McKinnie M ( 2019 ) . King-Maker: Reading Theatrical Presentations of Canadian Political History . Theatre Research in Canada vol. 15 , ( 2 )
Mckinnie M ( 2017 ) . Institutional Frameworks . A Cultural History of Theatre in the Modern Age ,
MCKINNIE MRT ( 2016 ) . Olympian Performance: The Cultural Economics of the Opening Ceremony of London 2012 . Public vol. 27 , ( 53 ) 48 - 57 .
McKinnie M ( 2016 ) . Olympian performance: The cultural economics of the opening ceremony of London 2012 . Public vol. 27 , ( 53 ) 49 - 57 .
McKinnie M ( 2013 ) . Performing like a city: London's South Bank and the cultural politics of urban governance . Performance and the Politics of Space: Theatre and Topology ,
MCKINNIE MRT ( 2012 ) . Rethinking Site-Specificity: Monopoly, Urban Space, and the Cultural Economics of Site-Specific Performance . Performing Site-Specific Theatre , Editors: Birch, A, Tompkins, J , Palgrave Macmillan ( Basingstoke ),
MCKINNIE MRT ( 2011 ) . Space Administration: Rereading the Material History of Theatre Passe Muraille in Toronto . Theatre and Performance in Toronto , Editors: Levin, L , vol. 21 , Playwrights Canada Press ( Toronto ),
McKinnie M ( 2010 ) . Capital: Theaterkultur und Stadtplanung am Beispiel von Londons South Bank . Politik des Raumes , Editors: Fischer-Lichte, E, Wihstutz, B , Wilhelm Fink ( Munich ),
McKinnie M ( 2010 ) . Bringing Down the House: The Crisis in Britain's Regional Theatres . MOD DRAMA vol. 53 , ( 2 ) 283 - 285 .
MCKINNIE MRT ( 2010 ) . From Liberal Shakespeare and Illiberal Critiques: Necessary Angel's King Lear . Canadian Shakespeare , Editors: Knuston, S , vol. 18 , Playwrights Canada Press ( Toronto ),
McKinnie M ( 2009 ) . Performing the Civic Transnational: Performance, Governance, and Citizenship in Contemporary London . Performance and the city , Editors: Hopkins, DJ, Orr, S, Solga, K , Palgrave MacMillan ( Basingstoke ),
MCKINNIE MRT ( 2009 ) . Infinite Variations . 18 Arcolas , Chiffchaff Editions ( London ),
McKinnie M, Pearson L ( 2009 ) . Visual Arts Organisations and Higher Education Collaboration: Developing Digital Priorities . London Centre for Arts and Cultural Exchange ( London ),
MCKINNIE MRT ( 2007 ) . City Stages: Theatre and Urban Space in a Global City . University of Toronto Press ( Toronto ),
MCKINNIE MRT ( 2007 ) . Space and the Geographies of Theatre . Playwrights Canada Press ( Toronto ),
MCKINNIE M ( 2006 ) . "The State of the Nation" . Canadian Theatre Review ( 125 ) 5 - 8 .
McKinnie M ( 2006 ) . City Stages .
McKinnie M ( 2005 ) . Bees, horseshoes, and puppets for the elderly: The local initiatives program and the political economy of Canadian theatre . CONTEMP THEATRE REV vol. 15 , ( 4 ) 427 - 439 .
MCKINNIE MRT ( 2004 ) . A Sympathy for Art: The Sentimental Economies of New Labour Arts Policy . Blairism and the War of Persuasion: Labour's Passive Revolution , Editors: Steinberg, DL, Johnson, R , Laurence and Wishart ( London ),
MCKINNIE MRT ( 2003 ) . "Canadian Theatre and Industrial Development" . Canadian Theatre Review (Special issue on Celebrating Canadian Plays and Playwriting) vol. 114 , 16 - 20 .
MCKINNIE MRT ( 2003 ) . "Legacies: Richard Rose's Vision for Tarragon Theatre" . Canadian Theatre Review (Urjo Kareda Issue) vol. 113 , 29 - 33 .
McKinnie M ( 2003 ) . The state of this place: 'Convictions', the courthouse, and the geography of performance in Belfast (Tinderbox-Theatre-Company) . MOD DRAMA vol. 46 , ( 4 ) 580 - 597 .
Mckinnie M ( 2002 ) . 9. Liberal Shakespeare and Illiberal Critiques: Necessary Angel's King Lear . Shakespeare in Canada ,
MCKINNIE MRT ( 2002 ) . "Liberal Shakespeares and Illiberal Critiques: Necessary Angel's King Lear" . Shakespeare in Canada: A World Elsewhere? , University of Toronto Press ( Toronto ),
McKinnie M ( 2001 ) . Urban national, suburban transnational: Civic theatres and the urban development of Toronto's downtowns . THEATRE J vol. 53 , ( 2 ) 253 - 276 .
McKinnie M ( 1994 ) . King-Maker: Reading Theatrical Presentations of Canadian Political History . Theatre Research in Canada vol. 15 , ( 2 ) 164 - 190 .