Menu
 
Research menu
Jump to menu

Publications:  Prof Dominic Johnson

JOHNSON DF(2017). Naked Hitchhikers: The Unknown Photography of William A. Rhoads. Porn Studies vol. 4, (1) 67-87.
10.1080/23268743.2016.1252161
https://qmro.qmul.ac.uk/xmlui/handle/123456789/18906
Heddon D, Johnson D(2016). It's All Allowed The Performances of Adrian Howells. Intellect (UK)
Johnson D(2015). The Art of Living An Oral History of Performance Art. Palgrave Macmillan
JOHNSON DF(2015). ‘Transition Pieces: The Photography of Del LaGrace Volcano’. Otherwise: Imagining Queer Feminist Art Histories, Editors: Jones, A, Silver, E, Manchester University Press (Manchester and New York),
Dominic Johnson(2014). Modern Death: Jack Smith, Fred Herko, and Paul Thek. Criticism vol. 56, (2) 211-211.
10.13110/criticism.56.2.0211
JOHNSON D(2013). Pleading in the Blood: The Art and Performances of Ron Athey. Editors: Johnson, DF, Intellect and Live Art Development Agency (Bristol, Chicago and London),
JOHNSON DF(2013). Crocodile Tears: A Counter-Archive of Glam Aesthetics. Glam: The Performance of Style, Editors: PIH, D, Tate Publishing (London),
JOHNSON DF(2013). Carrying Her Liver in a Shopping Cart: An Interview with Bruce Benderson. Social Text (113)
Johnson D(2013). Critical Live Art: Contemporary Histories of Performance in the UK. Routledge (Abingdon),
JOHNSON DF(2012). Intimacy and Risk in Live Art. Histories and Practices of Live Art, Editors: Heddon, D, Klein, J, Palgrave Macmillan (Basingstoke and New York),
JOHNSON DF(2012). Ecstatic Intervals: Performance in a Continuum of Intimacy. Intimacy Across Visceral and Digital Performance, Editors: Chatzichristodoulou, M, Zerihan, R, Palgrave Macmillan (Houndmills),
JOHNSON DF(2012). 'Introduction: The What, When and Where of Live Art'. Contemporary Theatre Review vol. 22, (1) 4-16.
10.1080/10486801.2012.651360
JOHNSON DF(2012). Glorious Catastrophe: Jack Smith, Performance and Visual Culture. Manchester University Press (Manchester and New York),
JOHNSON DF(2012). Positive Surrender: An Interview with BREYER P-ORRIDGE. Contemporary Theatre Review vol. 22, (1) 134-145.
10.1080/10486801.2011.645231
JOHNSON DF(2012). Theatre & the Visual. Palgrave Macmillan (Basingstoke and New York),
Johnson D(2011). Male Trouble: Masculinity and the Performance of Crisis. THEATRE RES INT vol. 36, (2) 185-186.
10.1017/S0307883311000113
Johnson D(2010). Visuality in the Theatre: The Locus of Looking. THEATRE RES INT vol. 35, (3) 305-306.
10.1017/S0307883310000374
Johnson D(2010). E Hate Death: Performance After Genesis P-Orridge. Contemporary Theatre Review vol. 20, (2) 246-249.
10.1080/10486801003748129
https://qmro.qmul.ac.uk/xmlui/handle/123456789/2105
JOHNSON DF(2010). Psychic Weight: The Pains and Pleasures of Performance. ORLAN: A Hybrid Body of Artworks, Editors: DONGER, S, ORLAN, SHEPHERD, S, Routledge (London & New York),
Johnson DF(2010). Ron Athey’s Visions of Excess: Performance After Georges Bataille. Papers of Surrealism (8)
https://qmro.qmul.ac.uk/xmlui/handle/123456789/310
Johnson D(2010). The Skin of the Theatre: An Interview with Julia Bardsley. CONTEMP THEATRE REV vol. 20, (3) 340-+.
10.1080/10486801.2010.488837
https://qmro.qmul.ac.uk/xmlui/handle/123456789/2102
JOHNSON D(2009). False Messiah: Oreet Ashery's Saint/s of Whitstable. Dancing with Men: Interactive performances, interventions and other artworks, Editors: Ashery, O, Live Art Development Agency (London),
Johnson D(2009). Jack Smith's Rehearsals for the Destruction of Atlantis: 'Exotic' Ritual and Apocalyptic Tone. CONTEMP THEATRE REV vol. 19, (2) 164-+.
10.1080/10486800902765648
https://qmro.qmul.ac.uk/xmlui/handle/123456789/2104
Johnson D(2008). Perverse Martyrologies: An Interview with Ron Athey. CONTEMP THEATRE REV vol. 18, (4) 503-513.
10.1080/10486800802379524
https://qmro.qmul.ac.uk/xmlui/handle/123456789/2103
JOHNSON D(2007). The Wound Kept Open: Jack Smith, Queer Performance and Cultural Failure. Women and Performance vol. 16, (4) Article 1, 3-18.
10.1080/07407700701246182
https://qmro.qmul.ac.uk/xmlui/handle/123456789/295
JOHNSON D(2007). It Only Hurts Because It’s True: Recent Live Art and Performance in the UK. Western European Stages vol. 19, (1) 9-14.
JOHNSON D(2007). Manuel Vason: Encounters. Editors: JOHNSON, D, Arnolfini Gallery Ltd (Bristol),
JOHNSON D(2006). Franko B: Blinded by Love. Editors: Johnson, DF, Damiani & Galleria Pack (Bologna),
JOHNSON DF, BREYER P-ORRIDGE GENESIS, BREYER P-ORRIDGE LADYJAYE(2005). Why We Are Breaking Sex: Excerpts from a Dialogue with Dominic Johnson. Everything You Know About Sex Is Wrong: Extremes of Human Sexuality, Disinformation Press (New York),
Return to top