Publications: Dr Chloe Ward
WARD C
(
2019
)
.
Victorian Painting and Social Action
.
WARD C
(
2018
)
.
Activism through Empathy: Images of Suffrage Force-Feeding
.
Conference:
Suffrage 18: A Centenary Exploration at LSE
(
London School of Economics
)
WARD C
(
2018
)
.
Images of Force Feeding in the British Suffrage Movement
.
Conference:
A Vote of My Own: Celebrating Women’s Suffrage in England
(
University of Kent
)
WARD C
(
2018
)
.
Images of Empathy: Representations of Force Feeding in Votes for Women
.
Suffrage and the Arts
,
Editors:
Thomas, Z, Garrett, M
,
Bloomsbury
(
London
),
WARD C
(
2018
)
.
Clytie: “That Swallow of 1868”
.
Conference:
Nineteenth Century Studies Seminar
(
Institute of English Studies
)
WARD C
(
2017
)
.
Images as Historical Agents: Representations of the British Suffrage Movement
.
Conference:
Art and Activism: Resilience Techniques in Times of Crisis
(
University of Leiden
)
Ward C
(
2017
)
.
Identifying with Images: Illustrations of Force-Feeding in the British Suffrage Movement
.
Conference:
Illustratidentity
(
Université de Nancy
)
from:
08/11/2017
to:
10/11/2017
,
Ward C
(
2017
)
.
How Art Makes Political Impacts: Suffrage Images and a New Methodology for Assessing their Influence
.
Conference:
Artists as Reformers
(
Watts Gallery, Compton, Surrey
)
from:
30/10/2017
to:
30/10/2017
,
Ward C
(
2016
)
.
England’s Michelangelo in the Metropolitan Museum of Art: The G. F. Watts Exhibition, 1884–1885
.
Comparative American Studies An International Journal
vol.
14
,
(
1
)
62
-
75
.
WARD C
(
2015
)
.
Drawings of G.F. Watts
.
Philip Wilson Publishers Ltd
Kroeter C
(
2014
)
.
The warrior and the wife: imagining the Irish homeland in the illustrations of John Campbell
.
Irish Studies Review
vol.
22
,
(
1
)
7
-
21
.
Brebner JB
(
1924
)
.
British America
.
Canadian Historical Review
.
vol.
5
,
56
-
57
.