Publications: Prof Dominic Johnson
Johnson D
(
2022
)
.
‘Kind of Goya-esque or Something’: Charles Ray’s Early Works
.
Art History
vol.
45
,
(
2
)
280
-
307
.
Johnson D
(
2021
)
.
Delete the Idea Down: James Lee Byars and the Performance of Abbreviation
.
Art Journal
Johnson D
(
2021
)
.
Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change
.
ART JOURNAL
vol.
80
,
(
4
)
120
-
123
.
Johnson D
(
2020
)
.
Rudimentary Things: Becoming an Object in the Performances of Skip Arnold
.
Art History
vol.
43
,
(
3
)
538
-
563
.
Johnson D
(
2019
)
.
Dead Star Mileage: Jack Smith’s Fandom for Maria Montez
.
Fandom as Methodology A Sourcebook for Artists and Writers
,
Editors:
Grant, C, Random Love, K
,
Goldsmiths Press
(
London
),
Johnson D
(
2019
)
.
How Does Performance Disrupt Institutional Spaces?
.
Thinking Through Theatre and Performance
,
Methuen Drama
(
London
),
Johnson D
(
2019
)
.
Unlimited Action The Performance of Extremity in the 1970s
.
Manchester University Press
Johnson D
(
2019
)
.
Short Reviews
.
PAJ A Journal of Performance and Art
vol.
41
,
(
1
)
134
-
135
.
Johnson D
(
2018
)
.
Impossible Things: The Life Art of Anne Bean in the 1970s
.
Anne Bean: Self Etc
,
Editors:
La Frenais, R
,
Intellect (UK)
(
Bristol
),
Johnson D
(
2018
)
.
Chickens, Saints, and Corpses: Endurance Art in the United States
.
Art Journal
vol.
77
,
(
2
)
103
-
105
.
Delgado MM, Gale MB, Johnson D, Lease B
(
2017
)
.
Editorial
.
Contemporary Theatre Review
vol.
27
,
(
4
)
442
-
444
.
Johnson D
(
2017
)
.
File Under COUM: Art on Trial in Genesis P-Orridge’s Mail Action
.
London Art Worlds Mobile, Contingent, and Ephemeral Networks, 1960–1980
,
Editors:
Applin, J, Tobin, A, Spencer, C
,
Penn State Press
(
University Park
),
Delgado MM, Gale MB, Johnson D
(
2017
)
.
Editorial
.
Contemporary Theatre Review
vol.
27
,
(
2
)
153
-
154
.
JOHNSON DF
(
2017
)
.
Naked Hitchhikers: The Unknown Photography of William A. Rhoads
.
Porn Studies
vol.
4
,
(
1
)
67
-
87
.
Delgado MM, Gale MB, Johnson D
(
2016
)
.
Editorial
.
Contemporary Theatre Review
vol.
26
,
(
4
)
414
-
415
.
Johnson D
(
2016
)
.
“Personality Crisis? Honey, I was Born with One”: Lydia Lunch Interviewed
.
Post-Punk: Then and Now
,
Editors:
Butt, G, Fisher, M, Eshun, K
,
Repeater
(
London
),
Delgado MM, Gale MB, Hughes J, Johnson D
(
2016
)
.
Editorial
.
Contemporary Theatre Review
vol.
26
,
(
2
)
132
-
133
.
Heddon D, Johnson D
(
2016
)
.
It's All Allowed The Performances of Adrian Howells
.
Editors:
Heddon, D, Johnson, D
,
Intellect (UK)
Johnson D
(
2015
)
.
The Art of Living An Oral History of Performance Art
.
Palgrave Macmillan
Delgado MM, Gale MB, Johnson D
(
2015
)
.
Editorial
.
Contemporary Theatre Review
vol.
25
,
(
1
)
9
-
10
.
JOHNSON DF
(
2015
)
.
‘Transition Pieces: The Photography of Del LaGrace Volcano’
.
Otherwise: Imagining Queer Feminist Art Histories
,
Editors:
Jones, A, Silver, E
,
Manchester University Press
(
Manchester and New York
),
Delgado MM, Monks A, Johnson D
(
2014
)
.
Editorial
.
Contemporary Theatre Review
vol.
24
,
(
2
)
153
-
155
.
Johnson D
(
2014
)
.
TRANS(per)FORMING Nina Arsenault: An Unreasonable Body of Work
.
Contemporary Theatre Review
vol.
24
,
(
2
)
275
-
276
.
Dominic Johnson
(
2014
)
.
Modern Death: Jack Smith, Fred Herko, and Paul Thek
.
Criticism
vol.
56
,
(
2
)
(
2013
)
.
Backpages 23.3
.
Contemporary Theatre Review
vol.
23
,
(
3
)
450
-
463
.
Delgado MM, Johnson D, Monks A
(
2013
)
.
Editorial
.
Contemporary Theatre Review
vol.
23
,
(
3
)
277
-
277
.
JOHNSON D
(
2013
)
.
Pleading in the Blood: The Art and Performances of Ron Athey
.
Editors:
Johnson, DF
,
Intellect and Live Art Development Agency
(
Bristol, Chicago and London
),
JOHNSON DF
(
2013
)
.
Crocodile Tears: A Counter-Archive of Glam Aesthetics
.
Glam: The Performance of Style
,
Editors:
PIH, D
,
Tate Publishing
(
London
),
Delgado MM, Johnson D, Monks A, Shalson L
(
2013
)
.
Editorial
.
Contemporary Theatre Review
vol.
23
,
(
1
)
1
-
2
.
Johnson D
(
2013
)
.
Scandal
.
Contemporary Theatre Review
vol.
23
,
(
1
)
64
-
68
.
JOHNSON DF
(
2013
)
.
Carrying Her Liver in a Shopping Cart: An Interview with Bruce Benderson
.
Social Text
(
113
)
Johnson D
(
2013
)
.
Critical Live Art: Contemporary Histories of Performance in the UK
.
Routledge
(
Abingdon
),
JOHNSON DF
(
2012
)
.
Intimacy and Risk in Live Art
.
Histories and Practices of Live Art
,
Editors:
Heddon, D, Klein, J
,
Palgrave Macmillan
(
Basingstoke and New York
),
Johnson D
(
2012
)
.
The Kindness of Strangers: An Interview with Adrian Howells
.
Performing Ethos International Journal of Ethics in Theatre and Performance
vol.
3
,
(
2
)
173
-
190
.
JOHNSON DF
(
2012
)
.
Ecstatic Intervals: Performance in a Continuum of Intimacy
.
Intimacy Across Visceral and Digital Performance
,
Editors:
Chatzichristodoulou, M, Zerihan, R
,
Palgrave Macmillan
(
Houndmills
),
Delgado MM, Monks A, Johnson D
(
2012
)
.
Editorial
.
Contemporary Theatre Review
vol.
22
,
(
3
)
305
-
306
.
JOHNSON DF
(
2012
)
.
'Introduction: The What, When and Where of Live Art'
.
Contemporary Theatre Review
vol.
22
,
(
1
)
4
-
16
.
JOHNSON DF
(
2012
)
.
Glorious Catastrophe: Jack Smith, Performance and Visual Culture
.
Manchester University Press
(
Manchester and New York
),
JOHNSON DF
(
2012
)
.
Positive Surrender: An Interview with BREYER P-ORRIDGE
.
Contemporary Theatre Review
vol.
22
,
(
1
)
134
-
145
.
JOHNSON DF
(
2012
)
.
Theatre & the Visual
.
Palgrave Macmillan
(
Basingstoke and New York
),
Johnson D
(
2011
)
.
Male Trouble: Masculinity and the Performance of Crisis
.
THEATRE RES INT
vol.
36
,
(
2
)
185
-
186
.
Johnson D
(
2010
)
.
Visuality in the Theatre: The Locus of Looking
.
THEATRE RES INT
vol.
35
,
(
3
)
305
-
306
.
Johnson D
(
2010
)
.
E Hate Death: Performance After Genesis P-Orridge
.
Contemporary Theatre Review
vol.
20
,
(
2
)
246
-
249
.
JOHNSON DF
(
2010
)
.
Psychic Weight: The Pains and Pleasures of Performance
.
ORLAN: A Hybrid Body of Artworks
,
Editors:
DONGER, S, ORLAN, SHEPHERD, S
,
Routledge
(
London & New York
),
Johnson DF
(
2010
)
.
Ron Athey’s Visions of Excess: Performance After Georges Bataille
.
Papers of Surrealism
(
8
)
Johnson D
(
2010
)
.
The Skin of the Theatre: An Interview with Julia Bardsley
.
CONTEMP THEATRE REV
vol.
20
,
(
3
)
340
-
+
.
JOHNSON D
(
2009
)
.
False Messiah: Oreet Ashery's Saint/s of Whitstable
.
Dancing with Men: Interactive performances, interventions and other artworks
,
Editors:
Ashery, O
,
Live Art Development Agency
(
London
),
Johnson D
(
2009
)
.
Jack Smith's Rehearsals for the Destruction of Atlantis: 'Exotic' Ritual and Apocalyptic Tone
.
CONTEMP THEATRE REV
vol.
19
,
(
2
)
164
-
+
.
Johnson D
(
2008
)
.
Perverse Martyrologies: An Interview with Ron Athey
.
CONTEMP THEATRE REV
vol.
18
,
(
4
)
503
-
513
.
Johnson D
(
2008
)
.
Theatre, Intimacy & Engagement: The Last Human Venue
.
CONTEMP THEATRE REV
vol.
18
,
(
4
)
514
-
515
.
JOHNSON D
(
2007
)
.
The Wound Kept Open: Jack Smith, Queer Performance and Cultural Failure
.
Women and Performance
vol.
16
,
(
4
)
Article
1
,
3
-
18
.
JOHNSON D
(
2007
)
.
It Only Hurts Because It’s True: Recent Live Art and Performance in the UK
.
Western European Stages
vol.
19
,
(
1
)
9
-
14
.
JOHNSON D
(
2007
)
.
Manuel Vason: Encounters
.
Editors:
JOHNSON, D
,
Arnolfini Gallery Ltd
(
Bristol
),
JOHNSON D
(
2007
)
.
The Wound Kept Open: Jack Smith, Queer Performance and Cultural Failure
.
vol.
17
,
is.
1
,
pp.
3
-
18
.
Routledge
(
United States
),
Abstract:
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,
JOHNSON D
(
2006
)
.
Franko B: Blinded by Love
.
Editors:
Johnson, DF
,
Damiani & Galleria Pack
(
Bologna
),
JOHNSON DF, BREYER P-ORRIDGE GENESIS, BREYER P-ORRIDGE LADYJAYE
(
2005
)
.
Why We Are Breaking Sex: Excerpts from a Dialogue with Dominic Johnson
.
Everything You Know About Sex Is Wrong: Extremes of Human Sexuality
,
Disinformation Press
(
New York
),