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Publications:  Dr Mario Slugan

Slugan M(2019). Fiction and Imagination in Early Cinema A New Film History. Bloomsbury Academic
Slugan M, Bareis JA(2019). Introducing Fiction in Central and Eastern European Film Theory and Practice. Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe (8) 1-12.
10.17892/app.2019.0008.169
https://qmro.qmul.ac.uk/xmlui/handle/123456789/61840
Slugan M(2019). Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory. Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe (8) 13-26.
10.17892/app.2019.0008.161
https://qmro.qmul.ac.uk/xmlui/handle/123456789/61839
Slugan M(2019). The film narrator and the early American screenwriting manuals. Early Popular Visual Culture
10.1080/17460654.2019.1623058
https://qmro.qmul.ac.uk/xmlui/handle/123456789/61845
Slugan M(2019). The Turn-of-the-Century Understanding of ‘Fakes’ in the US and Western Europe. Participations: journal of audience and reception studies vol. 16, (1) 718-737.
https://qmro.qmul.ac.uk/xmlui/handle/123456789/61842
Slugan M(2019). Noël Carroll and Film A Philosophy of Art and Popular Culture. Bloomsbury Publishing
Slugan M(2017). Montage as Perceptual Experience Berlin Alexanderplatz from Döblin to Fassbinder. Screen Cultures: German Film a
Slugan M(2017). Taking bazin literally. Projections (New York) vol. 11, (1) 63-82.
10.3167/proj.2017.110105
Slugan M(2016). Late 1920s film theory and criticism as a test-case for Benjamin’s generalizations on the experiential effects of editing. Early Popular Visual Culture vol. 14, (3) 215-233.
10.1080/17460654.2016.1199322
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