Menu
 
Research menu
Jump to menu

Publications:  Dr David Kennerley

Kennerley D(2020). Sounding Feminine: Women's Voices in British Musical Culture, 1780-1850. Oxford University Press (New York),
KENNERLEY DT(2018). Professionalisation and the female musician in early-Victorian Britain: the campaign for Eliza Salmon. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity, Editors: Golding, R, Routledge (Abingdon),
https://qmro.qmul.ac.uk/xmlui/handle/123456789/52523
Jensen OC, Kennerley D, Newman I(2018). Charles Dibdin and Late Georgian culture.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/52463
Newman I, Jensen OC, Kennerley D(2018). Introducing Mr Dibdin.
KENNERLEY DT(2018). Loyalism, celebrity, and the politics of personality: Dibdin in the 1790s. Charles Dibdin and late Georgian culture, Editors: KENNERLEY, D, COX JENSEN, O, Newman, I, Oxford University Press (Oxford),
https://qmro.qmul.ac.uk/xmlui/handle/123456789/52903
KENNERLEY DT(2016). Hofer, the Tell of the Tyrol: Patriotism and the Chartists in Early Victorian Britain. Staging History 1780-1840, Editors: Burden, M, Heller, W, Hicks, J, Lockhart, E et al., Bodleian Library (Oxford),
KENNERLEY D(2015). DEBATING FEMALE MUSICAL PROFESSIONALISM AND ARTISTRY IN THE BRITISH PRESS, c. 1820–1850. The Historical Journal vol. 58, (4) 987-1008.
10.1017/s0018246x14000740
Return to top