT NP
(
2006
)
.
Make-believe: Societas Raffaello Sanzio do theatre
.
Contemporary Theatres in Europe
,
Editors:
Ridout, Nicholas, Kelleher, J
,
Routledge
(
London
),
Ridout N
(
2006
)
.
Make-believe: Socìetas Raffaello Sanzio do theatre
.
Contemporary Theatres in Europe: A Critical Companion
,
RIDOUT NP
(
2006
)
.
Stage Fright, Animals, and Other Theatrical Problems
.
Cambridge University Press
(
Cambridge
),
Ridout N
(
2005
)
.
Tragedy at home - Societas Raffaello Sanzio at Laban
.
PAJ
(
81
)
83
-
92
.
Jones J, Ridout N
(
2005
)
.
Democratic Development in Oman
.
Middle East Journal
vol.
59 (3)
,
376
-
392
.
Ridout N
(
2005
)
.
Staging the savage God: The grotesque in performance
.
THEATRE J
vol.
57
,
(
2
)
344
-
345
.
Ridout N
(
2005
)
.
On theatre
.
PERFORM RES
vol.
10
,
(
1
)
1
-
1
.
Ridout N
(
2005
)
.
Performance after Automation
.
Routledge Companion to Performance and Technology
,
Editors:
Bleeker, M, Shaw, NZ
,
Routledge
Ridout N
(
2004
)
.
Animal labor in the theatrical economy
.
THEATRE RES INT
vol.
29
,
(
1
)
57
-
65
.
Ridout N
(
2004
)
.
After jihad: America and the struggle for Islamic democracy
.
INT AFF
vol.
80
,
(
1
)
134
-
135
.
RIDOUT NP
(
2002
)
.
Two Parrots and an Answering Machine: Some Problems with Knowledge and Memory
.
Performance Research
vol.
7.4
,
42
-
47
.
RIDOUT NP
(
2002
)
.
Eat, Drink, LIFT: reflections on the festival
.
TheatreForum
vol.
22
,
108
-
111
.
RIDOUT NP
(
2002
)
.
Voir Defaire, translated by Dominique Hollier
.
To Carthage Then I Came
,
Editors:
Castellucci, R
,
Actes Sud
(
Arles
),