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Publications:  Dr Andrew McPherson

Moro G, Mcpherson A (2020). A platform for low-latency continuous keyboard sensing and sound generation. nime.org/archives. Conference: International Conference on New Interfaces for Musical Expression (Royal Birmingham Conservatoire) from: 21/07/2020 to: 25/07/2020,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/64180
Mcpherson A, Lepri G (2020). Beholden to Our Tools: Negotiating with Technology while Sketching Digital Instruments. Conference: New Interfaces For Musical Expression
https://qmro.qmul.ac.uk/xmlui/handle/123456789/64887
McPherson A, Tah¿ro¿lu K(2020). Idiomatic Patterns and Aesthetic Influence in Computer Music Languages. Organised Sound vol. 25, (1) 53-63.
10.1017/s1355771819000463
https://qmro.qmul.ac.uk/xmlui/handle/123456789/62420
Mice L, Mcpherson AP (2019). Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments. 14th International Symposium on Computer Music Multidisciplinary Research. Editors: Mice, L, Mcpherson, AP, Conference: Computer Music Multidisciplinary Research (Marseille, France) from: 14/10/2019 to: 18/10/2019,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/63240
Armitage J, Mcpherson A (2019). Bricolage in a hybrid digital lutherie context: a workshop study. Conference: Audio Mostly (University of Nottingham) from: 17/09/2019 to: 20/09/2019,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/59522
Nordmoen C, Armitage J, Morreale F, Stewart R, McPherson A (2019). Making sense of sensors: Discovery through craft practice with an open-ended sensor material. DIS 2019 - Proceedings of the 2019 ACM Designing Interactive Systems Conference. 135-146.
10.1145/3322276.3322368
https://qmro.qmul.ac.uk/xmlui/handle/123456789/57558
LEPRI G, MCPHERSON A (2019). Fictional Instruments, Real Values: Discovering Musical Backgrounds with Non-Functional Prototypes. Conference: New Interfaces for Musical Expression
https://qmro.qmul.ac.uk/xmlui/handle/123456789/64886
LEPRI G, MCPHERSON A (2019). Making Up Instruments: Design Fiction for Value Discovery in Communities of Musical Practice. Conference: Designing Interactive Systems (San Diego California USA)
10.1145/3322276.3322353
https://qmro.qmul.ac.uk/xmlui/handle/123456789/64885
Pardue LS, McPherson A(2019). Real-Time Aural and Visual Feedback for Improving Violin Intonation. Front Psychol vol. 10, 627-627.
10.3389/fpsyg.2019.00627
https://qmro.qmul.ac.uk/xmlui/handle/123456789/57523
Hazzard A, Greenhalgh C, Kallionpaa M, Benford S, Veinberg A, Kanga Z, McPherson A, Machinery AC (2019). Failing with Style: Designing for Aesthetic Failure in Interactive Performance. CHI 2019: PROCEEDINGS OF THE 2019 CHI CONFERENCE ON HUMAN FACTORS IN COMPUTING SYSTEMS.
10.1145/3290605.3300260
MCPHERSON A, MORREALE F, HARRISON J(2019). Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches. New Directions in Music and Human-Computer Interaction, Editors: Holland, S, Wilkie-McKenna, K, Mudd, T, MCPHERSON, A et al., Springer
https://qmro.qmul.ac.uk/xmlui/handle/123456789/55134
MORREALE F, ARMITAGE J, MCPHERSON A(2018). Effect of Instrument Structure Alterations on Violin Performance. Frontiers in Psychology
10.3389/fpsyg.2018.02436
https://qmro.qmul.ac.uk/xmlui/handle/123456789/54645
ZAPPI V, MCPHERSON A(2018). Hackable Instruments: Supporting Appropriation and Modification in Digital Musical Interaction. Frontiers in ICT vol. 5, (26)
10.3389/fict.2018.00026
https://qmro.qmul.ac.uk/xmlui/handle/123456789/47925
JACK RH, MEHRABI A, Stockman T, MCPHERSON A(2018). Action-sound Latency and the Perceived Quality of Digital Musical Instruments: Comparing Professional Percussionists and Amateur Musicians. Music Perception
10.1525/mp.2018.36.1.109
https://qmro.qmul.ac.uk/xmlui/handle/123456789/44614
BUYS K, MCPHERSON A (2018). Real-time bowed string feature extraction for performance applications. https://zenodo.org/record/1422597. Conference: Sound and Music Computing (Cyprus) from: 04/03/2018 to: 07/03/2018,
10.5281/zenodo.1422597
https://qmro.qmul.ac.uk/xmlui/handle/123456789/56795
ARMITAGE JDK, MCPHERSON A (2018). Crafting Digital Musical Instruments: An Exploratory Workshop Study. Conference: New Interfaces for Musical Expression
https://qmro.qmul.ac.uk/xmlui/handle/123456789/42325
BIN SMA, BRYAN-KINNS N, MCPHERSON AP (2018). Risky business: Disfluency as a design strategy. Conference: New Interfaces for Musical Expression (Blacksburg, VA, USA) from: 03/06/2018 to: 07/06/2018,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/39184
Turchet L, McPherson A, Barthet M(2018). Co-design of a smart Cajón. AES: Journal of the Audio Engineering Society vol. 66, (4) 220-230.
10.17743/jaes.2018.0007
https://qmro.qmul.ac.uk/xmlui/handle/123456789/39005
Pardue LS, McPherson A, Overholt D (2018). Improving the instrumental learning experience through complexity management. Proceedings of the 15th Sound and Music Computing Conference: Sonic Crossings, SMC 2018. 150-157.
Turchet L, McPherson A, Barthet M(2018). Real-time hit classification in a smart cajón. Frontiers in ICT vol. 5,
10.3389/fict.2018.00016
https://qmro.qmul.ac.uk/xmlui/handle/123456789/54064
MORO G, MCPHERSON A, SANDLER M(2017). Dynamic temporal behaviour of the keyboard action on the Hammond organ and its perceptual significance. Journal of the Acoustical Society of America
10.1121/1.5003796
https://qmro.qmul.ac.uk/xmlui/handle/123456789/28574
Bin SMA, Bryan-Kinns N, McPherson A (2017). Hands where we can see them! Investigating the impact of gesture size on audience perception. Conference: International Computer Music Conference (Shanghai, China) from: 16/10/2017 to: 20/10/2017,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/28483
BIN SMA, MORREALE F, BRYAN-KINNS N, MCPHERSON A (2017). In-the-moment and beyond: Combining post-hoc and real time data for the study of audience perception of electronic music performance. Conference: ACM Interact 2017 (Mumbai, India) from: 25/09/2017 to: 29/09/2017,
10.1007/978-3-319-67744-6_18
https://qmro.qmul.ac.uk/xmlui/handle/123456789/28343
HARRISON JTF, McPherson AP(2017). Adapting the Bass Guitar for One-Handed Playing. Journal of New Music Research vol. 46, (3) 270-285.
10.1080/09298215.2017.1340485
https://qmro.qmul.ac.uk/xmlui/handle/123456789/24726
Jack RH, Stockman T, McPherson A (2017). Rich gesture, reduced control: The influence of constrained mappings on performance technique. ACM International Conference Proceeding Series. vol. Part F129150,
10.1145/3077981.3078039
MCPHERSON A, ARMITAGE JDK, BIN SMA, MORREALE F, JACK R (2017). NIMEcraft Workshop: Exploring the Subtleties of Digital Lutherie. Conference: New Interfaces for Musical Expression
https://qmro.qmul.ac.uk/xmlui/handle/123456789/40023
Armitage J, Morreale F, McPherson A (2017). "The finer the musician, the smaller the details": NIMEcraft under the microscope. http://www.nime.org/archives/. Conference: New Instruments for Musical Expression 2017 (Copenhagen, Denmark) from: 14/05/2017 to: 19/05/2017,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/22883
Morreale F, Moro G, Chamberlain A, Benford S, MCPHERSON A (2017). Building a Maker Community Around an Open Hardware Platform. Conference: ACM SIGCHI Conference on Human Factors in Computing Systems (CHI) (Denver, CO, USA) from: 06/05/2017 to: 11/05/2017,
10.1145/3025453.3026056
https://qmro.qmul.ac.uk/xmlui/handle/123456789/19132
MORREALE F, Masu, R, MCPHERSON (2017). Constraining Control in Mixed-Initiative Musical Interfaces. Conference: MICI 2017: CHI Workshop on Mixed-Initiative Creative Interfaces
https://qmro.qmul.ac.uk/xmlui/handle/123456789/25285
Jack RH, Stockman T, McPherson A (2017). Maintaining and constraining performer touch in the design of digital musical instruments. TEI 2017 - Proceedings of the 11th International Conference on Tangible, Embedded, and Embodied Interaction. 717-720.
10.1145/3024969.3025042
Liang B, Fazekas G, McPherson A, Sandler M (2017). Piano Pedaller: A Measurement System for Classification and Visualisation of Piano Pedalling Techniques. Proc. of the International Conference on New Interfaces for Musical Expression (NIME), May 15-18, Copenhagen, Denmark. 325-329.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/24503
LIANG B, fazekas G, mcpherson A, sandler M (2016). Classification of Piano Pedaling Techniques Using Gesture Data from a Non-Intrusive Measurement System. DMRN+11: Digital Music Research Network Workshop Proceedings 2016. Conference: DMRN+11: Digital Music Research Network One-day Workshop 2016 (Centre for Digital Music, Queen Mary University of London) from: 20/12/2016 to: 20/12/2016,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/19349
Jack RH, Stockman T, McPherson A (2016). Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument. ACM International Conference Proceeding Series. vol. 04-06-October-2016, 116-123.
10.1145/2986416.2986428
McPherson AP, Jack RH, Moro G (2016). Action-Sound Latency: Are Our Tools Fast Enough?. Conference: Proceedings of the International Conference on New Interfaces for Musical Expression, Brisbane, Queensland, Australia, July 11-15, 2016 (Griffith University, South Bank, Brisbane, Queensland, Australia) from: 11/07/2016 to: 15/07/2016,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12479
BIN SMA, MCPHERSON AP, BRYAN-KINNS N (2016). Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response. Conference: New Interfaces for Musical Expression (Brisbane, Australia) from: 11/07/2016 to: 15/07/2016, vol. 16, 200-205.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/13067
MORO G, Bin A, Jack RH, Heinrichs C, McPherson AP (2016). Making High-Performance Embedded Instruments with Bela and Pure Data. Conference: International Conference on Live Interfaces (University of Sussex) from: 29/06/2016 to: 03/07/2016,
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12653
MCPHERSON A, Chamberlain A, Hazzard A, McGrath S, Benford S (2016). Designing for Exploratory Play with a Hackable Digital Musical Instrument. Conference: ACM Conference on Designing Interactive Systems (Brisbane, Australia)
10.1145/2901790.2901831
https://qmro.qmul.ac.uk/xmlui/handle/123456789/13068
Sulyok C, MCPHERSON A, Harte C(2016). Evolving the process of a virtual composer. Natural Computing
10.1007/s11047-016-9561-6
https://qmro.qmul.ac.uk/xmlui/handle/123456789/12837
Jack R, Stockman T, McPherson A, ACM (2016). Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback. PROCEEDINGS OF THE TENTH ANNIVERSARY CONFERENCE ON TANGIBLE EMBEDDED AND EMBODIED INTERACTION (TEI16). 3-11.
10.1145/2839462.2839503
Heinrichs C, McPherson A, ACM (2016). Performance-Led Design of Computationally Generated Audio for Interactive Applications. PROCEEDINGS OF THE TENTH ANNIVERSARY CONFERENCE ON TANGIBLE EMBEDDED AND EMBODIED INTERACTION (TEI16). 697-700.
10.1145/2839462.2854109
Pardue LS, Harte C, MCPHERSON A(2015). A Low-Cost Real-Time Tracking System for Violin. Journal of New Music Research1-19.
10.1080/09298215.2015.1087575
MacRitchie J, MCPHERSON A(2015). Integrating optical finger motion tracking with surface touch events. Frontiers in Psychology vol. 6, (702)
10.3389/fpsyg.2015.00702
Donovan L, MCPHERSON A (2015). Active control of a string instrument bridge using the Posicast technique. Conference: 138th Audio Engineering Society Convention (Warsaw, Poland)
MCPHERSON A, Zappi V (2015). An environment for submillisecond-latency audio and sensor processing on BeagleBone Black. Conference: 138th Audio Engineering Society Convention (Warsaw, Poland)
Moro G, McPherson AP (2015). Approximating non-linear inductors using time-variant linear filters. DAFx 2015 - Proceedings of the 18th International Conference on Digital Audio Effects.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/13072
McPherson A(2015). Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments. COMPUTER MUSIC JOURNAL vol. 39, (2) 28-46.
10.1162/COMJ_a_00297
https://qmro.qmul.ac.uk/xmlui/handle/123456789/10250
Sulyok C, McPherson A, Harte C (2015). Corpus-taught Evolutionary Music Composition. ECAL 2015: THE THIRTEENTH EUROPEAN CONFERENCE ON ARTIFICIAL LIFE. 587-594.
10.7551/978-0-262-33027-5-ch102
Zappi V, MCPHERSON A (2015). Exposing the scaffolding of digital instruments with hardware-software feedback loops. Conference: New Interfaces for Musical Expression (Baton Rouge, USA)
Menzies DWH, MCPHERSON A (2015). Highland piping ornament recognition using Dynamic Time Warping. Conference: New Interfaces for Musical Expression (Baton Rouge, USA)
Jack RH, MCPHERSON A, Stockman T (2015). The design of tactile musical devices for the deaf. Conference: International Conference on the Multimodal Experience of Music (Sheffield, UK)
Reiss JD, McPherson A(2014). Audio Effects: Theory, Implementation and Application. CRC Press
https://qmro.qmul.ac.uk/xmlui/handle/123456789/11476
Zappi V, MCPHERSON A (2014). Design and use of a hackable digital instrument. Conference: International Conference on Live Interfaces (Lisbon, Portugal)
https://qmro.qmul.ac.uk/xmlui/handle/123456789/7204
Zappi V, MCPHERSON A (2014). Dimensionality and appropriation in digital musical instrument design. Conference: New Interfaces for Musical Expression (London, UK)
Heinrichs C, MCPHERSON A, Farnell A(2014). Human Performance of Computational Sound Models for Immersive Environments. The New Soundtrack vol. 4, (2) 139-155.
Topliss JW, Zappi V, MCPHERSON A (2014). Latency Performance for Real-Time Audio on BeagleBone Black. Conference: Linux Audio Conference (Karlsruhe, Germany)
https://qmro.qmul.ac.uk/xmlui/handle/123456789/7205
Pardue L, Nian D, Harte C, MCPHERSON A (2014). Low-latency audio pitch tracking: a multi-modal sensor-assisted approach. Conference: New Interfaces for Musical Expression
Heinrichs C, MCPHERSON A (2014). Mapping and interaction strategies for performing environmental sound. Conference: IEEE VR Workshop on Sonic Interaction in Virtual Environments (SIVE)25-30.
Sokolovskis J, MCPHERSON A (2014). Optical measurement of acoustic drum strike locations. Conference: New Interfaces for Musical Expression (London, UK)
Gábana Arellano D, MCPHERSON A (2014). Radear: a tangible spinning music sequencer. Conference: New Interfaces for Musical Expression (London, UK)
MCPHERSON A, Donovan L (2014). The talking guitar: headstock tracking and mapping strategies. Conference: New Interfaces for Musical Expression (London, UK)
Vetter L, Terrell MJ, Simpson AJR, McPherson A (2013). Estimation of overdrive in music signals. 134th Audio Engineering Society Convention 2013. 846-851.
HEDGES TW, MCPHERSON A (2013). 3D Gestural Interaction with Harmonic Pitch Space. Conference: Proceedings of the 10th Sound and Music Computing Conference (SMC) (Stockholm) 103-108.
MENZIES DWH, MCPHERSON A (2013). A Digital Bagpipe Chanter System to Assist in One-to-One Piping Tuition. Conference: Proceedings of the Stockholm Music Acoustics Conference (Stockholm) 440-445.
MCPHERSON A, Pardue L (2013). Near-field optical reflectance sensing for violin bow tracking. Conference: New Interfaces for Musical Expression (Seoul, South Korea)
MCPHERSON A (2013). Portable measurement and mapping of continuous piano gesture. Conference: New Interfaces for Musical Expression (Seoul, South Korea)
MCPHERSON A, Gierakowski A, Stark A (2013). The space between the notes: adding expressive pitch control to the piano keyboard. Conference: ACM Conference on Human Factors in Computing Systems (CHI) (Paris, France)
10.1145/2470654.2481302
Burdiel E, Vetter L, Simpson AJR, Terrell MJ, Mcpherson A, Sandler M (2012). Real-time implementation of glasberg & moore's loudness model for time-varying sounds. 133rd Audio Engineering Society Convention 2012, AES 2012. vol. 1, 107-115.
Heinrichs C, McPherson A (2012). Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera. ISMAR 2012 - 11th IEEE International Symposium on Mixed and Augmented Reality 2012, Science and Technology Papers. 283-284.
10.1109/ISMAR.2012.6402575
Heinrichs C, McPherson A (2012). A hybrid keyboard-guitar interface using capacitive touch sensing and physical modeling. Proceedings of the 9th Sound and Music Computing Conference, SMC 2012.
MCPHERSON A, Kim YE(2012). The problem of the second performer: building a community around an augmented piano. Computer Music Journal vol. 36, (4) 10-27.
MCPHERSON A, Kim Y (2011). Design and applications of a multi-touch musical keyboard. Conference: 8th Sound and Music Computing Conference (Padova, Italy) from: 06/07/2011 to: 09/07/2011,
Dolhansky B, MCPHERSON A, Kim Y (2011). Designing an expressive virtual percussion instrument. Conference: 8th Sound and Music Computing Conference (Padova, Italy) from: 06/07/2011 to: 09/07/2011,
MCPHERSON A, Kim Y (2011). Multidimensional gesture sensing at the piano keyboard. Conference: ACM CHI Conference on Human Factors in Computing Systems (Vancouver, Canada) from: 07/05/2011 to: 12/05/2011, 2789-2798.
10.1145/1978942.1979355
MCPHERSON A, Kim Y (2010). Augmenting the acoustic piano with electromagnetic string actuation and continuous key position sensing. Conference: International Conference on New Interfaces for Musical Expression (Sydney, Australia) from: 15/06/2010 to: 18/06/2010, 217-222.
MCPHERSON A(2010). The magnetic resonator piano: electronic augmentation of an acoustic grand piano. Journal of New Music Research vol. 39, (3) 189-202.
10.1080/09298211003695587
MCPHERSON A, Kim Y (2010). Toward a computationally-enhanced acoustic grand piano. Conference: ACM CHI Conference on Human Factors in Computing Systems (Extended Abstracts) (Atlanta, USA) from: 10/04/2010 to: 15/04/2010, 4141-4146.
10.1145/1753846.1754116
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