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  1. Queen Mary University of London
  2. Research
  3. Publications

Publications: Prof Jennifer Harvie

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Harvie J, Allain P ( 2024 ) . The Routledge Companion to Theatre and Performance . Routledge ( UK ),
Monks A ( 2024 ) . Actors - A History of Service . Editors: Harvie, J, Rebellato, D , Cambridge University Press ( Cambridge, UK ),
Harvie J, Rebellato D ( 2024 ) . Chronology of British Theatre Since 1945 . The Cambridge Companion to British Theatre Since 1945 , Editors: Harvie, J, Rebellato, D , Cambridge University Press ( Cambridge, UK ),
Harvie J, Rebellato D ( 2024 ) . Introduction . The Cambridge Companion to British Theatre Since 1945 , Editors: Harvie, J, Rebellato, D , Cambridge University Press ( Cambridge, UK ),
Harvie J ( 2024 ) . Subsidised Theatre: Strength, Elitism, Metropolitanism, Racism . The Cambridge Companion to British Theatre Since 1945 , Editors: Harvie, J, Rebellato, D , Cambridge University Press ( Cambridge, UK ),
Harvie J, Rebellato D ( 2024 ) . The Fringe: The Rise and Fall of Radical Alternative Theatre . The Cambridge Companion to British Theatre Since 1945 , Editors: Harvie, J, Rebellato, D , Cambridge University Press ( Cambridge, UK ),
Harvie J ( 2023 ) . Queering Time, Ageing and Relationships with Split Britches . Journal of the British Academy vol. 11 , 117 - 146 .
Harvie J ( 2023 ) . A Sense of Place: Staging Psychogeographies of the UK Housing Crisis . Journal of Contemporary Drama in English vol. 11 , ( 1 ) 78 - 101 .
Harvie J ( 2022 ) . 'How I Learned to Stop Worrying and Love: Staging Relational Care with Lois Weaver and Split Britches . The Routledge Companion to Applied Performance Volume Two - Brazil, West Africa, South and South East Asia, United Kingdom, and the Arab World , Editors: Prentki, T, Breed, A , vol. 2 , Routledge Companions ( UK ),
Harvie J ( 2022 ) . Alex Ferrone, Stage Business and the Neoliberal Theatre of London . Modern Drama vol. 65 , ( 2 ) 251 - 254 .
Harvie J ( 2021 ) . Neoliberalism, theatre, performance, inequality, and alternatives . Neoliberalism, Theatre and Performance , Taylor & Francis
Harvie J ( 2020 ) . Elin Diamond, Denise Varney, and Candice Amich, ed. Performance, Feminism and Affect in Neoliberal Times. London: Palgrave, 2017, xviii + 315 pp., £67.99 (hardback), £67.99 (paperback), £53.99 (PDF ebook) . Journal of Contemporary Drama in English vol. 8 , ( 2 ) 332 - 335 .
Harvie J ( 2020 ) . International Theatre Festivals in the UK: The Edinburgh Festival Fringe as a Model Neo-liberal Market . The Cambridge Companion to International Theatre Festivals , Editors: Knowles, R , Cambridge University Press ( Cambridge, UK ),
Harvie J ( 2019 ) . Institutions provocation: Institutional celebration . Agency: A Partial History of Live Art ,
Anderson G, Biggs B, Goldberg R, Harvie J, Paterson M, Šimić L, Sofaer J, Trowell J et al. ( 2019 ) . Institutions: Introduction . Agency: A Partial History of Live Art ,
Harvie J ( 2019 ) . The power of abuse . The Routledge Companion to Theatre and Politics , Taylor & Francis
Harvie J ( 2019 ) . Feminism, audience interaction, and performer authority 1 . Staging Spectators in Immersive Performances: Commit Yourself! ,
Gorman S, Harris G, Harvie J ( 2018 ) . Feminisms Now . Contemporary Theatre Review vol. 28 , ( 3 ) 278 - 284 .
Harvie J ( 2018 ) . Social and Political Theatre in 21st-Century Britain: Staging Crisis . Modern Drama vol. 61 , ( 4 ) 585 - 587 .
HARVIE JBC ( 2018 ) . Boom! Adversarial Ageism, Chrononormativity, and the Anthropocene . Contemporary Theatre Review vol. 3 , 332 - 344 .
Harvie J ( 2018 ) . Feminisms Now . Editors: Harvie, J , Taylor and Francis
HARVIE J ( 2018 ) . Scottee: I Made It . Editors: HARVIE, JBC , Live Art Development Agency ( London ),
Harvie J ( 2018 ) . "A Multi-modal and Durational Praxis of Decolonization": Performance studies in Canada . Canadian Theatre Review vol. 176 , 115 - 117 .
Harvie J ( 2018 ) . The Housing Crisis, Art, and Performance . Performance in the Public Sphere , Editors: Pais, A , Performativa ( Lisbon, PT ),
Harvie J ( 2016 ) . Theatre: A Very Short Introduction. By Marvin Carlson. Oxford: Oxford University Press, 2014. Pp. 131 + 10 illus. £7.99/$11.95 Pb . Theatre Research International vol. 41 , ( 1 ) 95 - 96 .
Harvie J ( 2016 ) . Performance as Social Act . Perform, Experience, Re-Live , Editors: Wee, C , Tate ( London ),
Harvie J ( 2015 ) . Funding, philanthropy, structural inequality and decline in England's theatre ecology . Cultural Trends vol. 24 , ( 1 ) 56 - 61 .
Harvie J ( 2014 ) . Neoliberalism and Global Theatres: Performance Permutations ed. by Lara D. Nielsen and Patricia Ybarra, and: Performance in the Blockades of Neoliberalism: Thinking the Political Anew by Maurya Wickstrom (review) . Theatre Journal vol. 66 , ( 4 ) 642 - 644 .
Harvie J ( 2014 ) . Beg, borrow or steal: Lois Weaver in conversation with Jen Harvie . Theatre and Adaptation: Return, Rewrite, Repeat ,
Harvie J ( 2014 ) . NEOLIBERALISM AND GLOBAL THEATRES: PERFORMANCE PERMUTATIONS . THEATRE JOURNAL vol. 66 , ( 4 ) 642 - 644 .
Harvie J ( 2014 ) . PERFORMANCE IN THE BLOCKADES OF NEOLIBERALISM: THINKING THE POLITICAL ANEW . THEATRE JOURNAL vol. 66 , ( 4 ) 642 - 644 .
Harvie JEN, ZAIONTZ KEREN ( 2013 ) . Introduction: The Cultural Politics of London 2012 . Contemporary Theatre Review vol. 23 , ( 4 ) 476 - 485 .
Harvie J ( 2013 ) . Fair Play - Art, Performance and Neoliberalism . Palgrave Macmillan ( Houndmills, Basingstoke ),
HARVIE JBC ( 2013 ) . Brand London 2012 and 'The Heart of East London': Competing Urban Agendas at the 2012 Games . Contemporary Theatre Review vol. 23 , ( 4 ) 486 - 501 .
HARVIE JBC, ZAIONTZ K ( 2013 ) . Introduction: The Cultural Politics of London 2012 . Contemporary Theatre Review vol. 23 , ( 4 ) 476 - 485 .
Harvie J ( 2012 ) . Art and the City . Contemporary Theatre Review vol. 22 , ( 3 ) 424 - 425 .
Harvie J ( 2012 ) . Bienvenue . Canadian Theatre Review vol. 151 , ( 151 ) 83 - 85 .
Harvie J ( 2012 ) . Social Works: Performing Art, Supporting Publics . Contemporary Theatre Review vol. 22 , ( 1 ) 167 - 168 .
HARVIE JBC ( 2012 ) . Bienvenue. Review of Erin Hurley, National Performance: Representing Quebec from Expo 67 to Celine Dion, Toronto: University of Toronto Press, 2010 . Canadian Theatre Review vol. 151 ,
HARVIE JBC ( 2012 ) . Review of Shannon Jackson, Social Works: Performing Art, Supporting Publics, Oxon: Routledge, 2011 . Contemporary Theatre Review vol. 22 , ( 1 )
Harvie J ( 2011 ) . Democracy and Neoliberalism in Art's Social Turn and Roger Hiorns's Seizure . PERFORM RES vol. 16 , ( 2 ) 113 - 123 .
Harvie J ( 2011 ) . Performance affects: applied theatre and the end of effect . RIDE-J APPL THEATRE vol. 16 , ( 1 ) 125 - 127 .
HARVIE JBC ( 2011 ) . Review of James Thompson, Performance Affects: Applied Theatre and the End of Effect (Houndmills: Palgrave Macmillan, 2009) . Research in Drama Education: The Journal of Applied Theatre and Performance vol. 16 , ( 1 )
HARVIE JBC ( 2011 ) . Review of Kate Mondloch, : Viewing Media Installation Art (Minneapolis: University of Minnesota Press, 2010) . New Cinemas: Journal of Contemporary Film vol. 9 , ( 1 )
HARVIE JBC ( 2011 ) . Review of Nicolas Whybrow, Performance and the Contemporary City: An Interdisciplinary Reader, Houndmills: Palgrave Macmillan, 2010 . NTQ: New Theatre Quarterly vol. 27 , ( 2 )
Harvie JBC ( 2010 ) . Introduction: contemporary theatre in the making . Making contemporary theatre , Editors: Harvie, J, Lavender, A , Manchester University Press ( Manchester ),
HARVIE J ( 2009 ) . Agency and complicity in 'a special civic room': London's Tate Modern Turbine hall . Performance and the City , Editors: Hopkins, DJ, Orr, S, solga, K , Palgrave Macmillan ( Houndmills ),
HARVIE J, Etchells T ( 2009 ) . Theatre & the City . Palgrave Macmillan ( Houndmills ),
Harvie J ( 2007 ) . The Wooster group and its traditions . THEATRE RES INT vol. 32 , ( 2 ) 221 - 222 .
Bradby D, Delgado MM, Harvie J, Rebellato D ( 2006 ) . Editorial . CONTEMP THEATRE REV vol. 16 , ( 4 ) 385 - 388 .
HARVIE J, Rebellato D ( 2006 ) . Contemporary Theatre Review . London , Notes: Edited Journal ,
Harvie J, Rebellato D ( 2006 ) . Globalisation and theatre . CONTEMP THEATRE REV vol. 16 , ( 1 ) 3 - 6 .
Rebellato D, Harvie J ( 2006 ) . Theatre and globalisation: A symposium . CONTEMP THEATRE REV vol. 16 , ( 1 ) 144 - 145 .
HARVIE J ( 2006 ) . Witnessing Michael Landy's 'Break Down': Metonymy, Affect and Politicised Performance in an Age of Global Consumer Capitalism . Contemporary Theatre Review (Special Issue on Globalization and Theatre) vol. 16 , ( 1 ) 62 - 72 .
Harvie J ( 2006 ) . Witnessing Michael Landy's 'Break Down': Metonymy, affect, and politicised performance in an age of global consumer capitalism . CONTEMP THEATRE REV vol. 16 , ( 1 ) 62 - 72 .
HARVIE JBC ( 2006 ) . Review of Baz Kershaw, ed., The Cambridge History of British Theatre, vol.3, since 1895 (Cambridge: Cambridge University Press, 2004) . Modern Drama: world drama from 1850 to the present vol. 49 , ( 4 )
Harvie J ( 2006 ) . Since 1895 . MOD DRAMA vol. 49 , ( 4 ) 535 - 538 .
HARVIE J, Allain PA ( 2006 ) . The Routledge Companion to Theatre and Performance . Routledge ( Oxon, New York ),
HARVIE J ( 2005 ) . Hybridity, Diaspora, Metropolis . Conference: Symposium on Intercultural, Cross-cultural and Post-colonial Theatre, Royal Holloway, University of London
HARVIE J ( 2005 ) . Performance Affect, Witnessing and Testimony: Michael Landy's 'Break Down' . Conference: Performance Studies International 11, Brown University, Providence, RI, USA
HARVIE J ( 2005 ) . Constructing Fictions of an Essential Reality or 'This Pickshur is Niiiice': Judith Thompson's 'Lion in the Streets' . Judith Thompson , Editors: Knowles, R , Playwrights Canada Press ( Toronto, Canada ),
HARVIE J ( 2005 ) . Staging the UK . Manchester University Press ( Manchester ),
HARVIE J ( 2004 ) . Being Her: Presence, Absence, and Performance in the Art of Janet Cardiff and Tracey Emin . Autobiography and Identity: Women, Theatre and Performance , Editors: Gale, MB, Gardner, V , Manchester UP ( Manchester ),
HARVIE JBC ( 2004 ) . Review of S. E. Wilmer, Theatre, Society and the Nation: Staging American Identities (Cambridge: Cambridge University Press, 2002) . NTQ: New Theatre Quarterly vol. 22 , ( 2 )
Harvie J ( 2003 ) . Cultural effects of the Edinburgh International Festival: Elitism, identities, industries . CONTEMP THEATRE REV vol. 13 , ( 4 ) 12 - 26 .
Harvie J ( 2003 ) . Deborah Colker, 'Casa' . THEATRE J vol. 55 , ( 3 ) 509 - 511 .
Harvie J, Flamand F ( 2003 ) . Frederic Flamand, 'Metapolis Project 972' . THEATRE J vol. 55 , ( 3 ) 509 - 511 .
Harvie J ( 2003 ) . British theatre between the wars, 1918-1939 . CONTEMP THEATRE REV vol. 13 , ( 1 ) 121 - 122 .
Harvie J ( 2003 ) . Nationalizing the 'creative industries' (Theatre in the UK) . CONTEMP THEATRE REV vol. 13 , ( 1 ) 15 - 32 .
HARVIE J ( 2003 ) . The Alarming / Boring Binary Logic of Reviewing English-Canadian Drama in Britain . Performing National Identities: International Perspectives on Contemporary Canadian Theatre , Editors: Grace, S, Glaap, AR , Talon ( Vancouver, Canada ),
Harvie J ( 2002 ) . Ms-Directing Shakespeare: Women Direct Shakespeare. By Elizabeth Schafer. New York: St Martin's Press, 2000. Pp. vi + 277 + illus. $24.95 Hb . Theatre Research International vol. 27 , ( 3 ) 306 - 313 .
Harvie J ( 2002 ) . Ms-directing Shakespeare: Women direct Shakespeare . THEATRE RES INT vol. 27 , ( 3 ) 307 - 308 .
Harvie J ( 2002 ) . DV8's 'Can We Afford This': The cost of devising on site for global markets . THEATRE RES INT vol. 27 , ( 1 ) 68 - 77 .
Harvie J ( 2002 ) . Ravenhill 'Mother Clap's Molly House' . THEATRE J vol. 54 , ( 1 ) 163 - 166 .
HARVIE J ( 2002 ) . Brith Gof's 'Goddodin': Site-specificity, Location and Meaning . Conference: American Society for Theater Research, University of Pennsylvania, PA, USA
HARVIE J ( 2002 ) . Re-visiting the Courthouse to Remember Belfast: Memory, Site, Identity, and Tinderbox Theatre Company's 'convictions' . Conference: International Federation for Theatre Research (IFTR), Amsterdam
HARVIE JBC ( 2002 ) . Review of Marc Maufort and Franca Bellarsi, eds, Siting the Other: Re-visions of Marginality in Australian and English-Canadian Drama (Brussels: P.I.E.-Peter Lang, 2001 . NTQ: New Theatre Quarterly vol. 18 , ( 4 )
HARVIE J ( 2002 ) . Robert Lepage . Postmodernism: The Key Figures , Editors: Bertens, H, Natoli, J , Blackwell ( Oxford ),
HARVIE J ( 2001 ) . Canadian Drama and Performance in the UK: Featuring Quebec and a Canon . Canadian Theatre Review special issue on Canada on the World Stage vol. 105 , 5 - 9 .
HARVIE J ( 2001 ) . Audiences Playing Spaces: Artangel in the City . Conference: Performance Studies International, Mainz, Germany
Harvie J ( 2001 ) . The Cambridge companion to modern British women playwrights . MOD DRAMA vol. 44 , ( 4 ) 503 - 507 .
Harvie J ( 2000 ) . On directing: Interviews with directors . MOD DRAMA vol. 43 , ( 3 ) 514 - 517 .
Harvie J ( 2000 ) . Transnationalism, Orientalism, Cultural Tourism: La Trilogie des dragons and The Seven Streams of the River Ota . Theater sans frontières: Essays on the Dramatic Universe of Robert Lepage , Editors: Donohoe, JI, Koustas, JM , Michigan State Univ Pr
Knowles RP, Harvie J ( 1999 ) . Herbert Whittaker, Reporting from the Front: The Montreal Gazette, 1937-1949, and the Globe and Mail, 1949-1975 . Establishing our boundaries: English-Canadian Theatre Criticism , Editors: Wagner, A , University of Toronto Press ( Toronto ),
Harvie J, Hurley E ( 1999 ) . States of Play: Locating Québec in the Performances of Robert Lepage, Ex Machina, and the Cirque du Solei . Theatre Journal vol. 51.3 , 299 - 315 .
Harvie J ( 1998 ) . Graduating professionals The efficacy of current graduate theatre and drama training, and suggestions for change . THEATRE RESEARCH IN CANADA-RECHERCHES THEATRALES AU CANADA vol. 19 , ( 2 ) 193 - 195 .
Harvie J ( 1997 ) . The Oxford companion to Canadian theatre . THEATRE RESEARCH IN CANADA-RECHERCHES THEATRALES AU CANADA vol. 18 , ( 2 ) 212 - 213 .
Harvie J ( 1996 ) . (Im)Possibility: Fantasy and Judith Thompson's Drama . On-Stage and Off-Stage , Editors: Glaap, A-R, Althof, R , Breakwater Books Ltd
HARVIE JBC ( 1995 ) . The Real Nation?: Michel Tremblay, Scotland, and Cultural Translatability . Theatre Research in Canada vol. 16 , ( 1-2 ) 5 - 25 .
HARVIE J ( 1995 ) . THE REAL NATION, TREMBLAY,MICHEL, SCOTLAND, AND CULTURAL TRANSLATABILITY . THEATRE RESEARCH IN CANADA-RECHERCHES THEATRALES AU CANADA vol. 16 , ( 1-2 ) 5 - 25 .
HARVIE JBC ( 1995 ) . The Real Nation?: Michel Tremblay, Scotland, and Cultural Translatability . Theatre Research in Canada vol. 16 , ( 1-2 ) 5 - 25 .
HARVIE J, KNOWLES RP ( 1994 ) . DIALOGIC MONOLOGUE + THE DIALOGIC FUNCTION OF MONOLOGUE IN SOME CONTEMPORARY CANADIAN PLAYS - A DIALOG . THEATRE RESEARCH IN CANADA-RECHERCHES THEATRALES AU CANADA . vol. 15 , 136 - 163 .
HARVIE JBC, Knowles RP ( 1994 ) . Dialogic Monologue: A Dialogue . Theatre Research in Canada vol. 15 , ( 2 ) 136 - 163 .
HARVIE JBC ( 1993 ) . Desire and Difference in Liz Lochhead's Dracula . Essays in Theatre vol. 11 , ( 2 ) 133 - 143 .
Harvie J, McDonald J ( 1993 ) . Putting New Twists to Old Stories: Feminism and Lochhead's Drama . Liz Lochhead's voices , Editors: Crawford, R, Varty, A , Edinburgh Univ Pr ( Edinburgh ),
HARVIE J ( 1992 ) . CONSTRUCTING FICTIONS OF AN ESSENTIAL REALITY OR THIS-PICKSHUR-IS-NIIIICE, THOMPSON,JUDITH 'LION IN THE STREETS' . THEATRE RESEARCH IN CANADA-RECHERCHES THEATRALES AU CANADA vol. 13 , ( 1-2 ) 81 - 93 .
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