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Publications:  Prof Geraint Wiggins

Cameron DJ, Zioga I, Lindsen JP, Pearce MT, Wiggins GA, Potter K, Bhattacharya J(2019). Neural entrainment is associated with subjective groove and complexity for performed but not mechanical musical rhythms. Experimental Brain Research vol. 237, (8) 1981-1991.
10.1007/s00221-019-05557-4
https://qmro.qmul.ac.uk/xmlui/handle/123456789/58040
Wiggins GA, Sanjekdar A(2019). Learning and Consolidation as Re-representation: Revising the Meaning of Memory. Frontiers in Psychology vol. 10,
10.3389/fpsyg.2019.00802
https://qmro.qmul.ac.uk/xmlui/handle/123456789/57658
MCGREGOR SE, AGRES K, Rataj K, PURVER MRJ, WIGGINS GA(2019). Re-Representing Metaphor: Modelling metaphor perception using dynamically contextual distributional semantics. Frontiers in Psychology
10.3389/fpsyg.2019.00765
https://qmro.qmul.ac.uk/xmlui/handle/123456789/56571
Droog-Hayes M, Wiggins GA, Purver M (2019). Detecting Summary-Worthy Sentences: The Effect of Discourse Features. Proceedings - 13th IEEE International Conference on Semantic Computing, ICSC 2019. 381-384.
10.1109/ICOSC.2019.8665576
Xiao P, Toivonen H, Gross O, Cardoso A, Correia J, Machado P, Martins P, Oliveira HG et al.(2019). Conceptual representations for computational concept creation. ACM Computing Surveys vol. 52, (1)
10.1145/3186729
https://qmro.qmul.ac.uk/xmlui/handle/123456789/56340
DROOG-HAYES M, WIGGINS GA, PURVER MRJ (2019). Detecting Summary-worthy Sentences: the Effect of Discourse Features. Conference: 13th IEEE International Conference on Semantic Computing (Newport Beach, CA) from: 30/01/2019 to: 02/02/2019,
10.1109/ICSC.2019.00075
https://qmro.qmul.ac.uk/xmlui/handle/123456789/56572
McGinity MM, Purver M, Wiggins G (2019). The influence of cost on the emergence of a common language among cooperating agents. 2019 AISB Convention. 21-27.
Wiggins GA (2019). To play with feeling? the opportunity of aesthetics in computational musical creativity. CEUR Workshop Proceedings. Conference: AAAI Spring Symposium "Towards Conscious AI Systems" vol. 2287,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/56328
Cong F, Liu S, Guo L, Wiggins GA (2018). A Parallel Fusion Approach to Piano Music Transcription Based on Convolutional Neural Network. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings. vol. 2018-April, 391-395.
10.1109/ICASSP.2018.8461794
https://qmro.qmul.ac.uk/xmlui/handle/123456789/56330
Pollak S, Wiggins GA, Žnidarši¿ M, Lavra¿ N(2018). Computational creativity in Slovenia. Informatica (Slovenia) vol. 42, (1) 69-76.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/39543
WIGGINS GA(2018). Creativity, Information, and Consciousness: the information dynamics of thinking. Physics of Life Reviews
10.1016/j.plrev.2018.05.001
https://qmro.qmul.ac.uk/xmlui/handle/123456789/39544
GODDARD C, BARTHET M, WIGGINS G(2018). Assessing Musical Similarity for Computational Music Creativity. Journal of the Audio Engineering Society
10.17743/jaes.2018.0012
https://qmro.qmul.ac.uk/xmlui/handle/123456789/38044
Wolf OO, Wiggins G(2018). Look! It's moving! Is it alive? How movement affects humans' affinity to living and non-living entities. IEEE Transactions on Affective Computing
10.1109/TAFFC.2018.2820707
https://qmro.qmul.ac.uk/xmlui/handle/123456789/39530
Freeman J, Wiggins G, Starks G, Sandler M (2018). A concise taxonomy for describing data as an art material. Leonardo. vol. 51, 75-79.
10.1162/LEON_a_01414
https://qmro.qmul.ac.uk/xmlui/handle/123456789/56333
Droog-Hayes M, Wiggins G, Purver M (2018). Automatic detection of narrative structure for high-level story representation. Proceedings of AISB Annual Convention 2018.
Wiggins G, Forth J(2018). Computational creativity and live algorithms. The Oxford Handbook of Algorithmic Music,
Alvarado J, Wiggins GA (2018). Exploring the engagement and reflection model with the creative systems framework. Proceedings of the 9th International Conference on Computational Creativity, ICCC 2018. 200-207.
Alvarado J, Wiggins GA (2018). Understanding Mexica: An analysis of an engagement-reflection system. Proceedings of AISB Annual Convention 2018.
Goddard C, BARTHET M, Wiggins G (2017). Designing Computationally Creative Musical Performance Systems. dl.acm.org. Conference: Audio Mostly 2017 (Queen Mary University of London, London) from: 23/08/2017 to: 26/08/2017, vol. Proceedings of AM ’1,
10.1145/3123514.3123541
https://qmro.qmul.ac.uk/xmlui/handle/123456789/27804
van der Velde F, Forth J, Nazareth D, WIGGINS GA(2017). Linking Neural and Symbolic Representation and Processing of Conceptual Structures. Frontiers in Psychology vol. 8, 1297-1297.
10.3389/fpsyg.2017.01297
https://qmro.qmul.ac.uk/xmlui/handle/123456789/25454
Cameron D, Potter K, Wiggins G, PEARCE MT(2017). Perception of Rhythmic Similarity is Asymmetrical, and Is Influenced by Musical Training, Expressive Performance, and Musical Context. Timing and Time Perception
10.1163/22134468-00002085
https://qmro.qmul.ac.uk/xmlui/handle/123456789/22707
McGregor S, Jezek E, Purver M, Wiggins GA (2017). A Geometric Method for Detecting Semantic Coercion. IWCS(1). Editors: Gardent, C, Retoré, C,
Agres K, Forth J, Wiggins GA(2016). Evaluation of musical creativity and musical metacreation systems. Computers in Entertainment vol. 14, (3)
10.1145/2967506
https://qmro.qmul.ac.uk/xmlui/handle/123456789/22287
FORTH J, AGRES K, PURVER MRJ, WIGGINS GA(2016). Entraining IDyOT: timing in the information dynamics of thinking. Frontiers in Psychology vol. 7, 1575-1575.
10.3389/fpsyg.2016.01575
https://qmro.qmul.ac.uk/xmlui/handle/123456789/15922
Smith D, TOKARCHUK LN, Wiggins G (2016). Rapid Phenotypic Landscape Exploration through Hierarchical Spatial Partitioning. Conference: 14th International Conference on Parallel Problem Solving from Nature (Edinburgh, UK) from: 17/09/2016 to: 21/09/2016, vol. 9921, 911-920.
10.1007/978-3-319-45823-6_85
https://qmro.qmul.ac.uk/xmlui/handle/123456789/14411
McGregor S, Purver M, Wiggins G (2016). Words, concepts, and the geometry of analogy. Electronic Proceedings in Theoretical Computer Science, EPTCS. Conference: Workshop on Semantic Spaces at the Intersection of NLP, Physics and Cognitive Science vol. 221, 39-48.
10.4204/EPTCS.221.5
https://qmro.qmul.ac.uk/xmlui/handle/123456789/15119
Pontis S, Kefalidou G, Blandford A, Forth J, Makri S, Sharples S, Wiggins G, Woods M(2016). Academics' responses to encountered information: Context matters. Journal of the Association for Information Science and Technology vol. 67, (8) 1883-1903.
10.1002/asi.23502
Smith D, Tokarchuk L, Wiggins G (2016). Exploring conflicting objectives with MADNS: Multiple assessment directed novelty search. GECCO 2016 Companion - Proceedings of the 2016 Genetic and Evolutionary Computation Conference. 23-24.
10.1145/2908961.2908975
Smith D, Tokarchuk L, Wiggins G (2016). Harnessing phenotypic diversity towards multiple independent objectives. GECCO 2016 Companion - Proceedings of the 2016 Genetic and Evolutionary Computation Conference. 961-968.
10.1145/2908961.2931654
https://qmro.qmul.ac.uk/xmlui/handle/123456789/13817
HEDGES TW, Wiggins GA(2016). The prediction of merged attributes with multiple viewpoint systems. Journal of New Music Research
10.1080/09298215.2016.1205632
https://qmro.qmul.ac.uk/xmlui/handle/123456789/13048
Wiggins GA(2016). Defining inspiration? Modelling the non-conscious creative process. The Act of Musical Composition: Studies in the Creative Process,
Gingras B, Pearce MT, Goodchild M, Dean RT, Wiggins G, McAdams S(2016). Linking melodic expectation to expressive performance timing and perceived musical tension. Journal of Experimental Psychology: Human Perception and Performance vol. 42, (4) 594-609.
10.1037/xhp0000141
https://qmro.qmul.ac.uk/xmlui/handle/123456789/10881
Pollak S, Boshkoska BM, Miljkovic D, Wiggins GA, Lavra¿ N (2016). Computational creativity conceptualisation grounded on ICCC papers. Proceedings of the 7th International Conference on Computational Creativity, ICCC 2016. 123-130.
Thalmann F, Fazekas G, Wiggins GA, Sandler M (2016). Creating, Visualizing, and Analyzing Dynamic Music Objects in the Browser with the Dymo Designer. Proc. ACM Audio Mostly Conference, Oct. 4-6, Norrköping, Sweden. 39-46.
10.1145/2986416.2986445
https://qmro.qmul.ac.uk/xmlui/handle/123456789/16155
Barthet M, Fazekas G, Thalmann F, Sandler M, Wiggins GA (2016). Crossroads: Interactive Music Systems Transforming Performance, Production and Listening. Proc. ACM Conference on Human Factors in Computing Systems (CHI), May 7–12, San Jose, CA, USA..
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12502
Hedges T, Wiggins G (2016). Improving predictions of derived viewpoints in multiple viewpoint systems. Proceedings of the 17th International Society for Music Information Retrieval Conference, ISMIR 2016. 420-426.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/13047
Agres KR, McGregor S, Rataj K, Purver M, Wiggins GA (2016). Modeling metaphor perception with distributional semantics vector space models. CEUR Workshop Proceedings. vol. 1767,
McGregor S, Purver M, Wiggins GA (2016). Process Based Evaluation of Computer Generated Poetry. CC-NLG. Editors: Purver, M, Gervás, P, Griffiths, SS, 51-60.
Thalmann F, Carrillo G, Wiggins GA, Sandler M (2016). The Mobile Audio Ontology: Experiencing Dynamic Music Objects on Mobile Devices. IEEE International Conference on Semantic Computing (ICSC), Feb. 4-6, Laguna Hills, CA, USA. 47-54.
10.1109/ICSC.2016.61
https://qmro.qmul.ac.uk/xmlui/handle/123456789/11740
Thalmann F, Perez Carillo A, Fazekas G, Sandler M (2016). The Semantic Music Player: A Smart Mobile Player Based on Ontological Structures and Analytical Feature Metadata. Proc. Web Audio Conference WAC-2016, April 4–6, Atlanta, USA.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/11741
FREEMAN J, SANDLER M, WIGGINS G, STARKS G (2015). A concise taxonomy for describing data as an art material. Proceedings of the IEEE VIS Arts Program (VISAP). Conference: IEEE VIS (Chicago, Illinois) from: 25/10/2015 to: 30/10/2015, 22-29.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12613
Agres K, McGregor S, Purver M, Wiggins G (2015). Conceptualizing Creativity: From Distributional Semantics to Conceptual Spaces. Proceedings of the 6th International Conference on Computational Creativity (ICCC). 118-125.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/18247
McGregor S, Purver M, Wiggins G (2015). Metaphor, Meaning, Computers and Consciousness. Proceedings of the 8th AISB Symposium on Computing and Philosophy: The Significance of Metaphor and Other Figurative Modes of Expression and Thought.
HEDGES TW, Wiggins GA (2015). Segmentation and grouping structures in jazz chord sequences: An information-theoretic approach.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/15555
McGregor S, Agres K, Purver M, Wiggins G(2015). From Distributional Semantics to Conceptual Spaces: A Novel Computational Method for Concept Creation. Journal of Artificial General Intelligence vol. 6, (1) 55-86.
10.1515/jagi-2015-0004
https://qmro.qmul.ac.uk/xmlui/handle/123456789/11291
WIGGINS GA, Forth JC(2015). IDyOT: A Computational Theory of Creativity as Everyday Reasoning from Learned Information. Computational Creativity Research: Towards Creative Machines, Editors: Besold, TR, Schorlemmer, M, Smaill, A, Atlantis Press
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12123
Griffiths SS, McGinity MM, Forth J, Purver M, Wiggins GA (2015). Information-theoretic segmentation of natural language. CEUR Workshop Proceedings. vol. 1510, 54-67.
Thalmann F, Carrillo A, Fazekas G, Wiggins GA, Sandler M (2015). Navigating Ontological Structures based on Feature Metadata Using the Semantic Music Player. Proc. of the 16th International Society for Music Information Retrieval (ISMIR-15) conference, Late-breaking session, Oct. 26-30, Malaga, Spain.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/16154
Rohrmeier M, Zuidema W, Wiggins GA, Scharff C(2015). Principles of structure building in music, language and animal song. Philosophical Transactions of the Royal Society B: Biological Sciences vol. 370, (1664)
10.1098/rstb.2014.0097
https://qmro.qmul.ac.uk/xmlui/handle/123456789/8860
Agres K, Wiggins GA (2015). Schematic processing as a framework for learning and creativity in CBR and CC. CEUR Workshop Proceedings. vol. 1520, 151-155.
Thalmann F, Ewert S, Sandler M, Wiggins GA (2015). Spatially Rendering Decomposed Recordings - Integrating Score-Informed Source Separation and Semantic Playback Technologies. International Society for Music Information Retrieval Conference (ISMIR) - Late-Breaking Session. 2-2.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12559
Wiggins GA, Tyack P, Scharff C, Rohrmeier M(2015). The evolutionary roots of creativity: Mechanisms and motivations. Philosophical Transactions of the Royal Society B: Biological Sciences vol. 370, (1664)
10.1098/rstb.2014.0099
https://qmro.qmul.ac.uk/xmlui/handle/123456789/10868
Wiggins GA, Bhattacharya J(2014). Mind the gap: An attempt to bridge computational and neuroscientific approaches to study creativity. Frontiers in Human Neuroscience vol. 8, (JULY)
10.3389/fnhum.2014.00540
https://qmro.qmul.ac.uk/xmlui/handle/123456789/10872
McGregor S, Wiggins G, Purver M (2014). Computational Creativity: A Philosophical Approach, and an Approach to Philosophy. Proceedings of the 5th International Conference on Computational Creativity (ICCC).
Hargreaves S, Wiggins G, Sandler M(2014). A Semantic Web approach to pattern discovery in data and music. Proceedings of the AES International Conference97-106.
McGregor S, Wiggins G, Purver M (2014). Computational creativity: A philosophical approach, and an approach to philosophy. Proceedings of the 5th International Conference on Computational Creativity, ICCC 2014.
Whorley R, Wiggins GA, Rhodes CS, Pearce MT(2013). Multiple Viewpoint Systems: Time Complexity and the Construction of Domains for Complex Musical Viewpoints. Journal of New Musical Research
10.1080/09298215.2013.831457
https://qmro.qmul.ac.uk/xmlui/handle/123456789/10883
Forth J, Giannimaras A, Wiggins GA, Stewart R, Bental D, Aylett R, Maxwell D, Mehrpouya H et al. (2013). Demonstrating serena: Chance encounters in the space of ideas. Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics). vol. 7879 LNAI, 275-278.
10.1007/978-3-642-38073-0-26
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12122
Forth J, Giannimaras T, Wiggins GA, Stewart R, Bental D, Aylett R, Maxwell D, Mehrpouya H et al. (2013). SerenA: A multi-site pervasive agent environment that supports serendipitous discovery in research. Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics). vol. 7879 LNAI, 85-96.
10.1007/978-3-642-38073-0-8
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12124
Proutskova P, Rhodes C, Crawford T, Wiggins G(2013). Breathy, Resonant, Pressed - Automatic Detection of Phonation Mode from Audio Recordings of Singing. Journal of New Music Research vol. 42, (2) 171-186.
10.1080/09298215.2013.821496
Whorley R, Rhodes C, Wiggins G, Pearce M (2013). Harmonising melodies: Why do we add the bass line first?. Proceedings of the 4th International Conference on Computational Creativity, ICCC 2013. 79-86.
Egermann H, Pearce MT, Wiggins GA, McAdams S(2013). Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music. Cognitive, Affective and Behavioral Neuroscience vol. 13, (3) 533-553.
10.3758/s13415-013-0161-y
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12125
Proutskva P, Rhodes C, Wiggins G, Crawford T (2012). Breathy or resonant - A controlled and curated dataset for phonation mode detection in singing. Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012. 589-594.
McLean A, Wiggins G(2012). Computer programming in the creative arts. Computers and Creativity, vol. 9783642317279,
Wiggins GA(2012). On the correctness of imprecision and the existential fallacy of absolute music. Journal of Mathematics and Music vol. 6, (2) 93-101.
10.1080/17459737.2012.697274
Wiggins GA(2012). The future of (mathematical) music theory. Journal of Mathematics and Music vol. 6, (2) 135-144.
10.1080/17459737.2012.698151
Pearce MT, Wiggins GA(2012). Auditory Expectation: The Information Dynamics of Music Perception and Cognition. Topics in Cognitive Science vol. 4, (4) 625-652.
10.1111/j.1756-8765.2012.01214
Colton S, Wiggins GA (2012). Computational creativity: The final frontier?. Frontiers in Artificial Intelligence and Applications. vol. 242, 21-26.
10.3233/978-1-61499-098-7-21
Wiggins GA (2012). Crossing the theshold paradox: Modelling creative cognition in the global workspace. Proceedings of the 3rd International Conference on Computational Creativity, ICCC 2012. 180-187.
Wiggins GA (2012). Defining Inspiration? Modelling non-conscious creative process. The Act of Musical Composition – Studies in the Creative Process. Editors: Collins, D,
Wiggins GA(2012). Music, Mind and Mathematics: Theory, Reality and Formality. Journal of Mathematics and Music vol. 6, (2) 111-123.
10.1080/17459737.2012.694710
Wiggins GA(2012). The Mind’s Chorus: Creativity before Consciousness. Cognitive Computation vol. 4, (3) 306-319.
10.1007/s12559-012-9151-6
Ewert S, Muller M, Konz V, Müllensiefen D, Wiggins G(2012). Towards Cross-Version Harmonic Analysis of Music. IEEE Transactions on Multimedia vol. 14, Article 3, 770-782.
10.1109/TMM.2012.2190047
Wiggins GA(2012). “I let the music speak”: cross-domain application of a cognitive model of musical learning. Statistical Learning and Language Acquisition, Editors: Rebuschat, P, Williams, J, Mouton De Gruyter (Amsterdam, NL),
Wiggins GA(2011). Computer Models of (Music) Cognition. Language and Music as Cognitive Systems, Editors: Rebuschat, P, Rohrmeier, M, Cross, I, Hawkins, J et al., Oxford University Press (Oxford),
Gingras B, Goodchild M, Dean RT, Pearce MT, Wiggins GA, McAdams S (2011). Exploring interrelationships between melodic expectations, tempo variations, and perceived tension in performances of an unmeasured prelude for harpsichord. Proceedings of the International Symposium on Performance Science. 45-45.
Gingras B, Dean R, Pearce MT, Wiggins GA (2011). Information Dynamics and Musical Performance. Notes: In preparation. date-added: 2011-04-24 18:33:03 -0700 date-modified: 2011-04-24 18:34:13 -0700 ,
Müllensiefen D, Wiggins GA(2011). Sloboda and Parker’s recall paradigm for melodic memory: a new, computational perspective. Music and the Mind, Editors: Delièege, I, Davidson, J, OUP
Pearce MT, Müllensiefen D, Wiggins GA(2010). The role of expectation and probabilistic learning in auditory boundary perception: a model comparison. Perception vol. 39, (10) 1365-1389.
10.1068/p6507
Pearce MT, Müllensiefen D, Wiggins GA(2010). Melodic grouping in music information retrieval: New methods and applications. Studies in Computational Intelligence vol. 274, 365-389.
10.1007/978-3-642-11674-2-16
Wiggins GA (2010). A cross-domain model? Grouping of phonemes into syllables by a model of melodic segmentation. Proceedings of ICMPC-11.
McLean A, Wiggins G (2010). Bricolage Programming in the Creative Arts. Proceedings of the 22nd Psychology of Programming Interest Group.
Cardoso A, Veale T, Wiggins GA(2010). Converging on the Divergent: The History (and Future) of the International Joint Workshops in Computational Creativity. AI Magazine vol. 30, Article 3, 15-22.
Wiggins GA(2010). Cue Abstraction, Paradigmatic Analysis and Information Dynamics: Towards Music Analysis by Cognitive Model. Musicae Scientiae vol. Special Issue: Under, 307-331.
10.1177/10298649100140S217
Whorley R, Wiggins GA, Rhodes C, Pearce MT (2010). Development of Techniques for the Computational Modelling of Harmony. Proceedings of the First International Conference on Computational Creativity. Editors: Ventura, others,
Wiggins GA (2010). I Let the Music Speak: A Model of Music Perception that Predicts Speech Segmentation. Proceedings of Cognitive Science.
McLean A, Wiggins GA (2010). Live coding towards computational creativity. Proceedings of the First International Conference on Computational Creativity. Editors: Ventura, others,
Pearce MT, Müllensiefen D, Wiggins GA(2010). Melodic Grouping in Music Information Retrieval: New Methods and Applications. Advances in Music Information Retrieval, Editors: Ras, Z, Wieczorkowska, A, vol. 274, Springer (Berlin/Heidelberg),
Wiggins GA, Müllensiefen D, Pearce MT(2010). On the non-existence of Music: Why music theory is a figment of the imagination. Musicae Scientiae vol. Discussion Forum 5, 231-255.
10.1177/10298649100140S110
McLean A, Wiggins G (2010). Petrol: Reactive pattern language for improvised music. International Computer Music Conference, ICMC 2010. 331-334.
Pearce MT, Müllensiefen D, Wiggins GA(2010). The role of expectation and probabilistic learning in auditory boundary perception: A model comparison. Perception vol. 39, (10) 1367-1391.
10.1068/p6507
McLean A, Wiggins G (2010). Tidal - Pattern Language for the Live Coding of Music. Proceedings of the 7th Sound and Music Computing conference.
Forth J, Wiggins G, McLean A(2010). Unifying Conceptual Spaces: Concept Formation in Musical Creative Systems. Minds and Machines vol. 20, 503-532-503-532.
10.1007/s11023-010-9207-x
Pearce MT, Herrojo Ruiz M, Kapasi S, Wiggins GA, Bhattacharya J(2010). Unsupervised Statistical Learning Underpins Computational, Behavioural and Neural Manifestations of Musical Expectation. NeuroImage vol. 50, Article 1, 303-313.
10.1016/j.neuroimage.2009.12.019
McLean A, Griffiths D, Collins N, Wiggins G (2010). Visualisation of Live Code. Proceedings of the Electronic Visualisation and the Arts conference 2010.
Lewis RJ, Lewis D, Crawford T, Wiggins GA (2009). Music and Text: Integrating Scholarly Literature into Music Datasets. Digital Resources for the Humanities and Arts.
Forth J, Wiggins GA(2009). An approach for identifying salient repetition in multidimensional representations of polyphonic music. London Algorithmics 2008: Theory and Practice, Editors: Chan, J, Daykin, JW, Rahman, MS, College Publications (London, UK),
Wiggins GA, Pearce MT, Müllensiefen D(2009). Computational Modelling of Music Cognition and Musical Creativity. Oxford Handbook of Computer Music, Editors: Dean, R, Oxford University Press
Wiggins GA(2009). Computer-Representation of Music in the Research Environment. Modern Methods for Musicology: Prospects, Proposals and Realities, Editors: Crawford, TT, Gibson, L, Ashgate (Aldershot, UK),
CATTERALL PP(2009). Foreword. Draft it in Eskimo@ A Personal Memoir of the War Cabinet Secretariat, NATO and the 'Marshy Common', Editors: author, JP, Clio Publishing (Southampton),
Lemström K, Wiggins GA (2009). Formalizing invariances for content-based music retrieval. Proceedings of ISMIR 2009. Editors: Tzanetakis, G, Hirata, K,
Bown O, Wiggins GA(2009). From Maladaptation to Competition to Cooperation in the Evolution of Musical Behaviour. Musicæ Scientiæ
10.1177/1029864909013002171
Wiggins GA (2009). Semantic Gap?? Schemantic Schmap!! Methodological Considerations in the Scientific Study of Music. Proceedings of 11th IEEE International Symposium on Multimedia. 477-482.
10.1109/ISM.2009.36
McLean A, Wiggins G (2009). Words, Movement and Timbre. Proceedings of NIME’09. Editors: Zahler, A, Dannenberg, R,
Pearce MT, Müllensiefen D, Wiggins GA (2008). A comparison of statistical and rule-based models of melodic segmentation. Proceedings of the Ninth International Conference on Music Information Retrieval. Editors: Bello, JP, Chew, E, 89-94.
Pearce MT, Müllensiefen D, Wiggins GA (2008). An information-dynamic model of melodic segmentation. Proceedings of the International Workshop on Music and Machine Learning.
Mauch M, Müllensiefen D, Dixon S, Wiggins G (2008). Applying Tools from Natural Language Processing Analysis to Harmony: A Bottom Up Approach. Conference on Music, Language and the Mind.
Mauch M, Müllensiefen D, Dixon S, Wiggins G (2008). Can Statistical Language Models be used for the Analysis of Harmonic Progressions?. International Conference on Music Perception and Cognition. Conference: International Conference on Music Perception and Cognition (Hokkaido, Japan) from: 25/08/2008 to: 29/08/2008,
Whorley RP, Pearce MT, Wiggins GA (2008). Computational Modelling of the Cognition of Harmonic Movement. Proceedings of the 10th International Conference on Music Perception and Cognition.
Müllensiefen D, Wiggins GA, Lewis D(2008). High-level Feature Descriptors and Corpus-Based Musicology: Techniques for Modelling Music Cognition. Systematic and Comparative Musicology: Concepts, Methods, Findings, Editors: Schneider, A, Peter Lang (Frankfurt am Main),
Pearce MT, Müllensiefen D, Wiggins GA (2008). Melodic Segmentation: A New Method and a Framework for Model Comparison. Proceedings of ISMIR 2008.
Pearce MT, Wiggins GA (2008). Meta-models of music cognition. Proceedings of Music, Language and the Mind.
Halpern A, Müllensiefen D, Wiggins GA (2008). Modelling Memory Responses in a Melody Recognition Task. Proceedings of the 10th International Conference on Music Perception and Cognition.
Forth J, McLean A, Wiggins GA (2008). Musical Creativity on the Conceptual Level. Proceedings of the International Joint Workshop on Computational Creativity.
Pearce MT, Müllensiefen D, Wiggins GA, Frieler K (2008). Perceptual Segmentation of Melodies: Ambiguity, Rules and Statistical Learning. Proceedings of the 10th International Conference on Music Perception and Cognition.
Müllensiefen D, Wiggins GA (2008). Polynomial Contour as a Core Feature for Representing Melodies. 10th International Conference on Music Perception and Cognition.
Marsden A, Wiggins GA (2008). Schenkerian Reduction as Search. Proceedings of the Conference on Interdisciplinary Musicology.
McLean A, Wiggins GA (2008). Vocable Synthesis. Proceedings of the International Computer Music Conference.
Müllensiefen D, Lewis D, Rhodes C, Wiggins G (2007). Evaluating a chord-labelling algorithm. Proceedings of the 8th International Conference on Music Information Retrieval, ISMIR 2007. 317-318.
Wiggins GA (2007). A Portfolio of Musical Compositions. Notes: date-added: 2010-11-02 12:00:39 +0000 date-modified: 2010-11-02 12:07:35 +0000 ,
McLean A, Leymarie FF, Wiggins G (2007). Apollonius diagrams and the Representation of Sounds and Music. ISVD ’07: Proceedings of the 4th International Symposium on Voronoi Diagrams in Science and Engineering. 276-281.
10.1109/ISVD.2007.7
Bown O, Wiggins GA (2007). Biocultural Models of Interaction Between Musical and Non-Musical Forms of Behaviour in Evolution. Proceedings of the Society for Music Perception and Cognition.
Pearce MT, Wiggins GA (2007). Evaluating cognitive models of musical composition. Proceedings of the 4th International Joint Workshop on Computational Creativity. Editors: Cardoso, A, Wiggins, GA, 73-80.
Müllensiefen D, Lewis D, Wiggins GA (2007). Feature description and corpus-based musicology: Tools for modelling music cognition. Proceedings of the International Musical Society.
Craft A, Wiggins GA, Crawford T (2007). How Many Beans make Five? The Consensus Problem in Music-Genre Classification and a New Evaluation Method for Single-Genre Categorisation Sysytems. Proceedings of ISMIR.
Thornton C (2007). How thinking inside the box can become thinking outside the box. Proceedings of the 4th International Joint Workshop on Computational Creativity. Editors: Cardoso, A, Wiggins, G,
Pearce MT, Wiggins GA (2007). Information Dynamics in Music Perception and Cognition. Proceedings of Music and Language as Cognitive Processes.
Potter K, Wiggins GA, Pearce MT (2007). Information Dynamics of Music: a case study of Philip Glass’ Two Pages. 14th Biennial International Conference on Music Since 1900.
Allan RH, Wiggins GA, Müllensiefen D (2007). Methodological Considerations in Studies of Musical Similarity. Proceedings of ISMIR.
Wiggins GA(2007). Models of musical similarity. Musicae Scientiae vol. Discussion Forum 4A, 315-338-315-338.
10.1177/102986490701100112
Bown O, Wiggins GA (2007). Music: Evolution Without Adaptation. Proceedings of Conference on Music and Evolutionary Thought. Editors: Zon, B,
Bown O, Wiggins GA (2007). On the Meaning of Life (in Artificial Life Approaches to Music). Proceedings of the 4th International Joint Workshop on Computational Creativity. Editors: Cardoso, A, Wiggins, GA,
(2007). Proceedings of the 4th International Joint Workshop on Computational Creativity. Editors: Cardoso, A, Wiggins, GA,
Wiggins GA(2007). Review article: ‘Computer Models of Musical Creativity’ by David Cope. Literary and Linguistic Computing vol. 23, Article 1, 109-116.
10.1093/llc/fqm025
Müllensiefen D, Pearce MT, Wiggins GA (2007). Segmenting Pop Melodies: A Model Comparison Approach. Proceedings of SMPC’07, Montreal, Canada.
Whorley RP, Wiggins GA, Pearce MT (2007). Systematic Evaluation and Improvement of Statistical Models of Harmony. Proceedings of the 4th International Joint Workshop on Computational Creativity. Editors: Cardoso, A, Wiggins, GA, 81-88.
Potter K, Wiggins GA, Pearce MT(2007). Towards greater objectivity in music theory: Information-dynamic analysis of minimalist music. Musicæ Scientiæ vol. 11, Article 2, 295-322.
10.1177/102986490701100207
Müllensiefen D, Lewis D, Rhodes C, Wiggins GA (2007). Treating Inherent Ambiguity in Ground Truth Data: Evaluating a Chord Labelling Algorithm. Proceedings of 8th ISMIR.
Müllensiefen D, Lewis D, Wiggins GA (2007). Where’s the Chorus? A Computational Approach to the Automatic Segmentation of Pop Songs. Proceedings of the 5th Biennial International Association for the Study of Popular Music Conference.
Deliège I, Wiggins GA(2006). Musical creativity: Multidisciplinary research in theory and practice.
Wiggins GA(2006). A Preliminary Framework for Description, Analysis and Comparison of Creative Systems. Journal of Knowledge Based Systems vol. 19, Article 7, 449-458.
10.1016/j.knosys.2006.04.009
Clifford R, Christodoulakis M, Crawford T, Meredith D, Wiggins GA (2006). A fast, randomised, maximal subset matching algorithm for document-level music retrieval. Proceedings of the 7th International Conference on Music Information Retrieval (ISMIR 2006). Editors: Lemström, K, Dannenberg, R,
Phon-Amnuaisuk S, Smaill A, Wiggins G(2006). Chorale harmonization: A view from a search control perspective. Journal of New Music Research vol. 35, Article 4, 279-305.
10.1080/09298210701458835
Crawford T, Pickens J, Wiggins G(2006). Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. Computer Music Modeling and Retrieval: Third International Symposium, CMMR 2005, Revised Papers, Springer (Heidelberg),
Pearce MT, Wiggins GA(2006). Expectation in Melody: The Influence of Context and Learning. Music Perception vol. 23, Article 5, 377-405.
10.1525/mp.2006.23.5.377
Wiggins GA (2006). Four Quartets. Notes: Triple string quartet after T. S. Eliot’s “Burnt Norton” (from “Four Quartets”) date-added: 2010-10-31 18:06:59 +0000 date-modified: 2010-10-31 18:07:48 +0000 ,
Chan T-ST, Wiggins G (2006). More Evidence for A Computational Memetics Approach to Music Information and New Interpretations of An Aesthetic Fitness Measure. Proceedings of the 3rd International Joint Workshop on Computational Creativity. Editors: Colton, S, Pease, A,
(2006). Musical Creativity: Current research in theory and practice. Editors: Deliège, I, Wiggins, GA, Psychology Press (Hove, UK),
Wiggins GA(2006). Searching for Computational Creativity. New Generation Computing vol. 24, Article 3, 209-222.
10.1007/BF03037332
Pearce MT, Wiggins GA (2006). The information dynamics of melodic boundary detection. Proceedings of the Ninth International Conference of Music Perception and Cognition. Editors: Baroni, M, Addessi, AR, Caterina, R, Costa, M et al., 860-867.
Richards BL, Kraan I, Smaill A, Wiggins GA (1994). Mollusc: a general proof development shell for sequent-based logics. CADE12. Editors: Bundy, A, Conference: International Conference on Automated Deduction CADE 1994: Automated Deduction — CADE-12 (Nancy France) from: 26/06/1994 to: 01/07/1994, vol. 814, 826-30-826-30.
10.1007/3-540-58156-1_69
Chan T-ST, Wiggins G (2005). A Computational Memetics Approach to Music Information and Aesthetic Fitness. Proceedings of the 2nd International Joint Workshop on Computational Creativity. Editors: Colton, S, Gervás, P, Veale, T,
Lewis D, Crawford T, Wiggins GA, Gale M (2005). Abstracting Musical Queries: Towards a Musicologist’s Workbench. Proceedings of the Conference on Computer Modelling and Music Retrieval.
Meredith D, Wiggins GA (2005). Comparing pitch spelling algorithms. Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR 2005). Editors: Reiss, J, Wiggins, GA,
Pickens J, Crawford T, Wiggins GA (2005). Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. Proceedings of the Conference on Computer Modelling and Music Retrieval.
Melo A, Drever J, Wiggins GA (2005). Electroacoustic Performance Interfaces that Learn from their Users. Proceedings of the International Computer Music Conference.
Pearce MT, Conklin D, Wiggins GA(2005). Methods for Combining Statistical Models of Music. Computer Music Modelling and Retrieval, Editors: Wiil, UK, Springer Verlag (Heidelberg, Germany),
Bown O, Wiggins GA (2005). Modelling Musical Behaviour in a Cultural-Evolutionary System. Proceedings of the IJCAI’05 Workshop on Computational Creativity. Editors: Gervàs, P, Veale, T, Pease, A,
REISS J, Wiggins GA(2005). Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR). Queen Mary University of London
Lewis D, Gale M, Crawford T, Wiggins GA (2005). Questions of Musical Resemblance: ‘families’ of pieces in an electronic corpus. Proceedings of the 10th Conference on Digital Resources for the Humanities.
Wiggins GA (2005). not even the rain. Notes: Song cycle for large orchestra, electronics and three countertenors. date-added: 2010-10-31 18:06:59 +0000 date-modified: 2010-10-31 18:07:47 +0000 ,
Pearce MT, Wiggins GA(2004). Improved Methods for Statistical Modelling of Monophonic Music. Journal of New Music Research vol. 33, Article 4, 367-385.
10.1080/0929821052000343840
Pearce M, Conklin D, Wiggins G (2004). Methods for combining statistical models of music. Proceedings of the Conference on Music Modelling and Retrieval. Editors: Wiil, UK, 295-312.
Pearce MT, Wiggins GA (2004). Rethinking Gestalt Influences on Melodic Expectancy. Proceedings of the Eighth International Conference of Music Perception and Cognition. Editors: Lipscomb, SD, Ashley, R, Gjerdingen, RO, Webster, P et al., 367-371.
Melo A, Wiggins GA (2003). A Connectionist Approach to Driving Chord Progressions Using Tension. Proceedings of the AISB’03 Symposium on Creativity in Arts and Science. Editors: Gervás, P, Colton, S,
Pearce MT, Wiggins GA (2003). An empirical comparison of the performance of PPM variants on a prediction task with monphonic music. Proceedings of the AISB’03 Symposium on Artificial Intelligence and Creativity in Arts and Science. 74-83.
Wiggins GA (2003). Categorising Creative Systems. Proceedings of the IJCAI’03 workshop on Creative Systems. Editors: Bento, C, Cardoso, A, Gero, J,
Ferrand M, Nelson P, Wiggins GA (2003). Memory and Melodic Density: A Model for Melody Segmentation. Proceedings of the XIV Colloquium on Musical Informatics (XIV CIM 2003). 95-98.
Ferrand M, Nelson P, Wiggins G (2003). Unsupervised Learning of Melodic Segmentation: A Memory-Based Approach. Proceedings of the 5th Triennial ESCOM Conference. Editors: Kopiez, R, Lehmann, AC, Wolther, I, Wolf, C et al., 141-144.
Phon-Amnuaisuk S, Smaill A, Wiggins GA (2002). A Computational Model for Chorale Harmonisation in the Style of J. S. Bach. 7th International Conference on Music Perception and Cognition.
Ferrand M, Nelson P, Wiggins GA (2002). A Probabilistic Model for Melody Segmentation. Proceedings of ICMAI’02.
Meredith D, Lemström K, Wiggins G(2002). Algorithms for discovering repeated patterns in multidimensional representations of polyphonic music. Journal of New Music Research vol. 31, Article 4, 321-345.
10.1076/jnmr.31.4.321.14162
Rutherford J, Wiggins GA (2002). An Experiment in the automatic creation of music which has specific emotional content. Proceedings of the 2002 International Conference on Music Perception and Cognition.
Pearce MT, Wiggins GA (2002). Aspects of a cognitive theory of creativity in musical composition. Proceedings of the ECAI’02 Workshop on Creative Systems. 17-24.
Chan T-ST, Wiggins G (2002). Computational Memetics of Music. Proceedings of the ESOM 10th Anniversary Conference on Musical Creativity.
Pearce MT, Meredith D, Wiggins GA(2002). Motivations and methodologies for automation of the compositional process. Musicæ Scientiæ vol. 6, Article 2, 119-147-119-147.
(2002). Proceedings of the AISB’02 Symposium on AI and Creativity in the Arts and Sciences. Editors: Wiggins, GA,
Wiggins GA, Lemström K, Meredith D (2002). SIA(M)ESE: An Algorithm for Transposition Invariant, Polyphonic Content-Based Music Retrieval. International Symposium on Music Information Retrieval.
Lemström K, Wiggins GA, Meredith D (2001). A Three-Layer Approach for Music Retrieval in Large Databases. Proceedings of the 2001 International Symposium on Music Information Retrieval.
Pearce M, Wiggins GA, Meredith D(2001). Motivations and Methodologies for Automation of the Compositional Process. Musicae Scientiae vol. 6, Article 2, 119-147.
10.1177/102986490200600203
Cambouropoulos E, Crawford T, Iliopoulos CS(2001). Pattern Processing in Melodic Sequences: Challenges, Caveats and Prospects. Computers and the Humanities vol. 35, 9-21.
Meredith D, Wiggins GA, Lemström K (2001). Pattern induction and matching in polyphonic music and other multidimensional datasets. Proceedings of the 5th World Multiconference on Systemics, Cybernetics and Informatics (SCI2001), July 22-25. Editors: Callaos, N, Zong, X, Vergez, C, Pelaez, JR et al., vol. X, 61-66.
(2001). Proceedings of the AISB’01 Symposium on AI and Creativity in the Arts and Sciences. Editors: Wiggins, GA,
(2001). Proceedings of the ICCBR’01 Workshop on Creative Systems. Editors: Bento, C, Cardoso, A, Wiggins, GA,
Rolland P-Y, Cambouropoulos E, Wiggins GA(2001). Special Issue: Pattern Processing in Music Analysis and Creation. Computers and the Humanities vol. 35, Article 1,
Pearce MT, Wiggins GA (2001). Towards a framework for the evaluation of machine compositions. Proceedings of the AISB’01 Symposium on Artificial Intelligence and Creativity in the Arts and Sciences. 22-32.
Wiggins GA (2001). Towards a more precise characterisation of creativity in AI. Case–Based Reasoning: Papers from the Workshop Programme at ICCBR’01. Editors: Weber, R, von Wangenheim, CG, 113-120.
Wiggins G(2001). “Representing Musical Time: A Temporal-Logic Approach” by Alan Marsden. Musicae Scientiæ vol. 5, Article 2,
Wiggins GA, Trewin S (2000). A system for the concerned teaching of musical aural skills. Proceedings of ITS2000.
Wiggins GA, Smaill A(2000). Musical Knowledge: what can Artificial Intelligence bring to the musician?. Readings in Music and Artificial Intelligence, Editors: Miranda, ER, Harwood Academic Press (Amsterdam),
(2000). Proceedings of the AISB’00 Symposium on AI and Creativity in the Arts and Sciences. Editors: Wiggins, GA,
Curry B, Wiggins GA, Hayes J (2000). Representing Trees with Constraints. Procceedings of Computational Logic 2000. Editors: Lloyd, J,
10.1007/3-540-44957-4_21
Wiggins GA(2000). Special Issue on Artificial Intelligence and Creativity in Arts and Sciences. AISB Quarterly
Birch N, Plummer J, Wiggins G, Ferran B, Lyons R (1999). Panel: Nurturing creativity. Proceedings of the 3rd Conference on Creativity and Cognition, C and C 1999. 30-35.
Curry B, Wiggins GA(1999). A New Approach to Cooperative Performance: A Preliminary Experiment. International Journal of Computing Anticipatory Systems vol. 4,
Papadopoulos G, Wiggins GA (1999). AI Methods for Algorithmic Composition: A survey, a Critical View and Future Prospects.
Brand ao M, Pain H, Wiggins GA (1999). Computers in Music Education. Proceedings of the AISB’99 Symposium on Musical Creativity.
Wiggins GA, Papadopoulos G, Phon Amnuaisuk S, Tuson A(1999). Evolutionary methods for musical composition. International Journal of Computing Anticipatory Systems
Phon-Amnuaisuk S, Tuson A, Wiggins GA (1999). Evolving Musical Harmonisation. Proceedings of ICANNGA’99.
Abbass HA, Wiggins GA, Lakshmanan R, Morton W(1999). Heat Exchanger Network Retrofit by Constraint Logic Programming. Computers in Chemical Engineering
10.1016/S0098-1354(99)80033-7
Abbass HA, Wiggins GA, Lakshmanan R, Morton B (1999). Integrating optimisation and search: An Intelligent Tool for Chemical Process Synthesis. Proceedings of Practical Applications of Logic Programming.
(1999). Proceedings of the AISB’99 Symposium on Musical Creativity. Editors: Wiggins, GA,
Ponsford D, Wiggins GA, Mellish C(1999). Statistical learning of harmonic movement. Journal of New Music Research vol. 28, Article 2, 150-177.
10.1076/jnmr.28.2.150.3115
Phon-Amnuaisuk A, Wiggins GA (1999). The Four-Part Harmonisation Problem: A Comparison between Genetic Algorithms and a Rule-Based System. Proceedings of the AISB’99 Symposium on Musical Creativity.
Wiggins G(1999). “Melodic Similarity: Concepts, Procedures, and Applications” by Walter Hewlett and Eleanor Selfridge-Field. Musicae Scientiæ vol. 3, Article 2, 279-283.
Papadopoulos G, Wiggins GA (1998). A Genetic Algorithm for the Generation of Jazz Melodies. Proceedings of STeP’98.
Wiggins GA (1998). Music, Syntax, and the Meaning of “Meaning”. Proceedings of the First Symposium on Music and Computers. 18-23.
Robertson J, de Quincey A, Stapleford T, Wiggins GA (1998). Real-Time Music Generation for a Virtual Environment. Proceedings of the ECAI’98 Workshop on AI/Alife and Entertainment. Editors: Nack, F,
Wiggins GA (1998). The Use of Constraint Systems for Musical Composition. Proceedings of the ECAI’98 Workshop on Constraints and Artistic Applications. Editors: Pachet, F, Codognet, P,
Wiggins GA, Smaill A(1997). Musical Knowledge: what can Artificial Intelligence bring to the musician?. Contemporary Music Review
(1996). Proceedings of the International Congress on Music and AI, 1995. Journal of New Music Research. Editors: Cambouropoulos, E, Nelson, P, Smaill, A, Wiggins, GA et al.,
Parkes AJ, Wiggins GA (1996). Logic program synthesis by induction over horn clauses. Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics). vol. 1048,
Cambouropoulos E, Nelson P, Smaill A, Wiggins G(1996). Special Issue on Music and Artificial Intelligence. Journal of New Music Research vol. 25, Article 3,
Wiggins GA(1995). Understanding music with AI: Perspectives on cognitive musicology: M. Balaban, K. Ebcioglu and O. Laske, eds., (The MIT Press, Cambridge, MA 1993); 512 pages, softback; ISBN 0-262-52170-9. Artificial Intelligence vol. 79, Article 2, 373 - 385-373 - 385.
10.1016/0004-3702(95)90014-4
Wiggins GA (1994). Improving the whelk system: A type-theoretic reconstruction. Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics). vol. 883 LNCS, 231-247.
10.1007/3-540-58792-6_15
(1994). Music Education: An Artificial Intelligence Perspective, Edinburgh 19 93. Editors: Smith, M, Smaill, A, Wiggins, GA,
Wiggins GA (1994). Whelk Type Theory. Proceedings of the Fourth International Workshop on Meta-Programming in Logic and Logic Program Synthesis and Transformation, Pisa, Italy. Editors: Turini, F, Fribourg, L,
Wiggins GA, Miranda E, Smaill A, Harris M(1993). A framework for the evaluation of music representation systems. Computer Music Journal vol. 17, Article 3, 31-42.
Lombart V, Wiggins GA, Deville Y (1993). Guiding Synthesis Proofs. Proceedings of LoPSTr’93. Editors: Deville, Y,
Smaill A, Wiggins GA, Harris M(1993). Hierarchical Music Representation for Analysis and Composition. Computers and the Humanities vol. 27, 7-17-7-17.
Smaill A, Wiggins G, Harris M(1993). Hierarchical music representation for composition and analysis. Computers and the Humanities vol. 27, (1) 7-17.
10.1007/BF01830712
Smaill A, Wiggins GA, Miranda E(1993). Music Representation – between the musician and the computer. Music Education: An Artificial Intelligence Perspective, Editors: Smith, M, Wiggins, G, Smaill, A, Springer (London),
Adamson J, Wiggins GA (1993). Party Games. Notes: Dance piece for Edinburgh University Student Dance Group date-added: 2010-10-31 18:06:59 +0000 date-modified: 2010-10-31 18:07:36 +0000 ,
Wiggins GA (1993). Retrospective. Notes: Theme and variations for French horn and piano. date-added: 2010-10-31 18:06:59 +0000 date-modified: 2010-10-31 18:07:36 +0000 ,
Wiggins GA, Miranda E, Smaill A, Harris M (1993). Surveying Musical Representation Systems: A Framework for Evaluation. report no. 658,
(1992). 3rd UK Annual Conference on Logic Programming, Edinburgh 1991. Editors: Wiggins, GA, Mellish, CS, Duncan, T,
Adamson J, Jones M, Wiggins GA (1992). Creation’s Hymn. Notes: Dance, images and music inspired by E. E. Cummings’ “from spiraling ecstatically this” date-added: 2010-10-31 18:06:59 +0000 date-modified: 2010-10-31 18:07:35 +0000 ,
Wiggins GA (1992). Elements. Notes: Suite in four movements for flute, oboe, ’cello and harp. date-added: 2010-10-31 18:06:59 +0000 date-modified: 2010-10-31 18:07:35 +0000 ,
Wiggins GA (1992). Negation and Control in Automatically Generated Logic Programs. Proceedings of META-92. Editors: Pettorossi, A,
Wiggins GA (1992). Synthesis and Transformation of Logic Programs in the Whelk Proof Development System. Proceedings of JICSLP-92. Editors: Apt, KR, 351-368-351-368.
Bryson J, Smaill A, Wiggins GA (1992). The Reactive Accompanist: Applying Subsumption Architecture to Software Design. report no. 606,
Wiggins GA (1992). better now. Notes: Tone poem for computer, sampler and telephone answering machine date-added: 2010-10-31 18:06:59 +0000 date-modified: 2010-10-31 18:07:35 +0000 ,
Wiggins GA (1991). An Adaptable Formalism for the Computational Analysis of English Noun Phrase Reference. Notes: date-added: 2010-10-31 18:06:59 +0000 date-modified: 2010-10-31 18:07:35 +0000 ,
Douglas-Scott S, Dine J, Persaud I(1991). Introduction. Procedure and the European Court, Editors: Dine, J, Douglas-Scott, S, Persaud, Law Chancery
Wiggins GA (1991). Preces and Responses. Notes: Liturgical music for four part unaccompanied choir (AATB) date-added: 2010-10-31 18:06:59 +0000 date-modified: 2010-10-31 18:07:35 +0000 ,
Harris M, Smaill A, Wiggins G (1991). Representing Music Symbolically. IX Colloquio di Informatica Musicale. Editors: Camurri, A, Canepa, C,
Wiggins GA, Bundy A, Kraan I, Hesketh J (1991). Synthesis and Transformation of Logic Programs through Constructive, Inductive Proof. Proceedings of LoPSTr-91. Editors: Lau, K-K, Clement, T, 27-45-27-45.
Wiggins GA (1990). The Improvement of Prolog Program Efficiency by Compiling Control: A Proof-Theoretic View. Proceedings of the Second International Workshop on Meta-programming in Logic.
Smaill A, Wiggins GA, Harris M (1990). Hierarchical Music Representation for Analysis and Composition. Proceedings of the Second International Conference on Music and Information Technology.
Bundy A, Smaill A, Wiggins GA (1990). The Synthesis of Logic Programs from Inductive Proofs. Computational Logic. Editors: Lloyd, J, 135-149-135-149.
Wiggins GA, Harris M, Smaill A (1989). Representing Music for Analysis and Composition. report no. 504,
Wiggins GA, Harris M, Smaill A (1989). Representing music for analysis and composition. Proceedings of the Second Workshop on AI and Music. Editors: Balaban, M, Ebcio vglu, K, Laske, O, Lischka, C et al., 63-71.
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