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Publications:  Prof Parvati Nair

Nair P(2019). Beyond Mapped Horizons: Reflections on the Model International Mobility Convention. COLUMBIA JOURNAL OF TRANSNATIONAL LAW vol. 56, (2) 248-256.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/61248
Nair P, Bloom T(2016). Migration Across Boundaries Linking Research to Practice and Experience. Routledge
NAIR P(2013). Beirut: City of Lines. Wasafiri: Caribbean, African, Asian and Associated Literatures in English vol. 28, (1) 10-12.
10.1080/02690055.2013.744791
NAIR P(2013). ‘Postcolonial Theories of Migration: Historicizing Displacement, Dissonance and Difference,. The Encyclopaedia of Global Human Migration, Wiley Blackwell
NAIR P(2012). Hispanic and Lusophone Women Filmmakers: Critical Discourses and Cinematic Practices. Editors: Nair, P, Gutierrez-Albilla, J-D, Manchester University Press (Manchester),
NAIR P(2012). Reconfiguring the Rural: Fettered Geographies, Unsettled Histories and the Abyss of Alienation in Recent Socially Engaged Cinema from Spain. Hispanic and Lusophone Women Filmmakers: Critical Discourses and Cinematic Practices, Manchester University Press (Manchester),
NAIR P(2012). The Refuge of Photography: Perspectives on Asylum Citizenship and Belonging. Moving Worlds: a journal for transcultural writings vol. 12, (2)
Nair P(2012). The body politic of dissent: the paperless and the indignant. CITIZENSHIP STUDIES vol. 16, (5-6) 783-792.
10.1080/13621025.2012.698508
NAIR P(2012). Travelling Song: Music, Iteration and Translation in La leyenda del tiempo (The Legend of Time, Isaki Lacuesta, 2006)'. Screening Songs in Hispanic and Lusophone Cinema, Editors: Shaw, L, Stone, R, Manchester University Press (Manchester),
NAIR P(2011). A Different Light: The Photography of Sebastião Salgado. Duke University Press
NAIR PARVATI(2010). Editorial. Crossings: Journal of Migration & Culture vol. 1, (1) 3-4.
10.1386/cjmc.1.3_2
NAIR P(2010). After-Images: Trauma, History and Connection in the Photography of Alfredo Jaar,'. The Eyes of Gutete Emerita, Dirac Publishers (Santiago de Chile),
NAIR P(2009). IslaMigration of the Other within: Testing the Limits of European Tolerance. Revista de Derecho Migratorio y Extranjería vol. 21, 2009, 11-21.
NAIR P(2009). Islamigration or the Other Within: Testing the Limits of European Democracy and Tolerance. Revista de Derecho Migratorio y Extranjería vol. 21, 11-20.
NAIR P(2009). Trazar frontera: inmigración y movimientos culturales en España,'. Migraciones internacionales en el Mediterráneo y UE: un reto,
NAIR P(2008). Autography from the Margins: Photography, Collective Self-Representation and the Disturbance of History,. Hispanic Research Journal vol. 9 No. 2, 181-190.
NAIR P(2008). Europe’s “Last” Wall: Contiguity, Exchange and Heterotopia in Ceuta, the Confluence of Europe and North Africa. Border Interrogations, Editors: Doubleday, S, Sampedro, B, Berghahn Publishers (Oxford),
NAIR P(2007). 'Voicing Risk: migration, transgression and relocation in Spanish/Moroccan rai. Between the Local and the Global: Popular Music and National Identity, Editors: Knights, V, Biddle, I, Ashgate (London),
NAIR P(2006). The Regard of the Gypsy: Ramón Zabalza’s gitano images and the visual challenge to the stereotype. Iberoamericana vol. 24 no. 4, 111-119.
NAIR P(2006). Fotografía en torno al Estrecho. Dos siglos de imágenes de Andalucía, Editors: Egea, A,
NAIR P(2006). Practices of migration voicing risk: migration, transgression and relocation in Spanish/Moroccan raï. Interventions: Journal of Postcolonial Studies vol. 8, (1) 67-82.
10.1080/13698010600622707
NAIR P(2006). Rumbo al norte: immigración y movimientos culturales entre el Magreb y España. Edicions Bellaterra (Barcelona),
NAIR P, Marsh S(2004). "Borderline Men: Gender, Place and Power in Representations of Moroccans in Recent Spanish Cinema". Gender and Spanish Cinema, Editors: Marsh, S, Nair, P, Berg Publishers (Oxford),
NAIR P(2004). 'Moor-Veiled Matters: the hijab as troubling interrogative of the relation between the West and Islam’. New Formations: a journal of culture/theory/politics vol. winter 2003-4, 39-49.
NAIR P(2004). Configuring Community: Theories, Narratives and Practices of Community Identities in Contemporary Spain. MHRA (London),
NAIR P, Marsh S(2004). Gender and Spanish Cinema. Berg Publishers (Oxford),
NAIR P(2003). In Modernity's Wake: transculturality, deterritorialization and the question of community in Las flores de otro mundo. Postscript vol. 21, (2) 38-39.
NAIR P(2003). Memory in Motion: Ethnicity, Hybridity and Globalisation in Self-Photographs of Moroccan Immigrants in Spain. Journal of the Institute of Romance Studies vol. 3, (1) 73-86.
10.3167/147335303782369556
NAIR P(2003). Memory in Motion: Ethnicity, Hybridity and Globalization in Self-Photographs of Moroccan Immigrants in Spain’. Journal of Romance Studies, 3,1 vol. 3,1, 73-86.
NAIR P(2003). Moor-Veiled-Matters: the Hijab as troubling interrogative of the relation between the West and Islam. New Formations: the short century vol. 51, 39-49.
NAIR P(2002). In Modernity's Wake: Transculturality, Deterriotorialization and the Question of Community in Icíar Bollaín's Las flores de otro mundo (Flowers from Another World). Postscript vol. 21, No.2, 38-49.
NAIR P(2002). "Elusive song: flamenco as field and negotiation among the gitanos in Cordoba prison". Constructing Identity in Twentieth-Century Spain: Theoretical Debates and Narrative Practices, Editors: Labanyi, J, Oxford University Press (Oxford),
NAIR P(2002). Vocal In-roads: Flamenco, Orality and Postmodernity in Las 3000 Viviendas: Viejo Patio (EMI 1999). Music, Culture, Identity, ed. Richard Young, Rodopi (Amsterdam),
NAIR P(2001). Straddling the personal and the public: elastic boundaries or a case-study of two gitana daughters of reknowned flamencos. Journal of the Institute of Romance Studies vol. 1, 27-34.
Nair P(2000). Albums of no return: Ethnicity, displacement and recognition in photographs of North African immigrants in contemporary Spain. Journal of Spanish Cultural Studies vol. 1, (1) 59-73.
10.1080/713683434
NAIR P(2000). Displacing the hero: masculine ambivalence in the cinema of Luis García Berlanga’. Entertaining Ideologies: 100 Years of European Cinema, Editors: Holmes, D, Manchester University Press (Manchester),
NAIR P(2000). Homing the Other: the Immigrant as New European in David Planell’s Bazar. Beyond Boundaries, Editors: Hollis, A, Rodopi Press
NAIR P(1999). Between Being and Becoming: an ethnographic examination of border crossings in Alma gitana (Chus Gutiérrez, 1995). Tesserae: Journal of Iberian and Latin American Studies vol. 5, (2) 173-188.
10.1080/13507499908569493
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