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Publications:  Dr Anat Pick

PICK A(2020). War on the World: Ecological Inflections in the Films of Yervant Gianikian and Angela Ricci Lucchi. Yervant Gianikian and Angela Ricci Lucchi at Work: The Politics and Aesthetics of Archives, Editors: Paistik, A, Larcher, J, Amsterdam University Press (Amsterdam),
https://qmro.qmul.ac.uk/xmlui/handle/123456789/56256
Pick A(2019). Film's Religious Algorithm. Paragraph: a journal of modern critical theory vol. 42, (3) 387-402.
10.3366/para.2019.0313
https://qmro.qmul.ac.uk/xmlui/handle/123456789/61700
Saxton E, Pick A(2019). Introduction (to special issue, 'Religion in Contemporary Thought and Film'). Paragraph vol. 42, (3)
https://qmro.qmul.ac.uk/xmlui/handle/123456789/60622
PICK A, Weisz S(2019). Ghosts at a Glance: Four Animal Fragments. Feeling Animal Death: Being Hosts to Ghosts, Editors: Donaldson, B, King, A, Rowman and Littlefield, International
PICK A(2018). Vegan Cinema. Thinking Veganism in Literature and Culture., Editors: Quinn, E, Westwood, B, Palgrave
https://qmro.qmul.ac.uk/xmlui/handle/123456789/36391
PICK A(2018). "Vulnerability". Critical Terms in Animal Studies, Editors: Gruen, L, University of Chicago Press (Chicago),
https://qmro.qmul.ac.uk/xmlui/handle/123456789/52624
PICK A(2017). Sparks Would Fly’: Electricity and the Spectacle of Animality. Animalities: Literary and Cultural Studies Beyond the Human, Editors: Lundblad, M, Edinburgh University Press (Edinburgh),
https://qmro.qmul.ac.uk/xmlui/handle/123456789/55791
PICK A(2016). Reflexive Realism in René Clément's Forbidden Games. Yale French Studies vol. 127, 205-220.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/55793
PICK A(2016). Animal Rights Films, Organized Violence and the Politics of Sight. The Routledge Companion to Cinema and Politics, Editors: Tzioumakis, Y, Molloy, C, Routledge (London and New York),
PICK A(2016). Maureen. Hen Press -- A Division of Our Hen House (New York),
PICK A(2015). Animal Life in the Cinematic Umwelt. Animal Life and the Moving Image, Palgrave Macmillan
PICK A(2015). Executing Species in Thomas Edison and Douglas Gordon. The Palgrave Handbook of Posthuman Film and Television, Editors: Hauskeller, M,
PICK A(2015). Yervant Gianikian and Angela Ricci Lucchi's Animali Criminali. Screen (Oxford) vol. 56, (1) 95-102.
10.1093/screen/hjv008
Pick A(2015). Why not look at animals?. NECSUS. European Journal of Media Studies vol. 4, (1) 107-125.
10.5117/necsus2015.1.pick
PICK A, Narraway G(2013). Intersecting Ecology and Film: A Paradigm Shift. Screening Nature: Cinema Beyond the Human, Editors: Pick, A, Narraway, G, Berghahn (Oxford/New York),
https://qmro.qmul.ac.uk/xmlui/handle/123456789/3079
PICK A(2013). Three Worlds. Screening Nature: Cinema Beyond the Human, Editors: Pick, A, Narraway, G, Berghahn (Oxford),
https://qmro.qmul.ac.uk/xmlui/handle/123456789/3104
PICK A(2013). Some Small Discrepancy: Jean-Christophe-Bailly's Creaturely Ontology. Journal of Animal Ethics vol. 3, (2) 176-187.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/3979
PICK A(2013). 'Intersecting Ecology and Film' and 'Three Worlds: Dwelling and Worldhood on Screen'. Screening Nature: Cinema Beyond the Human, Editors: Pick, A, Narraway, G, Bergahn
PICK A(2012). Turning to Animals Between Love and Law. New Formations: a journal of culture/theory/politics vol. 76, 68-85.
10.3898/NEWF.76.05.2012
https://qmro.qmul.ac.uk/xmlui/handle/123456789/3323
Pick A(2011). Creaturely Poetics: Animality and Vulnerability in Literature and Film. Columbia University Press (New York),
https://qmro.qmul.ac.uk/xmlui/handle/123456789/3329
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