Publications:  Dr Jennifer Chamarette

CHAMARETTE JLG(2018). Ageless Akerman. Editors: Schmid, M, Wilson, E, Legenda/MHRA (Oxford),

CHAMARETTE JLG(2018). Overturning Feminist Phenomenologies: Disability, Complex Embodiment, Intersectionality, and Film. Rethinking Feminist Phenomenology: Theoretical and Applied Perspectives, Editors: Landry, C, Cohet Shabot, S, Rowman and Littlefield (Lanham, Maryland),

CHAMARETTE JLG(2017). Embodying spectatorship: from phenomenology to sensation. The Routledge Companion to Cinema & Gender, Editors: Hole, KL, Jela¿a, D, Kaplan, EA, Petro, P et al., Routledge (Abingdon and New York),

CHAMARETTE JLG(2016). Letting go and finding voice: AIR. The Cine-Files vol. 10,

CHAMARETTE JLG (2016). The breath between: art, film, mortality, and AIR. Abstract: java.sql.Clob org.hibernate.engine.jdbc.WrappedClob java.io.Serializable ,

Chamarette J(2015). Embodied Worlds and Situated Bodies: Feminism, Phenomenology, Film Theory. Signs: Journal of Women in Culture and Society vol. 40, (2) 289-295.

CHAMARETTE JLG(2015). The “New” Experimentalism? Women and/in/on film. Feminisms: Diversity, Difference and Multiplicity in Contemporary Film Cultures, Amsterdam University Press (Amsterdam),

CHAMARETTE JLG(2015). Visible and Invisible Institutions: Cinema in the (French) Museum of the 21st Century. The International Handbooks of Museum Studies Volume 3: Museum Media, Editors: Henning, M, Wiley-Blackwell (Oxford),

CHAMARETTE JLG(2014). Absurd avatars, transcultural relations: Elia Suleiman, Franco-Palestinian filmmaking, and beyond. Modern and Contemporary France vol. 22, (1) 85-102.

CHAMARETTE JLG(2013). Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran. Studies in French Cinema vol. 13, (3) 257-271.

CHAMARETTE JLG(2013). Between women: gesture, intermediality and intersubjectivity in the installations of Agnès Varda and Chantal Akerman. Studies in European Cinema vol. 10, (1) 45-57.

CHAMARETTE JLG(2013). The Disappearing Work: Chantal Akerman’s Installations and Phenomenologies of the Ephemeral. Contemporary French and Francophone Studies: SITES vol. 17, (3) 347-356.

Chamarette J(2012). Phenomenology and the Future of Film: Rethinking Subjectivity beyond French Cinema. Palgrave Macmillan

CHAMARETTE JLG(2012). Review of David Martin-Jones, Deleuze and World Cinemas (London: Continuum, 2010). Journal of European Studies vol. 3, (42) 299-300.

CHAMARETTE JLG(2011). Shadows of Being in Sombre: Archétypes, Wolf-men and Bare life. The New Extremism in Cinema: From France to Europe, Editors: Horeck, T, Kendall, T, Edinburgh University Press

CHAMARETTE JLG(2011). Spectral Bodies, Temporalised Spaces: Agnès Varda’s Motile Gestures of Mourning and Memorial. Image (&) Narrative vol. 12, (2) 31-49.

CHAMARETTE JLG(2010). ‘Threatened corpo-reality: decentring and dissolving subjectivities in Philippe Grandrieux's La Vie nouvelle’. Threat: Essays in French Literature, Thought and Visual Culture, Editors: Evans, GL, Kay, A, Peter Lang Pub Incorporated

Chamarette JL, Higgins J(2009). Guilt and Shame: Essays in French Literature, Thought and Visual Culture. Editors: Chamarette, JL, Higgins, Jennifer, Peter Lang Pub Incorporated

CHAMARETTE JLG(2009). Cinémathèque Annotations on Film: Les Statues meurent aussi. Senses of Cinema vol. 52,

CHAMARETTE JLG(2009). Memory, Representation of Time and the Cinema. Anamnesia: Private and Public Memory in Modern French Culture, Editors: Collier, P, Elsner, AM, Smith, O, Peter Lang Pub Incorporated

CHAMARETTE JLG(2008). A Short Film About Time: Dynamism and Stillness in Chris Marker's La Jetee. Rhythms, Editors: Lindley, E, McMahon, L, Peter Lang Pub Inc

CHAMARETTE JLG(2007). Flesh, Folds and Texturality: Thinking Visual Ellipsis via Merleau-Ponty, Hélène Cixous and Robert Frank. Paragraph: a journal of modern critical theory vol. 30, (2) 34-49.