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Publications:  Prof Simon Dixon

KUDUMAKIS P, Dixon S. DMRN+14: Digital Music Research Network Workshop Proceedings 2019. Editors: KUDUMAKIS, P, Dixon, S, Conference: DMRN+14: Digital Music Research Network Workshop 2019 (Centre for Digital Music, Queen Mary University of London) from: 17/12/2019
https://qmro.qmul.ac.uk/xmlui/handle/123456789/61898
Frieler K, Basaran D, Höger F, Crayencour HC, Peeters G, Dixon S (2019). Don't hide in the frames: Note-and pattern-based evaluation of automated melody extraction algorithms. ACM International Conference Proceeding Series. 25-32.
10.1145/3358664.3358672
https://qmro.qmul.ac.uk/xmlui/handle/123456789/64888
Vianna Lordelo C, Benetos E, Dixon S, Ahlbäck S (2019). Investigating kernel shapes and skip connections for deep learning-based harmonic-percussive separation. http://www.waspaa.com/. Conference: IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (New Paltz, NY, USA) from: 20/10/2019 to: 23/10/2019, 40-44.
10.1109/WASPAA.2019.8937079
https://qmro.qmul.ac.uk/xmlui/handle/123456789/59067
Mehrabi A, Dixon S, Sandler M(2019). Erratum: Vocal imitation of percussion sounds: On the perceptual similarity between imitations and imitated sounds (PLOS ONE (2019)14:8 (e0221722) DOI:10.1371/journal.pone.0219955). PLoS One vol. 14, (8)
10.1371/journal.pone.0221722
https://qmro.qmul.ac.uk/xmlui/handle/123456789/64099
Rodríguez-Algarra F, Sturm BL, Dixon S(2019). Characterising Confounding Effects in Music Classification Experiments through Interventions. Transactions of the International Society for Music Information Retrieval vol. 2, (1) 52-66.
10.5334/tismir.24
https://qmro.qmul.ac.uk/xmlui/handle/123456789/59716
Dai J, Dixon S(2019). Intonation trajectories within tones in unaccompanied soprano, alto, tenor, bass quartet singing. J Acoust Soc Am vol. 146, (2) 1005-1005.
10.1121/1.5120483
https://qmro.qmul.ac.uk/xmlui/handle/123456789/59698
Mehrabi A, Dixon S, Sandler M(2019). Vocal imitation of percussion sounds: On the perceptual similarity between imitations and imitated sounds. PLoS One vol. 14, (7) e0219955-e0219955.
10.1371/journal.pone.0219955
https://qmro.qmul.ac.uk/xmlui/handle/123456789/59751
Nakamura E, Nishikimi R, Dixon S, Yoshii K (2019). Probabilistic Sequential Patterns for Singing Transcription. 2018 Asia-Pacific Signal and Information Processing Association Annual Summit and Conference, APSIPA ASC 2018 - Proceedings. Conference: 2018 Asia-Pacific Signal and Information Processing Association Annual Summit and Conference1905-1912.
10.23919/APSIPA.2018.8659637
https://qmro.qmul.ac.uk/xmlui/handle/123456789/59768
Dai J, Dixon S(2019). Singing together: Pitch accuracy and interaction in unaccompanied unison and duet singing. J Acoust Soc Am vol. 145, (2) 663-663.
10.1121/1.5087817
https://qmro.qmul.ac.uk/xmlui/handle/123456789/59696
Li S, Dixon S, Black DAA, Plumbley MD (2019). A model selection test for factors affecting the choice of expressive timing clusters for a phrase. SMC 2016 - 13th Sound and Music Computing Conference, Proceedings. 247-252.
BENETOS E, DIXON S, Duan Z, EWERT S(2019). Automatic Music Transcription: An Overview. IEEE Signal Processing Magazine vol. 36, (1) 20-30.
10.1109/MSP.2018.2869928
https://qmro.qmul.ac.uk/xmlui/handle/123456789/54987
Dai J, Dixon S (2019). Understanding intonation trajectories and patterns of vocal notes. Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics). vol. 11296 LNCS, 243-253.
10.1007/978-3-030-05716-9_20
https://qmro.qmul.ac.uk/xmlui/handle/123456789/64889
KUDUMAKIS P, DIXON S (2018). DMRN+13: Digital Music Research Network Workshop Proceedings 2018. Editors: KUDUMAKIS, P, DIXON, S, Conference: DMRN+13: Digital Music Research Network Workshop 2018 (Centre for Digital Music, Queen Mary University of London) from: 18/12/2018
10.26494/DMRN.2018.53783
https://qmro.qmul.ac.uk/xmlui/handle/123456789/53783
Mishra S, Sturm BL, Dixon S (2018). “What are you listening to?” Explaining predictions of deep machine listening systems. European Signal Processing Conference. vol. 2018-September, 2260-2264.
10.23919/EUSIPCO.2018.8553178
https://qmro.qmul.ac.uk/xmlui/handle/123456789/59697
Stoller D, Akkermans V, Dixon S (2018). Detection of cut-points for automatic music rearrangement. IEEE International Workshop on Machine Learning for Signal Processing, MLSP. Conference: IEEE International Workshop on Machine Learning for Signal Processing, MLSP vol. 2018-September,
10.1109/MLSP.2018.8516706
https://qmro.qmul.ac.uk/xmlui/handle/123456789/54643
Li S, Dixon S, Plumbley MD (2018). A Demonstration of Hierarchical Structure Usage in Expressive Timing Analysis by Model Selection Tests. Chinese Control Conference, CCC. vol. 2018-July, 3190-3195.
10.23919/ChiCC.2018.8483169
https://qmro.qmul.ac.uk/xmlui/handle/123456789/53928
Stoller D, Ewert S, Dixon S (2018). Adversarial Semi-Supervised Audio Source Separation Applied to Singing Voice Extraction. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. Conference: IEEE International Conference on Acoustics, Speech and Signal Processing vol. 2018-April, 2391-2395.
10.1109/ICASSP.2018.8461722
https://qmro.qmul.ac.uk/xmlui/handle/123456789/57275
Mehrabi A, Choi K, Dixon S, Sandler M (2018). Similarity Measures for Vocal-Based Drum Sample Retrieval Using Deep Convolutional Auto-Encoders. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. Conference: ICASSP 2018 vol. 2018-April, 356-360.
10.1109/ICASSP.2018.8461566
https://qmro.qmul.ac.uk/xmlui/handle/123456789/61805
STOLLER D, Ewert S, DIXON S (2018). Jointly detecting and separating singing voice: a multi-task approach. Conference: 14th International Conference on Latent Variable Analysis and Signal Separation
10.1007/978-3-319-93764-9_31
https://qmro.qmul.ac.uk/xmlui/handle/123456789/57276
Nakamura E, BENETOS E, Yoshii K, DIXON S (2018). Towards Complete Polyphonic Music Transcription: Integrating Multi-Pitch Detection and Rhythm Quantization. Conference: IEEE International Conference on Acoustics, Speech and Signal Processing (Calgary, Canada) from: 15/04/2018 to: 20/04/2018, 101-105.
10.1109/ICASSP.2018.8461914
https://qmro.qmul.ac.uk/xmlui/handle/123456789/40583
Weiß C, Mauch M, Dixon S, Müller M(2018). Investigating style evolution of Western classical music: A computational approach. Musicae Scientiae vol. 23, (4) 486-507.
10.1177/1029864918757595
https://qmro.qmul.ac.uk/xmlui/handle/123456789/53963
PANTELI M, BENETOS E, DIXON S(2018). A review of manual and computational approaches for the study of world music corpora. Journal of New Music Research vol. 47, (2) 176-189.
10.1080/09298215.2017.1418896
https://qmro.qmul.ac.uk/xmlui/handle/123456789/31440
Frieler K, Höger F, Pfleiderer M, Dixon S (2018). Two web applications for exploring melodic patterns in jazz solos. Proceedings of the 19th International Society for Music Information Retrieval Conference, ISMIR 2018. 777-783.
Mishra S, Sturm BL, Dixon S (2018). Understanding a deep machine listening model through feature inversion. Proceedings of the 19th International Society for Music Information Retrieval Conference, ISMIR 2018. 755-762.
Stoller D, Ewert S, Dixon S (2018). Wave-U-Net: A multi-scale neural network for end-to-end audio source separation. Proceedings of the 19th International Society for Music Information Retrieval Conference, ISMIR 2018. 334-340.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/39785
PANTELI M, BENETOS E, DIXON S(2017). A computational study on outliers in world music. PLoS ONE vol. 12, (12) Article e0189399, 1-28.
10.1371/journal.pone.0189399
https://qmro.qmul.ac.uk/xmlui/handle/123456789/31245
Mohamad Z, Dixon S, Harte C(2017). Pickup position and plucking point estimation on an electric guitar via autocorrelation. J Acoust Soc Am vol. 142, (6) 3530-3540.
10.1121/1.5016815
https://qmro.qmul.ac.uk/xmlui/handle/123456789/31405
Di Giorgi B, Dixon S, Zanoni M, Sarti A(2017). A data-driven model of tonal chord sequence complexity. IEEE/ACM Transactions on Audio, Speech, and Language Processing1-1.
10.1109/TASLP.2017.2756443
https://qmro.qmul.ac.uk/xmlui/handle/123456789/28264
WANG S, Ewert SEBASTIAN, Dixon SIMON(2017). Identifying Missing and Extra Notes in Piano Recordings Using Score-Informed Dictionary Learning. IEEE/ACM Transactions on Audio, Speech and Language Processing
10.1109/TASLP.2017.2724203
https://qmro.qmul.ac.uk/xmlui/handle/123456789/24898
NAKAMURA E, Yoshii K, Dixon S(2017). Note Value Recognition for Piano Transcription Using Markov Random Fields. IEEE/ACM Transactions on Audio, Speech, and Language Processing1-1.
10.1109/TASLP.2017.2722103
https://qmro.qmul.ac.uk/xmlui/handle/123456789/25265
Quinton E, Dixon S, Sandler M, O'Hanlon KO (2017). TRACKING METRICAL STRUCTURE CHANGES WITH SPARSE-NMF. Conference: 2017 IEEE International Conference on Acoustics, Speech and Signal Processing
10.1109/ICASSP.2017.7952114
https://qmro.qmul.ac.uk/xmlui/handle/123456789/19780
Mohamad Z, Dixon S, Harte C (2017). Pickup position and plucking point estimation on an electric guitar. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. Conference: 2017 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)651-655.
10.1109/ICASSP.2017.7952236
https://qmro.qmul.ac.uk/xmlui/handle/123456789/64612
Panteli M, Bittner R, Bello JP, Dixon S (2017). Towards the characterization of singing styles in world music. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. Conference: IEEE International Conference on Acoustics, Speech and Signal Processing636-640.
10.1109/ICASSP.2017.7952233
https://qmro.qmul.ac.uk/xmlui/handle/123456789/64613
Mehrabi A, Harte C, Baume C, Dixon S(2017). Music thumbnailing for radio podcasts: A listener evaluation. AES: Journal of the Audio Engineering Society vol. 65, (6) 474-481.
10.17743/jaes.2017.0011
https://qmro.qmul.ac.uk/xmlui/handle/123456789/25264
MEHRABI A, Dixon S, Sandler(2017). Vocal imitation of synthesised sounds varying in pitch, loudness and spectral centroid. Journal of the Acoustical Society of America vol. 141, (2) 783-796.
10.1121/1.4974825
https://qmro.qmul.ac.uk/xmlui/handle/123456789/19492
Dai J, Dixon S (2017). Analysis of interactive intonation in unaccompanied SATB ensembles. Proceedings of the 18th International Society for Music Information Retrieval Conference, ISMIR 2017. 599-605.
Li S, Dixon S, Plumbley MD (2017). Clustering expressive timing with regressed polynomial coefficients demonstrated by a model selection test. Proceedings of the 18th International Society for Music Information Retrieval Conference, ISMIR 2017. 457-463.
Mohamad Z, Dixon S, Harte C (2017). Estimating pickup and plucking positions of guitar tones and chords with audio effects. DAFx 2017 - Proceedings of the 20th International Conference on Digital Audio Effects. 420-427.
Kedyte V, Panteli M, Weyde T, Dixon S (2017). Geographical origin prediction of folk music recordings from the United Kingdom. Proceedings of the 18th International Society for Music Information Retrieval Conference, ISMIR 2017. 664-670.
Mishra S, Sturm BL, Dixon S (2017). Local interpretable model-agnostic explanations for music content analysis. Proceedings of the 18th International Society for Music Information Retrieval Conference, ISMIR 2017. 537-543.
SANDLER MB, quinton E, o'hanlon K, dixon S (2016). Automatic Detection of Metrical Structure Changes. DMRN+11: Digital Music Research Network Workshop Proceedings 2016. Conference: DMRN+11: Digital Music Research Network One-day Workshop 2016 (Centre for Digital Music, Queen Mary University of London) from: 20/12/2016 to: 20/12/2016,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/19348
MISHRA S, Sturm B, Dixon S (2016). Explaining Predictions of Machine Listening Systems. DMRN+11: Digital Music Research Network Workshop Proceedings 2016. Conference: DMRN+11: Digital Music Research Network One-day Workshop 2016 (Centre for Digital Music, Queen Mary University of London) from: 20/12/2016 to: 20/12/2016,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/19395
Wang S, Ewert S, Dixon S(2016). Robust and efficient joint alignment of multiple musical performances. IEEE/ACM Transactions on Audio Speech and Language Processing vol. 24, (11) 2132-2145.
10.1109/TASLP.2016.2598318
https://qmro.qmul.ac.uk/xmlui/handle/123456789/15523
MEHRABI A, Dixon S, Sandler M (2016). Towards a comprehensive dataset of vocal imitations of drum sounds. Conference: 2nd AES Workshop on Intelligent Music Production
https://qmro.qmul.ac.uk/xmlui/handle/123456789/18075
Cheng T, Mauch M, Benetos E, Dixon S (2016). An attack/decay model for piano transcription. Conference: 17th International Society for Music Information Retrieval Conference (New York, USA) from: 07/08/2016 to: 11/08/2016, 584-590.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12637
Panteli M, Benetos E, Dixon S (2016). Learning a feature space for similarity in world music. Conference: 17th International Society for Music Information Retrieval Conference (New York, USA) from: 07/08/2016 to: 11/08/2016, 538-544.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12616
Panteli M, Benetos E, Dixon S (2016). Automatic detection of outliers in world music collections. Conference: Fourth International Conference on Analytical Approaches to World Music (AAWM 2016) (New York, USA) from: 11/06/2016 to: 08/06/2016,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/11743
QUINTON E, Sandler M, Dixon S (2016). ESTIMATION OF THE RELIABILITY OF MULTIPLE RHYTHM FEATURES EXTRACTION FROM A SINGLE DESCRIPTOR. IEEE International Conference on Acoustics Speech and Signal Processing.
10.1109/ICASSP.2016.7471676
Sigtia S, Benetos E, Dixon S(2016). An End-to-End Neural Network for Polyphonic Piano Music Transcription. IEEE/ACM Transactions on Audio, Speech, and Language Processing vol. 24, (5) 927-939.
10.1109/TASLP.2016.2533858
https://qmro.qmul.ac.uk/xmlui/handle/123456789/17623
Stoller D, Dixon S (2016). Analysis and classification of phonation modes in singing. Proceedings of the 17th International Society for Music Information Retrieval Conference, ISMIR 2016. 80-86.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/13500
Panteli M, Dixon S (2016). On the evaluation of rhythmic and melodic descriptors for music similarity. Proceedings of the 17th International Society for Music Information Retrieval Conference, ISMIR 2016. 468-474.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/13076
Song Y, Dixon S, Pearce MT, Halpern AR(2016). Perceived and Induced Emotion Responses to Popular Music: Categorical and Dimensional Models. Music Perception vol. 33, (4) 472-492.
10.1525/MP.2016.33.4.472
https://qmro.qmul.ac.uk/xmlui/handle/123456789/11214
Cheng T, Dixon S, Mauch M (2015). Improving piano note tracking by HMM smoothing. 2015 23rd European Signal Processing Conference, EUSIPCO 2015. 2009-2013.
10.1109/EUSIPCO.2015.7362736
MOHAMAD Z, Dixon S, Harte C (2015). Digitally Moving an Electric Guitar Pickup. Conference: International Conference on Digital Audio Effects (DAFx-15) (Trondheim, Norway) from: 30/11/2015 to: 03/12/2015, 284-291.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/19417
MEHRABI A, Dixon S, Sandler M (2015). VOCAL IMITATION OF PITCH, SPECTRAL SHAPE AND LOUDNESS ENVELOPES. Conference: International Society for Music Information Retrieval Conference (Malaga, Spain) from: 25/10/2015 to: 30/10/2015,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/22177
Foster P, Dixon S, Klapuri A(2015). Identifying Cover Songs Using Information-Theoretic Measures of Similarity. IEEE Transactions on Audio, Speech and Language Processing vol. 23, (6) 993-1005.
10.1109/TASLP.2015.2416655
https://qmro.qmul.ac.uk/xmlui/handle/123456789/11224
Sigtia S, Benetos E, Boulanger-Lewandowski N, Weyde T, Garcez ASDA, Dixon S (2015). A Hybrid Recurrent Neural Network for Music Transcription. IEEE International Conference on Acoustics Speech and Signal Processing. Conference: 2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) (Brisbane, Australia) from: 19/04/2015 to: 24/04/2015, 2061-2065.
10.1109/ICASSP.2015.7178333
https://qmro.qmul.ac.uk/xmlui/handle/123456789/9420
Sigtia S, Benetos E, Boulanger-Lewandowski N, Weyde T, Garcez ASD, Dixon S, IEEE (2015). A HYBRID RECURRENT NEURAL NETWORK FOR MUSIC TRANSCRIPTION. 2015 IEEE INTERNATIONAL CONFERENCE ON ACOUSTICS, SPEECH, AND SIGNAL PROCESSING (ICASSP). 2061-2065.
Tubb R, Dixon S (2015). An Evaluation of Multidimensional Controllers for Sound Design Tasks. Proceedings of the SIGCHI Conference on Human Factors in Computing Systems.
10.1145/2702123.2702499
Dai J, Mauch M, Dixon S (2015). Analysis of Intonation Trajectories in Solo Singing. 16th International Society for Music Information Retrieval Conference. 420-426.
Sigtia S, Boulanger-Lewandowski N, Dixon S (2015). Audio Chord Recognition with a Hybrid Recurrent Neural Network. 16th International Society for Music Information Retrieval Conference. 127-133.
Wilmering T, Fazekas G, Dixon S, Bechhofer S, Page K (2015). Automating Annotation of Media with Linked Data Workflows. Third International Workshop on Linked Media (LiME 2015) co-located with the WWW’15 conference, 18-22 May, Florence, Italy..
10.1145/2740908.2742913
Wang S, Ewert S, Dixon S, IEEE (2015). COMPENSATING FOR ASYNCHRONIES BETWEEN MUSICAL VOICES IN SCORE-PERFORMANCE ALIGNMENT. 2015 IEEE INTERNATIONAL CONFERENCE ON ACOUSTICS, SPEECH, AND SIGNAL PROCESSING (ICASSP). 589-593.
Osmalskyj J, Foster P, Dixon S, Embrechts J-J (2015). Combining Features for Cover Song Identification. 16th International Society for Music Information Retrieval Conference. 462-468.
Wang S, Ewert S, Dixon S (2015). Compensating for Asynchronies between Musical Voices in Score-Performance Alignment. IEEE International Conference on Acoustics Speech and Signal Processing.
10.1109/ICASSP.2015.7178037
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12170
Mauch M, Cannam C, Bittner R, Fazekas G, Salamon J, Dai J, Bello J, Dixon S (2015). Computer-aided Melody Note Transcription Using the Tony Software: Accuracy and Efficiency. Proceedings of the First International Conference on Technologies for Music Notation and Representation.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/7247
Song Y, Dixon S (2015). How Well Can a Music Emotion Recognition System Predict the Emotional Responses of Participants?. 12th International Conference on Sound and Music Computing. 387-392.
Cheng T, Dixon S, Mauch M, IEEE (2015). MODELLING THE DECAY OF PIANO SOUNDS. 2015 IEEE INTERNATIONAL CONFERENCE ON ACOUSTICS, SPEECH, AND SIGNAL PROCESSING (ICASSP). 594-598.
Cheng T, Dixon S, Mauch M (2015). Modelling the Decay of Piano Sounds. IEEE International Conference on Acoustics Speech and Signal Processing. Conference: IEEE International Conference on Acoustics Speech and Signal Processing594-598.
10.1109/ICASSP.2015.7178038
Tidhar D, Dixon S, Benetos E, Weyde T(2014). The temperament police. Early Music vol. 42, (4) 579-590.
10.1093/em/cau101
https://qmro.qmul.ac.uk/xmlui/handle/123456789/9419
Weyde T, Cottrell S, Dykes J, Benetos E, Wolff D, Tidhar D, Gold N, Abdallah S et al. (2014). Big Data for Musicology. Editors: Page, K, Fields, B, Conference: 1st International Digital Libraries for Musicology workshop (London, UK) from: 12/09/2014 to: 12/09/2014,
10.1145/2660168.2660187
https://qmro.qmul.ac.uk/xmlui/handle/123456789/9417
Mauch M, Frieler K, Dixon S(2014). Intonation in unaccompanied singing: accuracy, drift, and a model of reference pitch memory. J Acoust Soc Am vol. 136, (1) 401-411.
10.1121/1.4881915
https://qmro.qmul.ac.uk/xmlui/handle/123456789/6063
Cheng T, Dixon S, Mauch M (2014). A Comparison of Extended Source-Filter Models for Musical Signal Reconstruction. 17th International Conference on Digital Audio Effects.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/8152
Tubb R, Dixon S (2014). A Four Strategy Model of Creative Parameter Space Interaction. 5th International Conference on Computational Creativity.
Tubb R, Dixon S(2014). A Zoomable Mapping of a Musical Parameter Space Using Hilbert Curves. COMPUTER MUSIC JOURNAL vol. 38, (3) 23-33.
10.1162/COMJ_a_00254
https://qmro.qmul.ac.uk/xmlui/handle/123456789/7973
Tubb R, Dixon S (2014). A four strategy model of creative parameter space interaction. Proceedings of the 5th International Conference on Computational Creativity, ICCC 2014.
Weyde T, Cottrell S, Benetos E, Wolff D, Tidhar D, Plumbley MD, Dixon S, BARTHET MHE et al. (2014). Digital Music Lab - A Framework for Analysing Big Music Data. http://ecda2014.eu/wp-content/uploads/2014/06/bookofabstracts.pdf. Conference: European Conference on Data Analysis (ECDA) (Bremen)
10.1109/EUSIPCO.2016.7760422
Thompson L, Mauch M, Dixon S (2014). Drum Transcription via Classification of Bar-level Rhythmic Patterns. Conference: 15th International Society for Music Information Retrieval Conference (Taipei, Taiwan) 187-192.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/7250
Sigtia S, Dixon S (2014). Improved music feature learning with deep neural networks. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. 6959-6963.
10.1109/ICASSP.2014.6854949
https://qmro.qmul.ac.uk/xmlui/handle/123456789/10716
Stowell D, Dixon S(2014). Integration of informal music technologies in secondary school music lessons. British Journal of Music Education vol. 31, (1) 19-39.
10.1017/S026505171300020X
https://qmro.qmul.ac.uk/xmlui/handle/123456789/9954
Sigtia S, Benetos E, Cherla S, Weyde T, Garcez A, Dixon S (2014). RNN-based Music Language Models for Improving Automatic Music Transcription. 15th International Society for Music Information Retrieval Conference. 53-58.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/9415
Wang S, Ewert S, Dixon S (2014). Robust Joint Alignment of Multiple Versions of a Piece of Music. 15th International Society for Music Information Retrieval Conference. 83-88.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12554
Foster P, Mauch M, Dixon S(2014). Sequential Complexity as a Descriptor for Musical Similarity. IEEE Transactions on Audio, Speech, and Language Processing vol. 22, (12) 1965-1977.
10.1109/TASLP.2014.2357676
https://qmro.qmul.ac.uk/xmlui/handle/123456789/7328
BARTHET M, Benetos E, Cottrell S, Dixon S, Dykes J, Gold N, Mahey M, Plumbley MD et al. (2014). The DML Research Project: Digital Music Lab - Analysing Big Music Data. Presented at: Workshop on "Big Data: Challenges and Applications", Imperial College, London,
Tubb R, Dixon S (2014). The Divergent Interface: Supporting Creative Exploration of Parameter Spaces. 14th International Conference on New Interfaces for Musical Expression.
Weiss C, Mauch M, Dixon S (2014). Timbre-invariant Audio Features for Style Analysis of Classical Music. Joint 40th International Computer Music Conference and 11th Sound and Music Computing Conference.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/7518
Kirchhoff H, Badeau R, Dixon S (2014). Towards complex matrix decomposition of spectrograms based on the relative phase offsets of harmonic sounds. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. 1572-1576.
10.1109/ICASSP.2014.6853862
https://qmro.qmul.ac.uk/xmlui/handle/123456789/8028
Mauch M, Dixon S (2014). pYIN: a Fundamental Frequency Estimator Using Probabilistic Threshold Distributions. Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2014). 659-663.
10.1109/ICASSP.2014.6853678
https://qmro.qmul.ac.uk/xmlui/handle/123456789/6040
Benetos E, Dixon S, Giannoulis D, Kirchhoff H, Klapuri A(2013). Automatic music transcription: Challenges and future directions. Journal of Intelligent Information Systems vol. 41, (3) 407-434.
10.1007/s10844-013-0258-3
https://qmro.qmul.ac.uk/xmlui/handle/123456789/7938
Chudy M, Dixon S(2013). Recognising cello performers using timbre models.
Foster P, Dixon S, Klapuri A (2013). Identification of cover songs using information theoretic measures of similarity. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. 739-743.
10.1109/ICASSP.2013.6637746
https://qmro.qmul.ac.uk/xmlui/handle/123456789/8007
Kirchhoff H, Dixon S, Klapuri A(2013). Missing template estimation for user-assisted music transcription. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings26-30.
10.1109/ICASSP.2013.6637602
https://qmro.qmul.ac.uk/xmlui/handle/123456789/11223
Chudy M, Carrillo AP, Dixon S (2013). On the relation between gesture, tone production and perception in classical cello performance. Proceedings of Meetings on Acoustics. vol. 19,
10.1121/1.4801077
Serra X, Magas M, Benetos E, Chudy M, Dixon S, Flexer A, Gomez E, Gouyon F et al.(2013). Roadmap for Music Information ReSearch. Editors: Peeters, G, The MIReS Consortium
Chudy M, Pe¿rez Carrillo A, Dixon S(2013). On the relation between gesture, tone production, and perception in classical cello performance. J Acoust Soc Am vol. 133, (5)
10.1121/1.4805316
Benetos E, Dixon S(2013). Multiple-instrument polyphonic music transcription using a temporally constrained shift-invariant model. Journal of the Acoustical Society of America vol. 133, (3) 1727-1741.
10.1121/1.4790351
Cheng T, Dixon S, Mauch M (2013). A DETERMINISTIC ANNEALING EM ALGORITHM FOR AUTOMATIC MUSIC TRANSCRIPTION. 14th International Conference of the Society of Music Information Retrieval (ISMIR 2013). 475-480.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/6059
Allik A, Fazekas G, Dixon S, Sandler M (2013). A Shared Vocabulary for Audio Features. SEMANTIC WEB: ESWC 2013 SATELLITE EVENTS. vol. 7955, 285-286.
10.1007/978-3-642-41242-4_44
Song Y, Dixon S, Pearce M, Halpern A (2013). Do online social tags predict perceived or induced emotional responses to music?. Proceedings of the 14th International Society for Music Information Retrieval Conference, ISMIR 2013. 89-94.
Allik A, Fazekas G, Dixon S, Sandler M (2013). Facilitating Music Information Research with Shared Open Vocabularies. SEMANTIC WEB: ESWC 2013 SATELLITE EVENTS. vol. 7955, 178-183.
10.1007/978-3-642-41242-4_20
Kirchhoff H, Dixon S, Klapuri A (2012). Multi-template shift-variant non-negative matrix deconvolution for semi-automatic music transcription. Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012. 415-420.
Macrae R, Dixon S (2012). Ranking lyrics for online search. Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012. 361-366.
Tubb R, Klapuri A, Dixon S (2012). Thewablet: Scanned synthesis on a multi-touch interface. 15th International Conference on Digital Audio Effects, DAFx 2012 Proceedings.
Ganseman J, Scheunders P, Dixon S (2012). Improving PLCA-based score-informed source separation with invertible Constant-Q Transforms. European Signal Processing Conference. 2634-2638.
BENETOS E, Dixon S, Giannoulis D, Kirchhoff H, Klapuri A (2012). Automatic Music Transcription: Breaking the Glass Ceiling. Editors: Gouyon, F, Herrera, P, Martins, LG, Müller, M et al., Conference: 13th International Society for Music Information Retrieval Conference (ISMIR 2012) (Porto, Portugal) from: 08/10/2012 to: 12/10/2012, 379-384.
Benetos E, Dixon S (2012). Temporally-constrained convolutive probabilistic latent component analysis for multi-pitch detection. International Conference on Latent Variable Analysis and Signal Separation. 364-371.
10.1007/978-3-642-28551-6_45
Mauch M, Dixon S (2012). A Corpus-based Study Of Rhythm Patterns. Proceedings of the 13th International Conference on Music Information Retrieval (ISMIR 2012). 163-168.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/6060
Foster P, Klapuri A, Dixon S (2012). A Method for Identifying Repetition Structure in Musical Audio Based on Time Series Prediction. Conference: 20th European Signal Processing Conference (Bucharest) from: 27/08/2012 to: 31/08/2012, 1299-1303.
Benetos E, Dixon S(2012). A Shift-Invariant Latent Variable Model for Automatic Music Transcription. COMPUTER MUSIC JOURNAL vol. 36, (4) 81-94.
10.1162/COMJ_a_00146
Arzt A, Widmer G, Dixon S (2012). ADAPTIVE DISTANCE NORMALIZATION FOR REAL-TIME MUSIC TRACKING. 2012 PROCEEDINGS OF THE 20TH EUROPEAN SIGNAL PROCESSING CONFERENCE (EUSIPCO). 2689-2693.
Benetos E, Lagrange M, Dixon S (2012). Characterisation of acoustic scenes using a temporally-constrained shift-invariant model. 15th International Conference on Digital Audio Effects, DAFx 2012 Proceedings.
Dixon S, Mauch M, Tidhar D(2012). Estimation of harpsichord inharmonicity and temperament from musical recordings. J Acoust Soc Am vol. 131, (1) 878-887.
10.1121/1.3651238
Song Y, Dixon S, Pearce M (2012). Evaluation of musical features for emotion classification. Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012. 523-528.
Terrell MJ, Fazekas G, Simpson AJR, Smith JBL, Dixon S (2012). Listening level changes music similarity. Proceedings of the International Society for Music Information Retrieval Conference. 487-92.
Benetos E, Klapuri A, Dixon S (2012). SCORE-INFORMED TRANSCRIPTION FOR AUTOMATIC PIANO TUTORING. 2012 PROCEEDINGS OF THE 20TH EUROPEAN SIGNAL PROCESSING CONFERENCE (EUSIPCO). 2153-2157.
Kirchhoff H, Dixon S, Klapuri A (2012). Shift-variant non-negative matrix deconvolution for music transcription. Acoustics, Speech and Signal Processing (ICASSP), 2012 IEEE International Conference. Conference: IEEE International Conference on Acoustics, Speech, and Signal Processing (Kyoto, Japan) from: 25/03/2012 to: 30/03/2012, 125-128.
10.1109/ICASSP.2012.6287833
Barthet M, Dixon S (2011). Ethnographic observations of musicologists at the british library: Implications for music information retrieval. Proceedings of the 12th International Society for Music Information Retrieval Conference, ISMIR 2011. 353-358.
Macrae R, Dixon S (2011). Guitar tab mining, analysis and ranking. Proceedings of the 12th International Society for Music Information Retrieval Conference, ISMIR 2011. 453-458.
Mesnage CS, Rafiq A, Dixon S, Brixtel RP (2011). Music discovery with social networks. CEUR Workshop Proceedings. vol. 793, 1-6.
Benetos E, Dixon S(2011). Joint multi-pitch detection using harmonic envelope estimation for polyphonic music transcription. IEEE Journal on Selected Topics in Signal Processing vol. 5, (6) 1111-1123.
10.1109/JSTSP.2011.2162394
Mearns L, Benetos E, Dixon S (2011). Automatically detecting key modulations in J.S. Bach chorale recordings. 8th Sound and Music Computing Conference. 25-32.
Benetos E, Dixon S (2011). Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. Conference: 8th Sound and Music Computing Conference (Padova, Italy) from: 06/07/2011 to: 09/07/2011, 19-24.
Benetos E, Dixon S, IEEE (2011). A TEMPORALLY-CONSTRAINED CONVOLUTIVE PROBABILISTIC MODEL FOR PITCH DETECTION. 2011 IEEE WORKSHOP ON APPLICATIONS OF SIGNAL PROCESSING TO AUDIO AND ACOUSTICS (WASPAA). 133-136.
10.1109/ASPAA.2011.6082270
Stowell D, Dixon S (2011). MIR in school? Lessons from ethnographic observation of secondary school music classes. Proceedings of the 12th International Society for Music Information Retrieval (ISMIR) Conference. Conference: ISMIR 2011 (Miami, Florida, USA) from: 24/10/2011 to: 28/10/2011, 347-352.
Stowell D, Barthet M, Dixon S, Sandler M (2011). Musicology for the masses: Situating new audio technologies for musicology and music education. Proceedings of the Digital Economy All Hands Conference 2011. Conference: Digital Engagement 2011 (Newcastle) from: 15/11/2011 to: 17/11/2011,
Benetos E, Dixon S (2011). Polyphonic music transcription using note onset and offset detection. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. 37-40.
10.1109/ICASSP.2011.5946322
Dixon S, Mauch M, Anglade A(2011). Probabilistic and Logic-Based Modelling of Harmony. CMMR 2010 Post Symposium Proceedings, Editors: Kronland-Martinet, R, Ystad, S, Jensen, K, Aramaki, M et al., Springer (Heidelberg),
Macrae R, Neumann J, Anguera X, Oliver N, Dixon S (2011). Real-Time Synchronisation of Multimedia Streams in a Mobile Device. International Conference on Multimedia and Expo, Workshop on Advances in Music Information Research. 1-6.
10.1109/ICME.2011.6011966
Tidhar D, Fazekas G, Mauch M, Dixon S(2011). Tempest - harpsichord temperament estimation in a Semantic Web environment. Journal of New Music Research special issue on Music Informatics and the OMRAS2 Project vol. 39, Article 4, 327-336.
10.1080/09298215.2010.520720
Dixon S, Tidhar D, Benetos E (2011). The temperament police: The truth, the ground truth, and nothing but the truth. Proceedings of the 12th International Society for Music Information Retrieval Conference, ISMIR 2011. Conference: 12th International Society for Music Information Retrieval Conference (Miami, Florida, USA) from: 24/10/2011 to: 28/10/2011, 281-286.
Benetos E, Dixon S (2010). Multiple-F0 estimation of piano sounds exploiting spectral structure and temporal evolution. ISCA Tutorial and Research Workshop on Statistical and Perceptual Audition. 13-18.
Macrae R, Dixon S (2010). A Guitar Tablature Score Follower. IEEE International Conference on Multimedia & Expo. Conference: IEEE International Conference on Multimedia & Expo (Spain) from: 21/06/2010 to: 24/06/2010, 725-726.
10.1109/ICME.2010.5582963
Macrae R, Dixon S (2010). Accurate Real-Time Windowed Time Warping. 11th International Society for Music Information Retrieval Conference. Conference: International Society for Music Information Retrieval conference (Utrecht) from: 09/08/2010 to: 13/08/2010, 423-428.
Mauch M, Dixon S (2010). Approximate Note Transcription for the Improved Identification of Difficult Chords. 11th International Society for Music Information Retrieval Conference. Conference: 11th International Society for Music Information Retrieval Conference (Utrecht) from: 09/08/2010 to: 13/08/2010, 135-140.
Mearns L, Dixon S (2010). Characterisation of Composer Style Using High Level Musical Features.
10.1145/1878003.1878016
Mearns L, Dixon S (2010). Characterisation of Composer Style using High-Level Musical Features. Conference: 11th International Society for Music Information Retrieval (Utrecht) from: 09/08/2010 to: 13/08/2010,
Dixon S (2010). Computational Modelling of Harmony. 7th International Symposium on Computer Music Modeling and Retrieval. Conference: International Symposium on Computer Music Modeling and Retrieval (Malaga, Spain) from: 21/06/2010 to: 24/06/2010,
Tidhar D, Mauch M, Dixon S (2010). High Precision Frequency Estimation for Harpsichord Tuning Classification. Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing. Conference: Acoustics Speech and Signal Processing (ICASSP), 2010 IEEE International Conference on (Dallas, Texas) from: 14/03/2010 to: 19/03/2010, 61-64.
10.1109/ICASSP.2010.5496213
Mearns L, Dixon S (2010). How Do You Characterise Musical Style?. Third International Conference of Students of Systematic Musicology.
Anglade A, Benetos E, Mauch M, Dixon S(2010). Improving music genre classification using automatically induced harmony rules. Journal of New Music Research vol. 39, (4) 349-361.
10.1080/09298215.2010.525654
Jacobson K, Dixon S, Sandler M (2010). LinkedBrainz: Providing the MusicBrainz Next Generation Schema as Linked Data. from: 2009http://musicbrainz.org/ Abstract: java.sql.Clob org.hibernate.engine.jdbc.WrappedClob java.io.Serializable , Notes: notes on rpject here: http://ismir2010.ismir.net/proceedings/late-breaking-demo-22.pdf,
Publisher URL
Benetos E, Dixon S (2010). Multiple-F0 Estimation of Piano Sounds Using a Constant-Q Filterbank. 2010 Workshop on Statistical and Perceptual Audition (SAPA). Conference: ISCA Tutorial and Research Workshop on Statistical And Perceptual Audition (Makuhari, Japan) from: 25/09/2010 to: 25/09/2010, 13-18.
Mauch M, Dixon S(2010). Simultaneous Estimation of Chords and Musical Context from Audio. IEEE Transactions on Audio, Speech and Language Processing vol. 18, (6) 1280-1289.
10.1109/TASL.2009.2032947
Tidhar D, Fazekas G, Mauch M, Dixon S (2010). Temperament Estimation as an MIR task. Presented at the 11th International Society for Music Information Retrieval Conference (ISMIR’10), Late-breaking session.
Chudy M, Dixon S (2010). Towards Music Performer Recognition Using Timbre Features. Third International Conference of Students of Systematic Musicology.
Dixon S, Sandler M, d'Inverno M, Rhodes C(2010). Towards a Distributed Research Environment for Music Informatics and Computational Musicology. J NEW MUSIC RES vol. 39, (4) 291-294.
10.1080/09298215.2010.545241
Anglade A, Dixon S (2009). First-Order Logic Classification Models of Musical Genres Based on Harmony. 6th Sound and Music Computing Conference. 309–314-309–314.
Anglade A, Ramirez R, Dixon S (2009). Genre Classification Using Harmony Rules Induced from Automatic Chord Transcriptions. 10th International Conference on Music Information Retrieval. Conference: International Conference on Music Information Retrieval (Kobe, japan) from: 26/10/2009 to: 30/10/2009, 669-674.
Mauch M, Cannam C, Davies M, Dixon S, Harte C, Kolozali S, Tidhar D (2009). OMRAS-2 Metadata Project 2009. Conference: 10th International Society for Music Information Retrieval Conference (ISMIR2009), Late-breaking session
Mauch M, Noland K, Dixon S (2009). Using Musical Structure to Enhance Automatic Chord Transcription. 10th International Conference on Music Information Retrieval. Conference: International Society for Music Information Retrieval (Kobe, Japan) from: 26/10/2009 to: 30/10/2009, 231-236.
Goebl W, DIXON SE, DePoli G, Friberg A, Bresin R, Widmer G(2008). 'Sense' in Expressive Music Performance: Data Acquisition, Computational Studies and Models. Sound to Sense - Sense to Sound: A State of the Art in Sound and Music Computing, Editors: Polotti, P, Rocchesso, D,
Mauch M, Dixon S (2008). A Discrete Mixture Model for Chord Labelling. 9th International Conference on Music Information Retrieval. Conference: International Conference on Music Information Retrieval (Philadelphia, Pennsylvania) from: 14/09/2008 to: 18/09/2008, 45-50.
Mauch M, Müllensiefen D, Dixon S, Wiggins G (2008). Applying Tools from Natural Language Processing Analysis to Harmony: A Bottom Up Approach. Conference on Music, Language and the Mind.
Arzt A, Widmer G, Dixon S (2008). Automatic Page Turning for Musicians via Real-Time Machine Listening. Proceedings of the 18th European Conference on Artificial Intelligence (ECAI 2008). Conference: European Conference on Artificial Intelligence (Patras, Greece) from: 21/07/2008 to: 25/07/2008,
10.3233/978-1-58603-891-5-241
Mauch M, Müllensiefen D, Dixon S, Wiggins G (2008). Can Statistical Language Models be used for the Analysis of Harmonic Progressions?. International Conference on Music Perception and Cognition. Conference: International Conference on Music Perception and Cognition (Hokkaido, Japan) from: 25/08/2008 to: 29/08/2008,
Anglade A, Dixon S (2008). Characterisation of Harmony with Inductive Logic Programming. 9th International Conference on Music Information Retrieval. Conference: International Conference on Music Information Retrieval (Philadelphia, Pennsylvania) from: 14/09/2008 to: 18/09/2008, 63-68.
Widmer G, DIXON SE, Knees P, Pampalk E, Pohle T(2008). From Sound to 'Sense' via Feature Extraction and Machine Learning: Deriving High-Level Descriptors for Characterising Music. Sound to Sense - Sense to Sound: A State of the Art in Sound and Music Computing, Editors: Polotti, P, Rocchesso, D,
Macrae R, Dixon S (2008). From Toy to Tutor: Note-Scroller is a Game to Teach Music. 8th International Conference on New Interfaces for Musical Expression.
Anglade A, Dixon S (2008). Towards Logic-based Representations of Musical Harmony for Classification, Retrieval and Knowledge Discovery. International Workshop on Machine Learning and Music. Conference: International Workshop on Machine Learning and Music (Helsinki, Finland) from: 05/07/2008 to: 09/07/2008,
Mauch M, Dixon S, Harte C, Casey M, Fields B (2007). Discovering Chord Idioms Through Beatles and Real Book Songs. Proceedings of the 8th International Conference on Music Information Retrieval. 111–114-111–114.
Mauch M, Dixon S, Harte C, Fields B, Casey M (2007). Discovering chord idioms through Beatles and Real Book songs. Proceedings of the 8th International Conference on Music Information Retrieval (ISMIR 2007). 255-258.
Gouyon F, Dixon S, Widmer G (2007). Evaluating low-level features for beat classification and tracking. 2007 IEEE International Conference on Acoustics, Speech, and Signal Processing, Vol IV, Pts 1-3. 1309-1312.
10.1109/ICASSP.2007.367318
DIXON SE(2007). Evaluation of the Audio Beat Tracking System BeatRoot. Journal of New Music Research vol. 36, (1) 39-50.
DIXON SE (2007). Extraction of Musical Timing from Audio Recordings. Conference: CHARM 4 Symposium on Methods for Analysing Recordings 2007 [Invited]
DIXON SE, Bainbridge D, Typke R(2007). Proceedings of the 8th International Conference on Music Information Retrieval (ISMIR07). Austrian Computer Society
DIXON SE (2007). Tools for Analysis of Musical Expression. Conference: 19th International Congress on Acoustics, 2007 [Invited]
Gouyon F, Klapuri A, Dixon S, Alonso M, Tzanetakis G, Uhle C, Cano P(2006). An experimental comparison of audio tempo induction algorithms. IEEE T AUDIO SPEECH vol. 14, (5) 1832-1844.
10.1109/TSA.2005.858509
Dixon S, Goebl W, Cambouropoulos E(2006). Perceptual smoothness of tempo in expressively performed music. MUSIC PERCEPT vol. 23, (3) 195-214.
10.1525/mp.2006.23.3.195
DIXON SE (2006). Onset Detection Revisited. Conference: Proceedings of the 9th International Conference on Digital Audio Effects, Montreal, Canada
Flexer A, Gouyon F, DIXON SE, Widmer G (2006). Probabilistic Combination of Features for Music Classification. Conference: Proceedings of the 7th International Conference on Music Information Retrieval (ISMIR 2006), Victoria, BC111-114.
DIXON SE, Widmer G (2005). MATCH: A Music Alignment Tool Chest. Conference: Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR 2005), London [Best Poster Award]
DIXON SE (2005). An On-Line Time Warping Algorithm for Tracking Musical Performances. Editors: Kaelbling, LP, Saffiotti, A, Conference: Proceedings of the Nineteenth International Joint Conference on Artificial Intelligence (IJCAI-05) (Edinburgh, Scotland) from: 30/07/2005 to: 05/08/2005, 1727-1728.
Gouyon F, Dixon S(2005). A review of automatic rhythm description systems. COMPUT MUSIC J vol. 29, (1) 34-54.
10.1162/comj.2005.29.1.34
DIXON SE(2005). Audio Analysis Applications for Music. Encyclopedia of Information Science and Technology, Editors: Khosrow-Pour, M, Idea Group (Hershey PA),
DIXON SE (2005). Live Tracking of Musical Performanes using On-Line Time Warping. Conference: Proceedings of the 8th Internaitonal Conference on Digital Audio Effects (DAFx05), Madrid, Spain
DIXON SE, Goebl W, Widmer G (2005). The 'Air Worm': An Interface for Real-Time Manipulation of Expressive Music Performance. Conference: Proceedings of the 2005 International Computer Music Conference (ICMC2005), Barcelona, Spain614-617.
Widmer G, DIXON SE, Flexer A, Goebl W, Knees P, Madsen ST, Pampalk E, Pohle T et al. (2005). The Machine Learning and Intelligent Music Processing Group at the Austrian Research Institute for Artificial Intelligence (OFAI), Vienna. Conference: Proceedings of the 2005 International Computer Music Conference (ICMC2005), Barcelona, Spain169-172.
Gouyon F, DIXON SE (2004). Rhythm Classification: A Tempo-Based Approach. Conference: Proceedings of the 5th International Conference on Music Information Retrieval (ISMIR'04), Barcelona, Spain501-504.
DIXON SE, Gouyon F, Widmer G (2004). Towards Characterisation of Music via Rythmic Patterns. Conference: Proceedings of the 5th International Conference on Music Information Retrieval (ISMIR'04), Barcelona, Spain
Gouyon F, Wack N, DIXON SE (2004). An Open Source Tool for Semi-Automatic Rhythmic Annotation. Conference: Proceedings of the 7th International Conference on Digital Audio Effects (DAFx'04), Naples, Italy193-196.
DIXON SE(2004). Analysis of Musical Content in Digital Audio. Computer Graphics and Multimedia: Applications, Problems and Solutions, Editors: DiMarco, J, Idea Group (Hershey PA),
Gouyon F, DIXON SE, Pampalk E, Widmer G (2004). Evaluating Rhythmic Descriptors for Musical Genre Classifcation. Conference: Proceedings of the AES 25th International Conference, Audio Engineering Scoiety, London196-204.
Pampalk E, Dixon S, Widmer G(2004). Exploring music collections by browsing different views. COMPUT MUSIC J vol. 28, (2) 49-62.
10.1162/014892604323112248
DIXON SE (2003). Tempo Induction, Beat Tracking and Rhythm-Based Music Classification. Conference: Institute for Operations Research and Management Science (INFORMS) Conference 19-22 October 2003, Atlanta, Georgia, USA [Invited]
DIXON SE, Pampalk E, Widmer G (2003). Classification of Dance Music by Periodicity Patterns. Conference: Proceedings of the Fourth International Conference on Music Information Retrieval (ISMIR 2003), Baltimore, MD, USA
Pampalk E, DIXON SE, Widmer G (2003). Exploring Music Collections by Browsing Different Views. Conference: Proceedings of the Fourth International Conference on Music Information Retrieval (ISMIR 2003), Baltimore, MD, USA201-208.
Widmer G, Dixon S, Goebl W, Pampalk E, Tobudic A(2003). In search of the Horowitz factor. AI MAG vol. 24, (3) 111-130.
Dixon S (2003). On the analysis of musical expression in audio signals. STORAGE AND RETRIEVAL FOR MEDIA DATABASES 2003. Editors: Yeung, MM, Lienhart, RW, Li, CS, vol. 5021, 122-132.
10.1117/12.476314
Pampalk E, Dixon S, Widmer G (2003). On the evaluation of perceptual similarity measures for music. DAFX-03: 6TH INTERNATIONAL CONFERENCE ON DIGITAL AUDIO EFFECTS, PROCEEDINGS. Editors: Davies, M, 7-12.
DIXON SE (2003). Towards Automatic Analysis of Expressive Performance. Conference: Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM5), Hanover, Germany
DIXON SE, Goebl W (2002). Pinpointing the Beat: Tapping to Expressive Preformances. Conference: Proceedings of the 7th International Conference on Music Perception and Cognition (ICMPC7), Sydney, Causal Production, Adelaide
DIXON SE, Goebl W, Widmer G (2002). Real-time Tracking and Visualisation of Musical Expression. Conference: Proceedings of the 2nd International Conference on Music and Artifical Intelligence (ICMAI'02), Edinburgh, Scotland, Springer, Berlin58-68.
DIXON SE, Goebl W, Widmer G (2002). The Performance Worm: Real Time Visualisation of Expression Based on Langer's Tempo-Loudness Animation. Conference: Proceedings of the 2002 International Computer Music Conference (ICMC'2002), Gothenburg, Sweden, edited by M Nordahl (International Computer Music Association, San Fransisco)
Goebl W, DIXON SE (2001). Analysis of Tempo Classes in Performances of Mozart Sonatas. Conference: Proceedings of the 7th International Syymposium on Systematic and Comparative Musicology and the 3rd International Conference on Cognitive Musicology, Jyvaeskylae, Finland, 16-19 August 200165-76.
Cambouropoulos E, DIXON SE, Goebl W, Widmer G (2001). Human Preferences for Tempo Smoothness. Conference: Proceedings of the 7th International Symposium on Systematic and Comparative Musicology and the 3rd International Conference on Cognitive Musicology (Jyvaeskylae, Finland) from: 16/08/2001 to: 19/08/2001, 18-26.
Dixon S(2001). Automatic extraction of tempo and beat from expressive performances. J NEW MUSIC RES vol. 30, (1) 39-58.
10.1076/jnmr.30.1.39.7119
DIXON SE (2001). An Empirical Comparison of Tempo Trackers. Conference: 8th Brazilian Symposium on Computer Music, 21st Congress of the Brazilian Computer Society, 2001
DIXON SE (2001). An Interactive Beat Tracking and Visualisation System. Conference: Proceedings of the International Computer Music Conference (ICMC'2001), La Habana, Cuba, edited by A. Schloss and R. Dannenberg, (International Computer Music Association, San Fransisco), 2001215-218.
DIXON SE, Goebl W, Cambouropoulos E (2001). Beat Extraction from Expressive Musical Performances. Conference: 2001 Meeting of the Society for Music Perception and Cognition (SMPC2001), Kingston, Ontario, Canada
Widmer G, DIXON SE, Goebl W, Stamatatos E, Tobudic A (2001). Empirical Music Performance Research: OeFAI's Position. Conference: MOSART Workshop on Current Research Directions in Computer Music, Audiovisual Institute, Pompeu Fabra University, Barcelona, Spain
DIXON SE (2001). Learning to Detect Onsets of Acoustic Piano Tones. Conference: MOSART Workshop on Current Research Directions in Computer Music, edited by C L Buyoli and R Loureiro, Audiovisual Institute, Pompeu Fabra University, Barcelona, Spain
Dixon S, Cambouropoulos E (2000). Beat tracking with musical knowledge. ECAI 2000: 14TH EUROPEAN CONFERENCE ON ARTIFICIAL INTELLIGENCE, PROCEEDINGS. Editors: Horn, W, vol. 54, 626-630.
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