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Publications:  Prof Susan Harris

HARRIS S(2018). Louis Malle’s 1960s ‘Star’ Films. The Cinema of Louis Malle: Transatlantic Auteur, Editors: Met, P, Wallflower Press
HARRIS S, Provencher D, Bazgan N(2016). Contemporary French Civilisation at 40. Contemporary French Civilization vol. 41, (3-4) 359-363.
10.3828/cfc.2016.23
https://qmro.qmul.ac.uk/xmlui/handle/123456789/40284
Harris S(2015). Degraded divinity? Sacred monstrosity? Gérard Depardieu and the abject star body. Screen vol. 56, (3) 319-334.
10.1093/screen/hjv043
https://qmro.qmul.ac.uk/xmlui/handle/123456789/9482
HARRIS S(2015). An American in Paris. Palgrave
HARRIS S(2015). Toujours Delon: The Script of Aging. Alain Delon: Style, Stardom and Masculinity, Editors: Rees-Roberts, N, Waldron, D, Bloomsbuty (New York, Lonodn),
HARRIS S(2013). Ninette (Jose Luis Garci, 2005): Paris revisited. Spanish Cinema 1973-2010: Auteurism, Politics, Landscape and Memory, Editors: Delgado, M, Fiddian, R, Manchester University Press (Manchester),
Harris S(2011). Chronicle of a death unseen: Cinematic treatments of the disappearance of Mehdi Ben Barka. L'Esprit Createur: a critical quarterly of French literature vol. 51, (3) 74-87.
Harris S(2011). Renoir's Paris: The City as Film Set. South Central Review vol. 28, (3) 84-102.
10.1353/scr.2011.0035
Harris S(2011). Sex, comedy and sexy comedy at the French box office in the 1970s: rethinking Emmanuelle and Les Valseuses. Contemporary French Civilization vol. 35, (1) 1-18.
10.3828/cfc.2011.1
Harris S(2010). Alain Resnais. FR STUD vol. 64, (2) 224-225.
10.1093/fs/knp265
Harris S(2010). Jill Forbes: the continued conversation. Studies in French Cinema: UK Perspectives 1985-2010, Editors: Higbee, W, Leahy, S, Intellect L & D E F A E
Harris S(2009). Conspiracy, surveillance, and the spatial turn in the Bourne trilogy. Globalization, violence, and the visual culture of cities, Editors: Lindner, C, Taylor & Francis
HARRIS S(2009). Films parlants, chantants et dansants: René Clair’s early experiments with sound cinema’. Words and Things: Essays in memory of Keith Foley, Editors: Morris, A, Moreau, C, Charnley, J, Glasgow University Press (Glasgow),
HARRIS S, Bergfelder T, Street S(2007). Film Architecture and the Transnational Imagination: Set design in 1930s European Cinema. Amsterdam University Press (Amsterdam),
Harris S, Downing LM(2007). From Perversion to Purity: The Stardom of Catherine Deneuve. Manchester University Press (Manchester),
HARRIS S(2007). ‘Madame la France: Deneuve as Heritage Icon’. From Perversion to Purity: The Stardom of Catherine Deneuve, Editors: Harris, S, Downing, LM, Manchester University Press (Manchester),
HARRIS S (2005). Encyclopedia entries: Goodis, David; Guy-Blaché, Alice; Lang, Jack; Melville, Jean-Pierre; Rouch, Jean; Vadim, Roger. Encyclopaedia of the French Atlantic, ed. Bill Marshall (Santa Barbara, CA: ABC-CLIO), pp. 527-8, 546-7, 680-1, 1012-13, 1173-4 , Notes: Encyclopedia articles.,
HARRIS S(2004). Introduction to ‘New Directions in French Cinema’. French Cultural Studies vol. 15, (3) 211-217.
Harris S(2004). Dancing in the streets: The Aurillac Festival of Street Theatre (Alternative dramatic practices in provincial France). CONTEMP THEATRE REV vol. 14, (2) 57-71.
10.1080/1026716041000128865
HARRIS S (2004). French Cultural Studies, special issue: New Directions in French Cinema.
HARRIS S(2004). The Cinéma du Look. European Cinema, Editors: Ezra, E, Oxford University Press (Oxford),
HARRIS S(2004). ‘Spectatorship 1960-2004: The Decline, Fall and Rebirth in Cinemagoing’. The French Cinema Book, Editors: Temple, M, Witt, M, British Film Institute (London),
HARRIS S(2003). ‘Lives out of sequence’: Maternal identity in François Truffaut’s Les 400 coups (1959) and Claude Miller’s La Petite Voleuse (1988). French Cultural Studies vol. 14, (3) 299-309.
10.1177/01427237030143007
Harris S(2003). The 'Truth about Charlie'. SIGHT SOUND vol. 13, (8) 60-+.
Harris S(2003). Gender and French cinema. FR STUD vol. 57, (1) 124-125.
10.1093/fs/57.1.124
Forbes J, HARRIS S(2003). ‘Cinema’. The Cambridge Companion to Modern French Culture, Editors: Hewitt, N, Cambridge University Press (Cambridge),
HARRIS S(2003). ‘Dispossession and Exclusion in La Vie rêvée des anges’. Possessions: Essays in French Literature, Cinema and Theory. Modern French Identities: Volume 24, Editors: Horn, J, Russell-Watts, L, Peter Lang (Oxford),
Harris S(2002). Bertrand Tavernier: Fractured narrative and bourgeois values. FR STUD vol. 56, (1) 134-135.
10.1093/fs/56.1.134
HARRIS S(2001). Bertrand Blier. Manchester University Press (Manchester),
Ezra E, Harris S(2000). France in Focus Film and National Identity. Bloomsbury Academic
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