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Publications:  Prof Janet Harbord

Harbord J(2019). The Autistic Gesture: Film as Neurological Training. NECSUS: European Journal of Media Studies vol. Autumn,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/61847
HARBORD JP(2019). Greta Gerwig's Gestures: Agamben in the Land of Stardom. Film-Philosophy177-193.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/57756
Harbord J(2016). Ex-centric Cinema Giorgio Agamben and Film Archaeology. Bloomsbury Publishing USA
https://qmro.qmul.ac.uk/xmlui/handle/123456789/19763
HARBORD JP(2016). Contingency, time and event: An archaeological approach to the film festival. Marijke de Valck, Brendan Kredell, Skadi Loist (eds.) Film Festivals: History, Theory, Method, Practice, London: Routledge, Routledge
https://qmro.qmul.ac.uk/xmlui/handle/123456789/57093
Harbord J(2015). Agamben’s cinema: Psychology versus an ethical form of life. NECSUS. European Journal of Media Studies vol. 4, (2) 13-30.
10.5117/necsus2015.2.harb
https://qmro.qmul.ac.uk/xmlui/handle/123456789/55084
HARBORD JP, BERRY C(2015). Tracking the Screen in Public Spaces: Everyday Dis/Enchantment. Technovisuality: Cultural Re-enchantment and the Experience of Technology, Editors: Grace, H, IBTaurus (UK),
https://qmro.qmul.ac.uk/xmlui/handle/123456789/9855
HARBORD JP(2014). Gesture, time, movement: Giorgio Agamben meets David Claerbout on the Boulevard du Temple. Cinema and Agamben: Ethics, Biopolitics and the Moving Image, Editors: Gustafsson, H, Gronstad, A, Bloomsbury
https://qmro.qmul.ac.uk/xmlui/handle/123456789/9846
HARBORD JP(2013). Copernicus and I: Revolutions in Perception and The Powers of Ten. Technology and Desire: the Transgressive Art of Moving Images, Editors: Gaafar, R, Schulz, M, Intellect/Chicago University Press
HARBORD JP(2012). Focus: Wilhelm Noack oHG. Simon Starling, Editors: Roelstraete, D, Harbord, J, Manacorda, F, Phaidon Press
Harbord J(2012). Ex-centric Cinema: mechinic vision in the Powers of Ten and Electronic Cartography. Body and Society vol. 18, (1) Article 4, 99-119.
10.1177/1357034X11431845
https://qmro.qmul.ac.uk/xmlui/handle/123456789/4242
HARBORD J, Moore R(2011). Film in our Midst: City as Cinematic Archive. Urban Cinematics, Editors: Penz, F, Lu, A, Intellect Limited
HARBORD JP(2010). Ex-centric Cinema: Artists' Films. UnSpooling: Artists & Cinema, Editors: Bracey, A, Griffiths, D, Harbord, J,
HARBORD JP (2010). The Skein of the Archive: Denise Bellon and Remembrance of Things to Come. Afterall Medium: Online Journal,
Harbord J, Blackman L(2010). Technologies of Mediation and the Affective: A Case-study of the Mediated Environment of MediaCity UK. Cognitive architecture: From bio-politics to noo-politics. Architecture & mind in the age of communication & information, Editors: Hauptmann, D, Neidich, W, 010 Publishers (Rotterdam, Netherlands),
https://qmro.qmul.ac.uk/xmlui/handle/123456789/6760
Harbord J(2009). Chris Marker: La Jetee (One Work Series) (Afterall). Afterall Books & MIT (London, UK and Massachusetts, US),
HARBORD JP, Blake T(2008). Typewriters, Cameras and love Affairs: the Fateful Haunting of Margaret Mead. Journal of Media Practice vol. 9, (3) 215-227.
10.1386/jmpr.9.3.215_1
Harbord J(2007). The Evolution of Film. Polity Press
Harbord J(2002). Film Cultures. Sage Publications Limited
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