Publications: Prof Caoimhe McAvinchey
Mcavinchey C, Bartley S
(
2025
)
.
Rewriting Women, Crime, and Punishment: Commissioning and collaborative processes in the work of Clean Break Theatre Company
.
The Methuen Drama Handbook of Women in Contemporary British Theatre
,
Editors:
Fragkou, M, Benzie, R
,
Methuen Drama
(
London
),
Mcavinchey C, Bartley S, Dean D, Greene A-M, Mcavinchey C
(
2024
)
.
Clean Break Theatre Company
.
Editors:
Aston, E, Sihra, M
,
Cambridge University Press
(
Cambridge
),
Mcavinchey C
(
2023
)
.
un:mute – Why Clean Break’s theatre matters
.
Conference:
New Starts, Prison Arts
(
Liverpool Hope University
)
from:
28/09/2023
to:
28/09/2023
,
Dean D, Greene A-M, Bartley S, Mcavinchey C
(
2023
)
.
One Size Fits All
.
Conference:
Caoimhe McAvinchey
(
The American University of Paris
)
from:
12/07/2023
to:
15/07/2023
,
Greene A, Dean D, Bartley S, McAvinchey C
(
2022
)
.
Locked up and down: Incarceration, care, and art in a pandemic
.
Gender Work and Organization
vol.
29
,
(
4
)
1346
-
1359
.
Bartley S, Dean D, Greene A-M, Mcavinchey C
(
2021
)
.
Doing Time: Origin Stories, Endurance and the Work of Clean Break Theatre Company
.
Conference:
International Federation of Theatre Research
(
University Of Galway - online
)
from:
12/07/2021
to:
16/07/2021
,
Mcavinchey C
(
2021
)
.
Garotas más, monstros e mocinhas acorrentadas. Desvios da representação de mulheres, crime e prisão pela Clean Break Theatre Company
.
Teatro em prisões e a crise global do encarceramento
,
Editors:
Lucas, A
,
Prentki T, Breed A
(
2020
)
.
The Routledge Companion to Applied Performance Volume Two – Brazil, West Africa, South and South East Asia, United Kingdom, and the Arab World
.
Routledge
Mcavinchey C
(
2020
)
.
Clean Break: A practical politics of care
.
Performing Care: New Perspectives on Socially Engaged Performance
,
Manchester University Press
McAvinchey C
(
2019
)
.
Applied Theatre: Women and the Criminal Justice System
.
Methuen Drama
McAvinchey C, Santos F, Richardson L
(
2018
)
.
Phakama Making Participatory Performance
.
Bloomsbury Publishing
MCAVINCHEY C
(
2017
)
.
The Performance of Prison Theatre Practices: Questions of Evidence
.
Applied Practice: Evidence and Impact in Theatre, Music and Art
,
Bloomsbury Publishing Plc
(
New York
),
Mcavinchey C
(
2016
)
.
Rooms with a View: Disrupting and Developing Narratives of Community through Intergenerational Arts Practice
.
Magic Me
MCAVINCHEY C
(
2013
)
.
‘Coming of Age: Arts Practice With Older People In Private And Domestic Spaces’
.
Research in Drama Education: The Journal of Applied Theatre Research
vol.
4
,
(
18
)
MCAVINCHEY C, Mayo S
(
2013
)
.
Wild Wild Women: Ten Years of Intergenerational Arts Practice at The Women’s Library led by Magic Me in collaboration with Mulberry School for Girls and local, older women
.
MCAVINCHEY C
(
2013
)
.
‘Together: The Practice of Participatory Arts’
.
If I Were In Your Shoes Now
,
Tallagh Community Arts
(
Dublin
),
MCAVINCHEY C
(
2013
)
.
In the Afterwards: The LIFT Living Archive
.
from:
2009
to:
2013
,
N/A
Medium:
Multiple mediums and practice-based projects
,
MCAVINCHEY C
(
2013
)
.
Meeting and Making: Intergenerational Arts Practice
.
from:
2007
to:
2013
,
N/A
Medium:
Multiple mediums and practice-based projects
,
MCAVINCHEY C
(
2013
)
.
Performance and Community: Commentary and Case Studies
.
Editors:
McAvinchey, C
,
Methuen Drama
(
London
),
MCAVINCHEY C
(
2012
)
.
Refugees, Theatre and Crisis by Alison Jeffers
.
NTQ: New Theatre Quarterly
vol.
4
,
(
28
)
399
-
400
.
McAvinchey C
(
2011
)
.
Performance Affects: Applied Theatre and the End of Effect by James Thompson – Book Review
.
Contemporary Theatre Review
McAvinchey C
(
2011
)
.
Theatre & Prison
.
Palgrave Macmillan
McAvinchey C
(
2010
)
.
Making an Invitation: Creative Engagement with the LIFT Living Archive
.
LIFT
(
London
),
McAvinchey C, Gilfolye K
(
2009
)
.
Our Generations: Report on a three year programme on intergenerational arts projects in Tower Hamlets, East London, April 2006-June 2009
.
Magic Me
(
London
),
McAvinchey C
(
2009
)
.
“Is This the Play?” Applied Performance in Pupil Referral Units
.
The applied theatre reader
,
Editors:
Preston, S, Prentki, T
,
Routledge
(
London and New York
),
McAvinchey C
(
2008
)
.
Theatre, Education and the Making of Meaning by Anthony Jackson – Book review
.
Contemporary Theatre Review
vol.
18
,
(
4
)
McAvinchey C
(
2007
)
.
Ideas with Legs: Participatory Arts Recipes
.
Taking A Journey: From Consultation to Participation through the Arts
,
Editors:
Ings, R
,
Isle of Wight Children's Fund
(
Isle of Wight
),
McAvinchey C
(
2007
)
.
Possible Fictions: The Testimony of Applied Performance with Women in Prison in England and Brazil
.
Supervisors:
Heritage, PP, Delgado, PM
,
Presented at:
QMUL
,
McAvinchey C
(
2006
)
.
Theatre in Prisons by Michael Balfour – Book Review
.
New Theatre Quarterly
vol.
22
,
(
2
)
206
-
207
.
McAvinchey C
(
2006
)
.
Unexpected Acts: Women, Prison and Performance
.
Drama as Social Intervention
,
Editors:
Sommers, J, Balfour, M
,
Captus University Press
(
Concord, Ontario
),
McAvinchey C
(
2005
)
.
In Place of War – Conference Review
.
Research in Drama Education
vol.
10
,
(
3
)
8
-
10
.
McAvinchey C
(
2000
)
.
Theatre: Act or Place?
.
Theatre Stuff: Critical Essays on Contemporary Irish Theatre, ed. by Eamonn Jordan, (Dublin: Carysfort Press, 2000), pp. 84-88.
,
Carysfort Press
(
Dublin
),