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Publications:  Dr Alasdair King

KING A(2019). 'Écritures d’un présent visible. Diffusions et réceptions anglo-saxonnes du Baukasten'. Hans Magnus Enzensberger: Kit de construction pour une théorie des médias suivi de Usages d’une théorie marxiste des médias sous la dir. de Jeremy Hamers & Céline Letawe Presses du réel, coll. « Médias/Théories », Editors: Hamers, J, Letawe, C, Les Presses du réel (21000 DIJON, France),
KING A(2018). Wenn die Provinz zweimal klingelt: Christian Petzolds Heimatfilm Noir Jerichow. Über Christian Petzold, Editors: Brombach, I, Kaiser, T, Edition. 1, vol. ., Vorwerk 8 (Berlin),
KING A(2017). Film und Finanzzeit. Archiv für Mediengeschichte vol. 17,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/40285
King A(2017). Film and the financial city. Studies in European Cinema vol. 14, (1) 7-21.
10.1080/17411548.2016.1246308
https://qmro.qmul.ac.uk/xmlui/handle/123456789/16211
KING A, Wood C(2016). Terminal Value: Building the Alternative Bloomberg. Finance and Society
https://qmro.qmul.ac.uk/xmlui/handle/123456789/19769
KING A(2016). Documenting Financial Performativity: Film aesthetics and financial crisis. Journal of Cultural Economy
10.1080/17530350.2016.1212726
https://qmro.qmul.ac.uk/xmlui/handle/123456789/13654
KING A(2014). Still lives in transit: movement and inertia in Angela Schanelec's Orly (2010). Studies in European Cinema vol. 11, (2) 139-150.
10.1080/17411548.2014.92149
KING A(2014). Fault Lines: Deleuze, cinema, and the ethical landscape. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship, Editors: Choi, J, Routledge (Abingdon, Oxon and New York),
King A(2014). Still lives in transit: Movement and inertia in Angela Schanelec's Orly (2010). Studies in European Cinema vol. 11, (2) 139-150.
10.1080/17411548.2014.921490
KING A(2013). What the World Needs Now: Love and the ethical landscape. Edinburgh German Yearbook vol. 7,
KING A(2012). Heimat 3: Edgar Reitz's Time Machine. Cinema and Social Change in Germany and Austria, Editors: Mueller, G, Wilfried Laurier University Press (Ontario, Canada),
KING A(2011). New Directions in German Cinema. New Directions in German Cinema, Editors: Cooke, P, Homewood, C, I. B. Tauris
KING A(2011). No Place Like Heimat: Mediaspaces and moving landscapes in Edgar Reitz's Heimat 3. New Directions in German Cinema, Editors: Cooke, P, I. B. Tauris (London and New York),
KING A(2010). The Province Always Rings Twice: Christian Petzold's Heimatfilm Noir. T R A N S I T vol. 2010, (1)
KING A(2007). Hans Magnus Enzensberger: Writing, Media, Democracy. Peter Lang (Bern),
KING A(2007). Literatur und Linse: Enzensberger goes to the movies. Processes of trancription: German literature and film, Editors: Rasche, H, Schönfeld, C, Rodopi (Amsterdam, Netherlands),
King A(2007). When Heimat Meets Hollywood. German Filmmakers and America, 1985-2005. COLLOQ GERMANICA vol. 40, (3-4) 334-337.
KING A (2005). Cinegraph Lexicon Compact. Editors: Bock, H-J, Cinegraph (Hamburg, Germany), Notes: (Leading German film reference work) entries on Doris Dörrie, Andreas Dresen, Slatan Dudow, Michael Haneke, Veit Harlan, F.W. Murnau, Rudolf Prack, Volker Schlöndorff, Kristina Soederbaum, Sonia Ziemann,
KING A (2005). Colloquia Germanica, A. Francke Verlag, Tübingen, Germany. Notes: book review: Charlotte Ann Melin: Poetic Maneuvers: Hans Magnus Enzensberger and the Lyric Genre,
KING A(2004). Enzensberger's Titanic: The sinking of the German Left and the aesthetics of survival. The Titanic in Myth and Memory: Representations in Visual and Literary Culture, Editors: Bergfelder, T, Street, S, I. B. Tauris (London),
KING A (2004). Intensities: Journal of Cult Media (edited at University of Wales, Cardiff). Notes: book review: H-B Moeller, G Lellis: Volker Schlöndorff: Adaptation, Politics and the `Movie-Appropriate’,
KING A(2003). Placing Green is the Heath (1951): Spatial politics and emergent West German Identity. Light Motives: German Popular Film in Perspective, Editors: Halle, R, McCarthy, M, Wayne State University Press (Detroit, Michigan, USA),
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