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Publications:  Dr Huw Marsh

MARSH HUW(2020). Burley Cross Postbox Theft as Comedy. Nicola Barker, Editors: Schoene, B, Gylphi (Cambridge),
MARSH H(2020). The Comic Turn in Contemporary English Fiction: Who’s Laughing Now?. Bloomsbury Academic
MARSH HDJ(2019). Comedy. The Routledge Companion to Twenty-First Century Literary Fiction, Editors: Eaglestone, R, O'Gorman, D, Routledge (Abingdon),
MARSH HDJ(2017). Narrative unreliability and metarepresentation in Ian McEwan’s Atonement; or, why Robbie might be guilty and why nobody seems to notice. Textual Practice: an international journal of radical literary studies1325-1343.
MARSH HDJ(2015). B.S. Johnson and Post-War Literature: Possibilities of the Avant Garde. Textual Practice: an international journal of radical literary studies vol. 29, (6) 1203-1207.
Marsh HDJ(2014). Beryl Bainbridge. Northcote House (Tavistock),
MARSH HDJ(2014). From the 'other side': Mimicry and Feminist Rewriting in the Novels of Beryl Bainbridge. Identity and Form in Contemporary Literature, Routledge (New York),
MARSH HDJ(2013). Postwar British Literature and Postcolonial Studies by Graham MacPhee. Postcolonial Text vol. 8, (1)
Marsh H(2011). Adaptation of a murder/murder as adaptation: The Parker-Hulme case in Angela Carter's "The Christchurch Murder" and Peter Jackson's Heavenly creatures. Adaptation vol. 4, (2) 167-179.
Marsh HDJ(2011). Unlearning Empire: Penelope Lively’s Moon Tiger. End of Empire and the English Novel since 1945, Editors: Gilmour, R, Schwarz, B, Manchester University Press (Manchester),
Marsh HDJ(2010). Life’s nasty habit: time, death and intertextuality in Beryl Bainbridge’s An Awfully Big Adventure. Critical Engagements vol. 1, (2) Article 3, 85-110.
Marsh HDJ(2009). Nicola Barker's Darkmans and the 'vengeful tsunami of history'. Literary London (7)
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