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Research

Publications: Dr Margaret Inchley

Inchley M ( 2020 ) . ‘Why Are We Doing This and Who Is it For?’: Youth Theatre Conversations with Liz Moreton and Conrad Murray at Battersea Arts* Centre . Contemporary Theatre Review vol. 30 , ( 3 ) 390 - 397 .
Inchley M ( 2020 ) . Konstantinos Thomaidis. Theatre & Voice. Basingstoke: Palgrave, 2017, xiii + 89 pp., £6.99 (paperback), £6.72 (PDF ebook). Lynne Kendrick. Theatre Aurality. Basingstoke: Palgrave, 2017, xxviii + 164 pp., £89.99 (hardback), £71.50 (PDF ebook) . Journal of Contemporary Drama in English vol. 8 , ( 1 ) 181 - 188 .
Inchley M ( 2020 ) . sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green’s stoning mary and hang . debbie tucker green ,
Baker S, Inchley M ( 2020 ) . Verbatim practice as research with care- experienced young people . Performing care ,
Inchley M, Bartley S, Massey-Chase K ( 2019 ) . Reviews . Applied Theatre Research vol. 7 , ( 1 ) 131 - 139 .
Inchley M, Dar S, Pujara S, Baker S ( 2019 ) . The Verbatim Formula: caring for care leavers in the neoliberal university . Research in Drama Education vol. 24 , ( 3 ) 413 - 419 .
Inchley M ( 2019 ) . Objazdowe świadectwa. Przywracanie równowagi w sferze publicznej przez aktywizm na rzecz praw człowieka w Asylum Monologues i Seven . Umacnianie sprawiedliwości ,
INCHLEY MJ, BAKER S ( 2019 ) . Verbatim practice as research with care-experienced young people: An ‘aesthetics of care’ through aural attention . Performing Care: New Perspectives on Socially Engaged Performance , Editors: Thompson, J, Stuart Fisher, A , Manchester University Press ( Manchester ),
INCHLEY MJ ( 2017 ) . Applied Theatre: International Case Studies and Challenges for Practice (second edition) edited by Monica Prendergast and Juliana Saxton and Critical Perspectives on Applied Theory edited by Jenny Hughes and Helen Nicholson . Contemporary Theatre Review vol. 27 , ( 1 ) 129 - 130 .
Inchley M ( 2016 ) . Touring Testimonies: Rebalancing the Public Realm through Human Rights Activism in Asylum Monologues and Seven . Lateral vol. 6 , ( 1 )
Inchley MJ ( 2016 ) . Touring Testimonies: Rebalancing the Public Realm through Human Rights Activism in Asylum Monologues and Seven . Lateral: Journal of the Cultural Studies Association vol. 5 , ( 2 ) Article 5 , 1 - 1 .
Inchley M ( 2016 ) . DNA .
Inchley M ( 2016 ) . DNA GCSE Student Guide .
INCHLEY MJ ( 2015 ) . Theatre as Advocacy: Asking for It and the Audibility of Women in Nirbhaya, the Fearless One . Theatre Research International vol. 40 , ( 3 ) 272 - 287 .
Inchley M ( 2015 ) . Voice and New Writing, 1997–2007, Articulating the Demos .
INCHLEY MJ ( 2013 ) . Hearing the Unhearable: The Representation of Women Who Kill Children . Contemporary Theatre Review vol. 23 , ( 2 ) 192 - 205 .
INCHLEY M ( 2012 ) . Hearing Young Voices on the London Stage: 'Shit Bein' Seventeen Int it? Never Take Us Serious' . Contemporary Theatre Review vol. 22 , ( 3 ) 327 - 343 .
INCHLEY MJ ( 2011 ) . David Greig and the Return of the Native Voice . Cosmotopia , Litteraria Pragensia ( Prague ),