Publications: Mr David Moffat
SELFRIDGE R, MOFFAT D, AVITAL E, REISS J(2018).
Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models. Journal of the Audio Engineering Society
vol. 66,
(7/8)
594-607.
MOFFAT DJ, REISS JD(2018).
Perceptual Evaluation of Synthesized Sound Effects. ACM Transactions on Applied Perception (TAP)
vol. 15,
(2)
Article 13,
Moffat D, Sandler MB (2018).
Adaptive ballistics control of dynamic range compression for percussive tracks. 145th Audio Engineering Society International Convention, AES 2018.
Bromham G, Moffat D, Barthet M, Fazekas G (2018).
The impact of compressor ballistics on the perceived style of music. 145th Audio Engineering Society International Convention, AES 2018.
Selfridge R, Moffat D, Reiss JD(2017).
Sound synthesis of objects swinging through air using physical models. Applied Sciences (Switzerland)
vol. 7,
(11)
MOFFAT DJ, Ronan D, Reiss JD (2017).
Unsupervised Taxonomy of Sound Effects.
Conference: 20th International Conference on Digital Audio Effects (DAFx-17),
(Edinburgh, UK)
from: 05/09/2017
to: 08/09/2017,
Selfridge R, Moffat D, Reiss JD (2017).
Physically derived sound synthesis model of a propeller. ACM International Conference Proceeding Series.
vol. Part F131930,
SELFRIDGE R, Moffat D, Reiss J, Avital E (2017).
Real-time physical model of an Aeolian harp.
Conference: 24th International Congress on Sound and Vibration
(London, UK)
from: 24/07/2017
to: 27/07/2017,
SELFRIDGE R, Moffat D, Reiss J (2017).
REAL-TIME PHYSICAL MODEL FOR SYNTHESIS OF SWORD SWING SOUNDS.
Conference: 14th Sound and Music Computing Conference
(Espoo, Finland)
from: 05/07/2017
to: 08/07/2017,
DE MAN BM, Jillings N, Moffat D, Reiss JD, Stables R (2016).
Subjective comparison of music production practices using the Web Audio Evaluation Tool. http://c4dm.eecs.qmul.ac.uk/events/wimp2/.
Conference: 2nd AES Workshop on Intelligent Music Production
(Queen Mary University of London, London, UK)
from: 13/09/2016
to: 13/09/2016,
Turchet L, Moffat D, nez AT-J, Reiss JD, Stockman T(2016).
What do your footsteps sound like? An investigation on interactive footstep sounds adjustment. Applied Acoustics
vol. 111,
77-85.
Jillings N, DE MAN BM, Moffat D, Reiss JD, Stables R (2016).
Web Audio Evaluation Tool: A framework for subjective assessment of audio. https://smartech.gatech.edu/handle/1853/54577/browse.
Editors: Freeman, J, Lerch, A, Paradis, M,
Conference: 2nd Web Audio Conference
(Atlanta, GA, USA)
from: 04/04/2016
to: 06/04/2016,
MOFFAT DJ, reiss JD (2016).
Implementation and Assessment of Joint Source Separation and Dereverberation. http://www.aes.org/e-lib/browse.cfm?elib=18065.
Conference: Audio Engineering Society Conference: 60th International Conference: DREAMS (Dereverberation and Reverberation of Audio, Music, and Speech)
(Leuven, Belgium)
from: 05/02/2016
to: 03/02/2016,
Mengual L, MOFFAT DJ, Reiss JD (2016).
Modal Synthesis of Weapon Sounds.
Conference: Audio Engineering Society Conference: 61st International Conference: Audio for Games
Moffat D, Ronan D, Reiss JD (2015).
An Evaluation of Audio Feature Extraction Toolboxes.
Conference: 18th International Conference on Digital Audio Effects (DAFx-15)
Jillings N, De Man B, MOFFAT D, Reiss JD (2015).
Web Audio Evaluation Tool: A browser-based listening test environment. http://smcnetwork.org/node/1940.
Conference: 12th Sound and Music Computing Conference
(Maynooth, Ireland)
Ronan DM, Moffat D, Gunes H, Reiss JD (2015).
Automatic subgrouping of multitrack audio.
Conference: 18th Int. Conference on Digital Audio Effects (DAFx-15)