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Publications:  Dr Mathieu Barthet

Turchet L, Barthet M (2019). Haptification of performer's control gestures in live electronic music performance. ACM International Conference Proceeding Series. 244-247.
10.1145/3356590.3356629
Bruford F, Barthet M, McDonald S, Sandler M (2019). Modelling musical similarity for drum patterns: A perceptual evaluation. ACM International Conference Proceeding Series. 131-138.
10.1145/3356590.3356611
Stolfi AS, Milo A, Barthet M(2019). Playsound.space: Improvising in the browser with semantic sound objects. Journal of New Music Research vol. 48, (4) 366-384.
10.1080/09298215.2019.1649433
https://qmro.qmul.ac.uk/xmlui/handle/123456789/61778
BROMHAM G, Moffat D, Barthet M, Daneilsen A, Fazekas G (2019). The Impact of Audio Effects Processing on the Perception of Brightness and Warmth. Conference: Audio Mostly (Nottingham, UK) from: 17/09/2019 to: 20/09/2019,
10.1145/3356590.3356618
Turchet L, Barthet M(2019). An ubiquitous smart guitar system for collaborative musical practice. Journal of New Music Research vol. 48, (4) 352-365.
10.1080/09298215.2019.1637439
https://qmro.qmul.ac.uk/xmlui/handle/123456789/61779
Deacon T, Bryan-Kinns N, Healey PGT, Barthet M (2019). Shaping sounds: The role of gesture in collaborative spatial music composition. C and C 2019 - Proceedings of the 2019 Creativity and Cognition. 121-132.
10.1145/3325480.3325493
Weaver J, Barthet M, Chew E (2019). Filling the space: The impact of convolution reverberation time on note duration and velocity in duet performance. 147th Audio Engineering Society International Convention 2019.
Bruford F, McDonald ST, Barthet M, Sandler M (2019). Groove explorer: An intelligent visual interface for drum loop library navigation. CEUR Workshop Proceedings. vol. 2327,
Turchet L, Barthet M (2018). Jamming with a Smart Mandolin and Freesound-based Accompaniment. Conference of Open Innovation Association, FRUCT. vol. 2018-November, 375-381.
10.23919/FRUCT.2018.8588110
Turchet L, Viola F, Fazekas G, Barthet M (2018). Towards a Semantic Architecture for the Internet of Musical Things. Conference of Open Innovation Association, FRUCT. vol. 2018-November, 382-390.
10.23919/FRUCT.2018.8587917
TURCHET L, BARTHET M(2018). Co-design of Musical Haptic Wearables for Electronic Music Performer's Communication. IEEE Transactions on Human-Machine Systems
10.1109/THMS.2018.2885408
https://qmro.qmul.ac.uk/xmlui/handle/123456789/54063
Stolfi A, Sokolovskis J, Gorodscy F, Iazzetta F, Barthet M(2018). Audio semantics: Online chat communication in open band participatory music performances. AES: Journal of the Audio Engineering Society vol. 66, (11) 910-921.
10.17743/jaes.2018.0048
https://qmro.qmul.ac.uk/xmlui/handle/123456789/54060
Viola F, Stolfi A, Milo A, Ceriani M, Barthet M, Fazekas G (2018). Playsound.space: Enhancing a live music performance tool with semantic recommendations. ACM International Conference Proceeding Series. 46-53.
10.1145/3243907.3243908
Turchet L, Fischione C, Essl G, Keller D, Barthet M(2018). Internet of Musical Things: Vision and Challenges. IEEE Access vol. 6, 61994-62017.
10.1109/ACCESS.2018.2872625
https://qmro.qmul.ac.uk/xmlui/handle/123456789/54062
Pauwels J, Xambó A, Roma G, Barthet M, Fazekas G (2018). Exploring Real-time Visualisations to Support Chord Learning with a Large Music Collection. Proceedings of the 4th Web Audio Conference (WAC). Conference: 4th Web Audio Conference (WAC) (Berlin, Germany) from: 19/09/2018 to: 21/09/2018,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/60833
Xambó A, Pauwels J, Roma G, Barthet M, Fazekas G (2018). Jam with Jamendo: Querying a large music collection by chords from a learner's perspective. ACM International Conference Proceeding Series.
10.1145/3243274.3243291
GODDARD C, BARTHET M, WIGGINS G(2018). Assessing Musical Similarity for Computational Music Creativity. Journal of the Audio Engineering Society
10.17743/jaes.2018.0012
https://qmro.qmul.ac.uk/xmlui/handle/123456789/38044
Turchet L, McPherson A, Barthet M(2018). Co-design of a smart Cajón. AES: Journal of the Audio Engineering Society vol. 66, (4) 220-230.
10.17743/jaes.2018.0007
https://qmro.qmul.ac.uk/xmlui/handle/123456789/39005
SKACH S, XAMBO A, TURCHET L, Stolfi A, STEWART RL, BARTHET MHE (2018). Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts. Conference: ACM Conference on Tangible, Embedded, and Embodied Interactions (Stockholm, Sweden) from: 21/03/2018 to: 18/03/2018,
10.1145/3173225.3173272
https://qmro.qmul.ac.uk/xmlui/handle/123456789/40883
Weaver J, Barthet M, Chew E (2018). Analysis of piano duo tempo changes in varying convolution reverberation conditions. 145th Audio Engineering Society International Convention, AES 2018.
Turchet L, McPherson A, Barthet M(2018). Real-time hit classification in a smart cajón. Frontiers in ICT vol. 5,
10.3389/fict.2018.00016
https://qmro.qmul.ac.uk/xmlui/handle/123456789/54064
Bromham G, Moffat D, Barthet M, Fazekas G (2018). The impact of compressor ballistics on the perceived style of music. 145th Audio Engineering Society International Convention, AES 2018.
Deacon T, Stockman T, Barthet M(2017). User experience in an interactive music virtual reality system: An exploratory study. vol. 10525 LNCS, Springer
https://qmro.qmul.ac.uk/xmlui/handle/123456789/31978
Pigrem J, Barthet M (2017). Datascaping: Data sonification as a narrative device in soundscape composition. ACM International Conference Proceeding Series. vol. Part F131930,
10.1145/3123514.3123537
Goddard C, BARTHET M, Wiggins G (2017). Designing Computationally Creative Musical Performance Systems. dl.acm.org. Conference: Audio Mostly 2017 (Queen Mary University of London, London) from: 23/08/2017 to: 26/08/2017, vol. Proceedings of AM ’1,
10.1145/3123514.3123541
https://qmro.qmul.ac.uk/xmlui/handle/123456789/27804
Olowe I, Grierson M, Barthet M (2017). FEATUR.UX.AV: A live sound visualization system using multitrack audio. ACM International Conference Proceeding Series. vol. Part F131930,
10.1145/3123514.3123561
Herremans D, Yang S, Chuan CH, Barthet M, Chew E (2017). IMMA-Emo: A multimodal interface for visualising score- and audio-synchronised emotion annotations. ACM International Conference Proceeding Series. vol. Part F131930,
10.1145/3123514.3123545
Subramaniam A, Barthet M (2017). Mood visualiser: Augmented music visualisation gauging audience arousal. ACM International Conference Proceeding Series. vol. Part F131930,
10.1145/3123514.3123517
Stolfi A, Barthet M, Goródscy F, De Carvalho AD (2017). Open band: A platform for collective sound dialogues. ACM International Conference Proceeding Series. vol. Part F131930,
10.1145/3123514.3123526
Olowe I, Grierson M, Barthet M (2017). User requirements for live sound visualization system using multitrack audio. ACM International Conference Proceeding Series. vol. Part F131930,
10.1145/3123514.3123527
Fazekas G, Barthet M, Stockman T (2017). Welcome to Audio Mostly 2017!. ACM International Conference Proceeding Series. vol. Part F131930,
Wu Y, Zhang L, Bryan-Kinns N, Barthet M(2017). Open Symphony: Creative Participation for Audiences of Live Music Performances. IEEE Multimedia vol. 24, (1) 48-62.
10.1109/MMUL.2017.19
https://qmro.qmul.ac.uk/xmlui/handle/123456789/22542
Turchet L, Fischione C, Barthet M (2017). Towards the Internet of Musical Things. Proceedings of the Sound and Music Computing Conference. 13-20.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/31979
Zhang L, Wu Y, BARTHET M (2016). A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case. Conference: International Conference on New Interfaces for Musical Expression
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12500
Hayes K, BARTHET M, Wu Y, Zhang L, Bryan-Kinns N (2016). A Participatory Live Music Performance with the Open Symphony System. Conference: ACM Conference on Human Factors in Computing Systems (CHI): Interactivity
10.1145/2851581.2889471
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12501
Barthet M, Fazekas G, Thalmann F, Sandler M, Wiggins GA (2016). Crossroads: Interactive Music Systems Transforming Performance, Production and Listening. Proc. ACM Conference on Human Factors in Computing Systems (CHI), May 7–12, San Jose, CA, USA..
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12502
Barthet M, Fazekas G, Allik A, Thalmann F, Sandler M(2016). From interactive to adaptive mood-based music listening experiences in social or personal context. Journal of the Audio Engineering Society vol. 64, Article 9, 673-682.
10.17743/jaes.2016.0042
https://qmro.qmul.ac.uk/xmlui/handle/123456789/22527
Saari P, Fazekas G, Eerola T, Barthet M, Lartillot, O S, M(2016). Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation. IEEE Transactions on Affective Computing (TAC) vol. 7, Article 2, 122-135.
10.1109/TAFFC.2015.2462841
https://qmro.qmul.ac.uk/xmlui/handle/123456789/31904
Allik A, Fazekas G, Barthet M, Sandler M (2016). myMoodplay: An interactive mood-based music discovery app. Proc. of the 2nd Web Audio Conference (WAC), April 4–6, Atlanta, Georgia, USA..
Barthet M, Fazekas G, Allik A, Sandler M (2015). Moodplay: an interactive mood-based musical experience. Proc. of the ACM Audio Mostly International Conference, 7-9 Oct. Thessaloniki, Greece..
10.1145/2814895.2814922
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12173
Fazekas G, BARTHET M, Sandler MB(2014). Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework. Lecture Notes in Computer Science vol. 8905, (Sound, Music, and Motion) 122-147.
10.1007/978-3-319-12976-1_8
https://qmro.qmul.ac.uk/xmlui/handle/123456789/36478
Kachkaev A, Wolff D, BARTHET M, Plumbley MD, Dykes J, Weyde T (2014). Visualising Chord Progressions in Music Collections: A Big Data Approach. Conference: 9th Conference on Interdisciplinary Musicology (CIM) (Berlin)
Weyde T, Cottrell S, Dykes J, Benetos E, Wolff D, Tidhar D, Gold N, Abdallah S et al. (2014). Big Data for Musicology. Editors: Page, K, Fields, B, Conference: 1st International Digital Libraries for Musicology workshop (London, UK) from: 12/09/2014 to: 12/09/2014,
10.1145/2660168.2660187
https://qmro.qmul.ac.uk/xmlui/handle/123456789/9417
Kolozali S, Fazekas G, Barthet M, Sandler M (2014). A framework for automatic ontology generation based on semantic audio analysis. Proc. of the AES 53rd International Conference on Semantic Audio, Jan, 26-29., London, UK.
BARTHET MHE, Plumbley MD, Kachkaev, A, Dykes J, Wolff D, Weyde T (2014). Big Chord Data Extraction and Mining. Conference: 9th Conference on Interdisciplinary Musicology (CIM) (Berlin)
Weyde T, Cottrell S, Benetos E, Wolff D, Tidhar D, Plumbley MD, Dixon S, BARTHET MHE et al. (2014). Digital Music Lab - A Framework for Analysing Big Music Data. http://ecda2014.eu/wp-content/uploads/2014/06/bookofabstracts.pdf. Conference: European Conference on Data Analysis (ECDA) (Bremen)
10.1109/EUSIPCO.2016.7760422
Lou T, Barthet M, Fazekas G, Sandler M (2014). Evaluation and Improvement of the Mood Conductor Interactive System. Proc. of the AES 53rd International Conference on Semantic Audio, Jan, 26-29., London, UK.
Fazekas G, Barthet M, Sandler M(2014). Novel Methods in Facilitating Audience and Performer Interaction using the Mood Conductor Framework. Editors: Aramaki, M, Kronland-Martinet, R, Ystad, S, Edition. Sound Music and Motion, vol. 8905, Springer-Verlag, Heidelberg, Germany.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/31906
Baume C, Fazekas G, Barthet M, Martson D, Sandler M (2014). Selection of audio features for music emotion recognition using production music. Proc. of the AES 53rd International Conference on Semantic Audio, Jan, 26-29., London, UK.
BARTHET M, Benetos E, Cottrell S, Dixon S, Dykes J, Gold N, Mahey M, Plumbley MD et al. (2014). The DML Research Project: Digital Music Lab - Analysing Big Music Data. Presented at: Workshop on "Big Data: Challenges and Applications", Imperial College, London,
Aramaki M, Barthet M, Kronland-Martinet R, Ystad S(2013). Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics): Preface.
Barthet M, Kronland-Martinet R, Ystad S (2013). Consistency of timbre patterns in expressive music performance. Proceedings of the 9th International Conference on Digital Audio Effects, DAFx 2006. 19-24.
Kolozali S, Barthet M, Fazekas G, Sandler M(2013). Automatic Ontology Generation for Musical Instruments Based on Audio Analysis. IEEE Transactions on Audio, Speech, and Language Processing (TASLP) vol. 21, Article 10, 2207-2220.
10.1109/TASL.2013.2263801
Barthet M, Marston D, Baume C, Fazekas G, Sandler M (2013). Design and evaluation of semantic mood models for music recommendation. Proceedings of the 14th International Society for Music Information Retrieval Conference, ISMIR 2013. 421-426.
Saari P, Barthet M, Fazekas G, Eerola T, Sandler M (2013). Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags. Proc. of the IEEE International Conference on Multimedia & Expo (ICME2013) International Workshop on Affective Analysis in Multimedia (AAM), 15-19 July 2013, San Jose, CA, USA.
10.1109/ICMEW.2013.6618436
Fazekas G, Barthet M, Sandler M (2013). The BBC Desktop Jukebox music recommendation system: A large-scale trial with professional users. Proc. of the IEEE International Conference on Multimedia and Expo (ICME), 15–19, July, San Jose, CA, USA..
10.1109/ICMEW.2013.6618235
Saari P, Eerola T, Fazekas G, Barthet M, Lartillot O, Sandler M (2013). The Role of Audio and Tags in Music Mood Prediction: a Study Using Semantic Layer Projection. Proc. of the 14th International Society for Music Information Retrieval Conference, ISMIR’13, November 4-8, Curitiba, Brazil. Editors: Britto, ASJ, Gouyon, F, Dixon, S,
Barthet M, Dixon S (2011). Ethnographic observations of musicologists at the british library: Implications for music information retrieval. Proceedings of the 12th International Society for Music Information Retrieval Conference, ISMIR 2011. 353-358.
Barthet M, Hargreaves S, Sandler M (2011). Speech/music discrimination in audio podcast using structural segmentation and timbre recognition. Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics). vol. 6684 LNCS, 138-162.
10.1007/978-3-642-23126-1_10
Stowell D, Barthet M, Dixon S, Sandler M (2011). Musicology for the masses: Situating new audio technologies for musicology and music education. Proceedings of the Digital Economy All Hands Conference 2011. Conference: Digital Engagement 2011 (Newcastle) from: 15/11/2011 to: 17/11/2011,
Barthet M, Depalle P, Kronland-Martinet R, Ystad S (2007). The effect of timbre in clarinet interpretation. International Computer Music Conference, ICMC 2007. 59-62.
Barthet M, Guillemain P, Kronland-Martinet R, Ystad S (2005). On the relative influence of even and odd harmonics in clarinet timbre. International Computer Music Conference, ICMC 2005.
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