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Publications:  Prof Jennifer Harvie

Harvie J(2019). Feminism, audience interaction, and performer authority 1. Staging Spectators in Immersive Performances: Commit Yourself!,
Gorman S, Harris G, Harvie J(2018). Feminisms Now. Contemporary Theatre Review vol. 28, (3) 278-284.
10.1080/10486801.2018.1487192
https://qmro.qmul.ac.uk/xmlui/handle/123456789/53475
HARVIE JBC(2018). Boom! Adversarial Ageism, Chrononormativity, and the Anthropocene. Contemporary Theatre Review vol. 3, 332-344.
10.1080/10486801.2018.1475364
https://qmro.qmul.ac.uk/xmlui/handle/123456789/46086
HARVIE J(2018). Scottee: I Made It. Editors: HARVIE, JBC, Live Art Development Agency (London),
Harvie J(2018). "A Multi-modal and Durational Praxis of Decolonization": Performance studies in Canada. Canadian Theatre Review vol. 176, 115-117.
10.3138/ctr.176.023
https://qmro.qmul.ac.uk/xmlui/handle/123456789/54304
Harvie J(2015). Funding, philanthropy, structural inequality and decline in England’s theatre ecology. Cultural Trends vol. 24, (1) 56-61.
10.1080/09548963.2014.1000586
https://qmro.qmul.ac.uk/xmlui/handle/123456789/17986
Harvie JEN, ZAIONTZ KEREN(2013). Introduction: The Cultural Politics of London 2012. Contemporary Theatre Review vol. 23, (4) 476-485.
10.1080/10486801.2013.839174
Harvie J(2013). Fair Play - Art, Performance and Neoliberalism. Palgrave Macmillan (Houndmills, Basingstoke),
HARVIE JBC(2013). Brand London 2012 and 'The Heart of East London': Competing Urban Agendas at the 2012 Games. Contemporary Theatre Review vol. 23, (4) 486-501.
HARVIE JBC, ZAIONTZ K(2013). Introduction: The Cultural Politics of London 2012. Contemporary Theatre Review vol. 23, (4) 476-485.
HARVIE JBC(2012). Bienvenue. Review of Erin Hurley, National Performance: Representing Quebec from Expo 67 to Celine Dion, Toronto: University of Toronto Press, 2010. Canadian Theatre Review vol. 151,
HARVIE JBC(2012). Review of Shannon Jackson, Social Works: Performing Art, Supporting Publics, Oxon: Routledge, 2011. Contemporary Theatre Review vol. 22, (1)
Harvie J(2011). Democracy and Neoliberalism in Art's Social Turn and Roger Hiorns's Seizure. PERFORM RES vol. 16, (2) 113-123.
10.1080/13528165.2011.578842
Harvie J(2011). Performance affects: applied theatre and the end of effect. RIDE-J APPL THEATRE vol. 16, (1) 125-127.
10.1080/13569783.2011.541616
HARVIE JBC(2011). Review of James Thompson, Performance Affects: Applied Theatre and the End of Effect (Houndmills: Palgrave Macmillan, 2009). Research in Drama Education: The Journal of Applied Theatre and Performance vol. 16, (1)
HARVIE JBC(2011). Review of Kate Mondloch, : Viewing Media Installation Art (Minneapolis: University of Minnesota Press, 2010). New Cinemas: Journal of Contemporary Film vol. 9, (1)
HARVIE JBC(2011). Review of Nicolas Whybrow, Performance and the Contemporary City: An Interdisciplinary Reader, Houndmills: Palgrave Macmillan, 2010. NTQ: New Theatre Quarterly vol. 27, (2)
Harvie JBC(2010). Introduction: contemporary theatre in the making. Making contemporary theatre, Editors: Harvie, J, Lavender, A, Manchester University Press (Manchester),
HARVIE J(2009). Agency and complicity in 'a special civic room': London's Tate Modern Turbine hall. Performance and the City, Editors: Hopkins, DJ, Orr, S, solga, K, Palgrave Macmillan (Houndmills),
HARVIE J, Etchells T(2009). Theatre & the City. Palgrave Macmillan (Houndmills),
Harvie J(2007). The Wooster group and its traditions. THEATRE RES INT vol. 32, (2) 221-222.
10.1017/S0307883306002604
Bradby D, Delgado MM, Harvie J, Rebellato D(2006). Editorial. CONTEMP THEATRE REV vol. 16, (4) 385-388.
10.1080/10486800601056703
HARVIE J, Rebellato D (2006). Contemporary Theatre Review. London , Notes: Edited Journal,
Publisher URL
Harvie J, Rebellato D(2006). Globalisation and theatre. CONTEMP THEATRE REV vol. 16, (1) 3-6.
10.1080/10486800600630615
Rebellato D, Harvie J(2006). Theatre and globalisation: A symposium. CONTEMP THEATRE REV vol. 16, (1) 144-145.
10.1080/10486800600671502
HARVIE J(2006). Witnessing Michael Landy's 'Break Down': Metonymy, Affect and Politicised Performance in an Age of Global Consumer Capitalism. Contemporary Theatre Review (Special Issue on Globalization and Theatre) vol. 16, (1) 62-72.
Harvie J(2006). Witnessing Michael Landy's 'Break Down': Metonymy, affect, and politicised performance in an age of global consumer capitalism. CONTEMP THEATRE REV vol. 16, (1) 62-72.
10.1080/10486800500451013
HARVIE JBC(2006). Review of Baz Kershaw, ed., The Cambridge History of British Theatre, vol.3, since 1895 (Cambridge: Cambridge University Press, 2004). Modern Drama: world drama from 1850 to the present vol. 49, (4)
Harvie J(2006). Since 1895. MOD DRAMA vol. 49, (4) 535-538.
10.1353/mdr.2007.0010
HARVIE J, Allain PA(2006). The Routledge Companion to Theatre and Performance. Routledge (Oxon, New York),
HARVIE J (2005). Hybridity, Diaspora, Metropolis. Conference: Symposium on Intercultural, Cross-cultural and Post-colonial Theatre, Royal Holloway, University of London
HARVIE J (2005). Performance Affect, Witnessing and Testimony: Michael Landy's 'Break Down'. Conference: Performance Studies International 11, Brown University, Providence, RI, USA
HARVIE J(2005). Constructing Fictions of an Essential Reality or 'This Pickshur is Niiiice': Judith Thompson's 'Lion in the Streets'. Judith Thompson, Editors: Knowles, R, Playwrights Canada Press (Toronto, Canada),
HARVIE J(2005). Staging the UK. Manchester University Press (Manchester),
HARVIE J(2004). Being Her: Presence, Absence, and Performance in the Art of Janet Cardiff and Tracey Emin. Autobiography and Identity: Women, Theatre and Performance, Editors: Gale, MB, Gardner, V, Manchester UP (Manchester),
HARVIE JBC(2004). Review of S. E. Wilmer, Theatre, Society and the Nation: Staging American Identities (Cambridge: Cambridge University Press, 2002). NTQ: New Theatre Quarterly vol. 22, (2)
Harvie J(2003). Cultural effects of the Edinburgh International Festival: Elitism, identities, industries. CONTEMP THEATRE REV vol. 13, (4) 12-26.
10.1080/1048680032000118378
Harvie J(2003). Deborah Colker, 'Casa'. THEATRE J vol. 55, (3) 509-511.
10.1353/tj.2003.0116
Harvie J, Flamand F(2003). Frederic Flamand, 'Metapolis Project 972'. THEATRE J vol. 55, (3) 509-511.
10.1353/tj.2003.0116
Harvie J(2003). British theatre between the wars, 1918-1939. CONTEMP THEATRE REV vol. 13, (1) 121-122.
Harvie J(2003). Nationalizing the 'creative industries' (Theatre in the UK). CONTEMP THEATRE REV vol. 13, (1) 15-32.
10.1080/1048680031000077834
HARVIE J(2003). The Alarming / Boring Binary Logic of Reviewing English-Canadian Drama in Britain. Performing National Identities: International Perspectives on Contemporary Canadian Theatre, Editors: Grace, S, Glaap, AR, Talon (Vancouver, Canada),
Harvie J(2002). Ms-directing Shakespeare: Women direct Shakespeare. THEATRE RES INT vol. 27, (3) 307-308.
Harvie J(2002). DV8's 'Can We Afford This': The cost of devising on site for global markets. THEATRE RES INT vol. 27, (1) 68-77.
10.1017/S0307883302001074
Harvie J(2002). Ravenhill 'Mother Clap's Molly House'. THEATRE J vol. 54, (1) 163-166.
10.1353/tj.2002.0016
HARVIE J (2002). Brith Gof's 'Goddodin': Site-specificity, Location and Meaning. Conference: American Society for Theater Research, University of Pennsylvania, PA, USA
HARVIE J (2002). Re-visiting the Courthouse to Remember Belfast: Memory, Site, Identity, and Tinderbox Theatre Company's 'convictions'. Conference: International Federation for Theatre Research (IFTR), Amsterdam
HARVIE JBC(2002). Review of Marc Maufort and Franca Bellarsi, eds, Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama (Brussels: P.I.E.-Peter Lang, 2001. NTQ: New Theatre Quarterly vol. 18, (4)
HARVIE J(2002). Robert Lepage. Postmodernism: The Key Figures, Editors: Bertens, H, Natoli, J, Blackwell (Oxford),
HARVIE J(2001). Canadian Drama and Performance in the UK: Featuring Quebec and a Canon. Canadian Theatre Review special issue on Canada on the World Stage vol. 105, 5-9.
HARVIE J (2001). Audiences Playing Spaces: Artangel in the City. Conference: Performance Studies International, Mainz, Germany
Harvie J(2001). The Cambridge companion to modern British women playwrights. MOD DRAMA vol. 44, (4) 503-507.
Harvie J(2000). On directing: Interviews with directors. MOD DRAMA vol. 43, (3) 514-517.
Harvie J(2000). Transnationalism, Orientalism, Cultural Tourism: La Trilogie des dragons and The Seven Streams of the River Ota. Theater sans frontières: Essays on the Dramatic Universe of Robert Lepage, Editors: Donohoe, JI, Koustas, JM, Michigan State Univ Pr
Knowles RP, Harvie J(1999). Herbert Whittaker, Reporting from the Front: The Montreal Gazette, 1937-1949, and the Globe and Mail, 1949-1975. Establishing our boundaries: English-Canadian Theatre Criticism, Editors: Wagner, A, University of Toronto Press (Toronto),
Harvie J, Hurley E(1999). States of Play: Locating Québec in the Performances of Robert Lepage, Ex Machina, and the Cirque du Solei. Theatre Journal vol. 51.3, 299-315.
Harvie J(1996). (Im)Possibility: Fantasy and Judith Thompson's Drama. On-Stage and Off-Stage, Editors: Glaap, A-R, Althof, R, Breakwater Books Ltd
HARVIE JBC(1995). The Real Nation?: Michel Tremblay, Scotland, and Cultural Translatability. Theatre Research in Canada vol. 16, (1-2) 5-25.
HARVIE JBC(1995). The Real Nation?: Michel Tremblay, Scotland, and Cultural Translatability. Theatre Research in Canada vol. 16, (1-2) 5-25.
HARVIE J, KNOWLES RP (1994). DIALOGIC MONOLOGUE + THE DIALOGIC FUNCTION OF MONOLOGUE IN SOME CONTEMPORARY CANADIAN PLAYS - A DIALOG. THEATRE RESEARCH IN CANADA-RECHERCHES THEATRALES AU CANADA. vol. 15, 136-163.
HARVIE JBC, Knowles RP(1994). Dialogic Monologue: A Dialogue. Theatre Research in Canada vol. 15, (2) 136-163.
HARVIE JBC(1993). Desire and Difference in Liz Lochhead's Dracula. Essays in Theatre vol. 11, (2) 133-143.
Harvie J, McDonald J(1993). Putting New Twists to Old Stories: Feminism and Lochhead's Drama. Liz Lochhead's voices, Editors: Crawford, R, Varty, A, Edinburgh Univ Pr (Edinburgh),
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