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  1. Queen Mary University of London
  2. Research
  3. Publications

Publications: Prof Nicholas Ridout

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Ridout N ( 2020 ) . Scenes from Bourgeois Life . University of Michigan Press
RIDOUT NP ( 2019 ) . Intermission . Postdramatic Theatre and Form , Editors: BOYLE, MS, Cornish, M, Woolf, B , Methuen Drama
Ridout N ( 2019 ) . Media: Intermission . Postdramatic Theatre and Form , Bloomsbury Academic
Ridout N ( 2019 ) . Social Functions: Consumers and Producers . A Cultural History of Theatre: In the Modern Age: Volume 6 , vol. 6 ,
Ridout N ( 2018 ) . On Dialectics . Performance Research vol. 23 , ( 4-5 ) 71 - 73 .
RIDOUT NP ( 2017 ) . Social Functions: Producers and Consumers . A Cultural History of Theatre in the Modern Age , Editors: SOLGA, K , A&C Black
Jones J, Ridout N ( 2015 ) . A History of Modern Oman . Cambridge University Press (CUP)
RIDOUT NP ( 2015 ) . I vivi e i morti: la solitudine in relazione’ . Toccare il reale, il teatro di Romeo Castellucci , Editors: Di Matteo, P , Cronopio ( Napoli ),
Ridout N ( 2015 ) . THE THEATRICAL PUBLIC SPHERE . TLS-THE TIMES LITERARY SUPPLEMENT ( 5843 ) 32 - 32 .
Ridout N ( 2014 ) . Regarding Theatre: Thoughts on Recent Work by Simon Vincenzi and Romeo Castellucci . Theatre Journal vol. 66 , ( 3 ) 427 - 436 .
Ridout N ( 2014 ) . On literality and limits: Romeo Castellucci of Socìetas Raffaello Sanzio in conversation with Nicholas Ridout . Theatre and Adaptation: Return, Rewrite, Repeat ,
Ridout N ( 2014 ) . THE GHOSTS OF THE AVANTGARDE(S) Exorcising experimental theatre and performance . TLS-THE TIMES LITERARY SUPPLEMENT ( 5784 ) 27 - 27 .
Jones J, Ridout N ( 2013 ) . Oman, culture and diplomacy .
RIDOUT NP ( 2013 ) . Passionate Amateurs: Theatre, Communism, and Love . University of Michigan Press ( Ann Arbor, MI ),
RIDOUT NP ( 2013 ) . The Vibratorium Electrified . Vibratory Modernism , Editors: Enns, A, Trower, S , Palgrave ( Houndmills ),
RIDOUT NP ( 2012 ) . Opera and the Technologies of Theatrical Production . The Cambridge Companion to Opera Studies , Editors: Till, N , Cambridge University Press
RIDOUT NP ( 2012 ) . Mis-spectatorship, or, 'redistributing the sensible' . Archaeologies of Presence , Editors: Giannachi, G, Kaye, N, Shanks, M , Routledge
Jones J, Ridout N ( 2012 ) . Oman, culture and diplomacy .
RIDOUT NP ( 2012 ) . On the Work of Things: Musical Production, Theatrical Labor and the 'General Intellect' . Theatre Journal (Baltimore) vol. 64 , ( 3 ) 389 - 408 .
Ridout N, Schneider R ( 2012 ) . Precarity and performance: An introduction . TDR - The Drama Review - A Journal of Performance Studies vol. 56 , ( 4 ) 5 - 9 .
Ridout NP, Jones J ( 2011 ) . Oman, Culture and Diplomacy . Edinburgh University Press
Ridout NP ( 2010 ) . ‘Ice, or a Collective History of the History of our Collectivity in the Theatre’ . Theater Historiography , Editors: Bial, H, Magelssen, S , Univ of Michigan Pr
Ridout N ( 2009 ) . Theatre & ethics . Palgrave MacMillan
Ridout N ( 2009 ) . Small Acts of Repair: Performance, Ecology and Goat Island . TDR-DRAMA REV-J PERF vol. 53 , ( 3 ) 170 - 172 .
RIDOUT N ( 2008 ) . 'Performance in the Service Economy . Double agent , Editors: Bishop, C, Sladen, M, Gallery, M, Art, BCFC et al. ,
Ridout N ( 2008 ) . Perfomance and democracy . The Cambridge companion to performance studies , Editors: Davis, TC , Cambridge Univ Pr
RIDOUT NP ( 2007 ) . Welcome to the Vibratorium . Senses and Society
RIDOUT NP, Castellucci R, Kelleher J, Castellucci C, Guidi C ( 2007 ) . The Theatre of Societas Raffaello Sanzio . Routledge ( London ),
RIDOUT NP ( 2007 ) . The Worst Sort of Places . Theater vol. 3 , ( 37 ) 6 - 15 .
KELLEHER J, RIDOUT N ( 2006 ) . Introduction . Contemporary Theatres in Europe , Taylor & Francis
RIDOUT N ( 2006 ) . Make-believe: Socìetas Raffaello Sanzio do theatre . Contemporary Theatres in Europe , Taylor & Francis
RIDOUT NP, Kelleher J ( 2006 ) . Contemporary Theatres in Europe: A Critical Companion . Routledge ( Oxon ),
Kelleher J, Ridout N ( 2006 ) . Introduction .
RIDOUT NP ( 2006 ) . Make-believe: Societas Raffaello Sanzio do theatre . Contemporary Theatres in Europe , Editors: Ridout, Nicholas, Kelleher, J , Routledge ( London ),
Ridout N ( 2006 ) . Make-believe: Socìetas Raffaello Sanzio do theatre . Contemporary Theatres in Europe: A Critical Companion ,
RIDOUT NP ( 2006 ) . Stage Fright, Animals, and Other Theatrical Problems . Cambridge University Press ( Cambridge ),
Ridout N ( 2005 ) . Tragedy at home - Societas Raffaello Sanzio at Laban . PAJ ( 81 ) 83 - 92 .
Jones J, Ridout N ( 2005 ) . Democratic Development in Oman . Middle East Journal vol. 59 (3) , 376 - 392 .
Ridout N ( 2005 ) . Staging the savage God: The grotesque in performance . THEATRE J vol. 57 , ( 2 ) 344 - 345 .
Ridout N ( 2005 ) . On theatre . PERFORM RES vol. 10 , ( 1 ) 1 - 1 .
Ridout N ( 2005 ) . Performance after Automation . Routledge Companion to Performance and Technology , Editors: Bleeker, M, Shaw, NZ , Routledge
Ridout N ( 2004 ) . Animal labor in the theatrical economy . THEATRE RES INT vol. 29 , ( 1 ) 57 - 65 .
Ridout N ( 2004 ) . After jihad: America and the struggle for Islamic democracy . INT AFF vol. 80 , ( 1 ) 134 - 135 .
RIDOUT NP ( 2002 ) . Two Parrots and an Answering Machine: Some Problems with Knowledge and Memory . Performance Research vol. 7.4 , 42 - 47 .
RIDOUT NP ( 2002 ) . Eat, Drink, LIFT: reflections on the festival . TheatreForum vol. 22 , 108 - 111 .
RIDOUT NP ( 2002 ) . Voir Defaire, translated by Dominique Hollier . To Carthage Then I Came , Editors: Castellucci, R , Actes Sud ( Arles ),
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