Publications: Dr Huw Marsh
MARSH HUW
(
2020
)
.
Burley Cross Postbox Theft as Comedy
.
Nicola Barker
,
Editors:
Schoene, B
,
Gylphi
(
Cambridge
),
MARSH H
(
2020
)
.
The Comic Turn in Contemporary English Fiction: Who’s Laughing Now?
.
Bloomsbury Academic
Marsh H
(
2020
)
.
The Comic Turn in Contemporary English Fiction Who’s Laughing Now?
.
Bloomsbury Publishing
MARSH HDJ
(
2019
)
.
Comedy
.
The Routledge Companion to Twenty-First Century Literary Fiction
,
Editors:
Eaglestone, R, O'Gorman, D
,
Routledge
(
Abingdon
),
MARSH HDJ
(
2017
)
.
Narrative unreliability and metarepresentation in Ian McEwan’s Atonement; or, why Robbie might be guilty and why nobody seems to notice
.
Textual Practice: an international journal of radical literary studies1325
-
1343
.
MARSH HDJ
(
2015
)
.
B.S. Johnson and Post-War Literature: Possibilities of the Avant Garde
.
Textual Practice: an international journal of radical literary studies
vol.
29
,
(
6
)
1203
-
1207
.
Marsh HDJ
(
2014
)
.
Beryl Bainbridge
.
Northcote House
(
Tavistock
),
MARSH HDJ
(
2014
)
.
From the 'other side': Mimicry and Feminist Rewriting in the Novels of Beryl Bainbridge
.
Identity and Form in Contemporary Literature
,
Routledge
(
New York
),
MARSH HDJ
(
2013
)
.
Beryl Bainbridge
.
Northcote House
(
Tavistock
),
MARSH HDJ
(
2013
)
.
Postwar British Literature and Postcolonial Studies by Graham MacPhee
.
Postcolonial Text
vol.
8
,
(
1
)
Marsh H
(
2011
)
.
Adaptation of a murder/murder as adaptation: The Parker-Hulme case in Angela Carter's "The Christchurch Murder" and Peter Jackson's Heavenly creatures
.
Adaptation
vol.
4
,
(
2
)
167
-
179
.
Marsh HDJ
(
2011
)
.
Unlearning Empire: Penelope Lively’s Moon Tiger
.
End of Empire and the English Novel since 1945
,
Editors:
Gilmour, R, Schwarz, B
,
Manchester University Press
(
Manchester
),
Marsh HDJ
(
2010
)
.
Life’s nasty habit: time, death and intertextuality in Beryl Bainbridge’s An Awfully Big Adventure
.
Critical Engagements
vol.
1
,
(
2
)
Article
3
,
85
-
110
.
Marsh HDJ
(
2009
)
.
Nicola Barker's Darkmans and the 'vengeful tsunami of history'
.
Literary London
(
7
)