Publications: Dr Amitabh Rai
Rai AS
(
2022
)
.
Untimely Media Subversions of obsolescence in decolonial print
.
Radical Philosophy
vol.
2
,
(
13
)
77
-
88
.
Rai AS
(
2021
)
.
DIY Media in South Asia
.
BioScope South Asian Screen Studies
vol.
12
,
(
1-2
)
64
-
67
.
Rai AS
(
2019
)
.
Jugaad Time Ecologies of Everyday Hacking in India
.
Duke University Press
Rai AS
(
2015
)
.
The affect of Jugaad: Frugal innovation and postcolonial practice in India’s mobile phone ecology
.
Environment and Planning D Society and Space
vol.
33
,
(
6
)
985
-
1002
.
RAI AS
(
2012
)
.
Perception and Digital Media in India
.
International Journal of E-Politics
vol.
3
,
(
4
)
36
-
54
.
RAI AS
(
2012
)
.
On the Jugaad Image: Embodying the Mobile Phone in India
.
Postmodern Culture: an electronic journal of interdisciplinary criticism
vol.
23
,
(
1
)
RAI AS
(
2012
)
.
Race Racing: Four Theses on Race and Intensity
.
Women's Studies Quarterly
vol.
40
,
(
1&2
)
RAI AS
(
2011
)
.
For an ethnography toward the virtual: Deleuze's transcendental empiricism and nonlinear ImMedia
.
South Asian Popular Culture
vol.
9
,
(
3
)
313
-
326
.
RAI AS
(
2010
)
.
Biopower and Marketing
.
Media Assemblages
RAI A
(
2010
)
.
Composite Photographs
.
South Asian Popular Culture
vol.
8
,
(
2
)
195
-
201
.
RAI AS
(
2010
)
.
The Value of Affect: Perception and Media in India
.
Medium:
Blogpost
,
Rai AS
(
2010
)
.
Hollywood Highbrow: From Entertainment to Art
.
CULT SOCIOL
vol.
4
,
(
1
)
162
-
165
.
RAI A
(
2010
)
.
Review of Shyon Baumann’s Hollywood Highbrow
Cultural Sociology
.
Cultural Sociology
vol.
4
,
(
1
)
162
-
165
.
Bond P, Rai AS
(
2009
)
.
Borrower runs
.
J DEV ECON
vol.
88
,
(
2
)
185
-
191
.
RAI AS
(
2009
)
.
Untimely Bollywood: Globalization and India’s New Media Assemblage
.
Duke University Press
RAI AS
(
2008
)
.
On Purple Pleasures: Digitally Assembling Bollywood
.
South Asian Technospaces
,
Editors:
Gajjala, R, Gajjala, V
,
Peter Lang Publishing
(
New York
),
RAI AS
(
2008
)
.
On the media assemblage of Bollywood: time and sensation in globalizing India
.
The Bollywood Reader
,
Editors:
Dudrah, R, Desai, J
,
Open University Press
(
Maidenhead
),
RAI A
(
2007
)
.
Monstrous Mutations, Sympathetic Monsters
.
Third Text (UK)
vol.
21
,
(
6
)
745
-
759
.
RAI A
(
2006
)
.
An Aesthetics of Terror?” Lead Essay, Art India
.
Edition.
4
,
vol.
11
,
pp.
31
-
40
.
RAI A
(
2006
)
.
Every Citizen is a Cop without the Uniform: The Populist Outside in Bollywood’s New Angry Young Man Genre
.
Interventions
vol.
8
,
(
2
)
193
-
227
.
RAI A
(
2006
)
.
The Future is a Monster
.
Camera Obscura, 61
vol.
21
,
(
1
)
58
-
63
.
RAI A
(
2005
)
.
Haptic Bollywood
.
New Cinemas: Journal of Contemporary Film
vol.
3
,
(
3
)
143
-
158
.
Rai AS
(
2005
)
.
The promise of monsters: Terrorism, monstrosity and biopolitics
.
INT STUD PHILOS
vol.
37
,
(
2
)
81
-
93
.
Puar JK, Rai AS
(
2004
)
.
The Remaking of a Model Minority: Perverse Projectiles under the Specter of (Counter) Terrorism
.
Social Text
(
80
)
75
-
104
.
Rai AS
(
2004
)
.
Of monsters - Biopower, terrorism and excess in genealogies of monstrosity
.
CULT STUD
vol.
18
,
(
4
)
538
-
570
.
RAI A
(
2003
)
.
Bollywood through a Pedagogy of Crisis,” in Humanscape
.
pp.
23
-
25
.
RAI A
(
2003
)
.
Going to the Pictures: Review of ‘Heat: Moving Picture Visions, Phantasms and Nightmares in Art India
.
Edition.
4
,
vol.
8
,
pp.
22
-
23
.
RAI A
(
2003
)
.
Life, Debt and the Pitfalls of Romantic Resistance
.
Shobak Outsider Asians
RAI A
(
2003
)
.
Patriotism and the Muslim Citizen in Hindi Films
.
Harvard Asia Quarterly
RAI A
(
2003
)
.
Review of Painted Photography in India, in Art India
.
Edition.
3
,
vol.
8
,
pp.
22
-
23
.
RAI A
(
2003
)
.
Review of Post Independence Indian Art at the Robeson Gallery, in Art India
.
pp.
24
-
25
.
RAI A
(
2003
)
.
Start Narrative Here’: Excess and the Space of History in Asian Diasporic Films
.
South Asian Popular Culture(UK)
vol.
1
,
(
1
)
13
-
32
.
RAI A
(
2003
)
.
The Black Spectre of Sympathy: The Occult Relation in Jane Eyre
.
Literature, Interpretation, Theory
vol.
14
,
(
3
)
243
-
268
.
Puar JK, Rai AS
(
2002
)
.
Monster, Terrorist Fag: The War on Terrorism and the Production of Docile Patriots
.
Social Text
(
72
)
117
-
148
.
RAI A
(
2002
)
.
Review of Darius Cooper’s The Cinema of Satyajit Ray: Between Tradition and Modernity and Geeta Kapur’s When Was Modernism: Essays on Contemporary Cultural Practice in India in Interventions
.
Edition.
1
,
vol.
4
,
Rai A
(
2002
)
.
Rule of Sympathy: Race, Sentiment, Power, 1750-1850
.
Macmillan
RAI A
(
2002
)
.
Rule of Sympathy: Sentiment, Race, and Power
.
pp.
1760
-
1840
.
Palgrave-St. Martins Press
RAI A
(
2002
)
.
The Pleasure and Politics of Hindi Film Culture,” in Samar: South Asian Magazine for Action and Reflection, Summer/Fall
.
pp.
44
-
49
.
Rai AS
(
2000
)
.
A critique of postcolonial reason: Toward a history of the vanishing present
.
CRIT-Q LIT ART
vol.
42
,
(
1
)
119
-
123
.
RAI A
(
2000
)
.
First Day, First Show, in The Times of India
.
RAI A
(
2000
)
.
Global Bhopal,” in The Times of India
.
RAI A
(
2000
)
.
Review of Gayatri Chakravorty Spivak’s Critique of Postcolonial Reason
.
Edition.
1
,
vol.
42
,
Rai AS
(
1997
)
.
The science of empire: Scientific knowledge, civilization, and colonial rule in India
.
VICTORIAN STUD
vol.
40
,
(
4
)
748
-
750
.