Publications: Dr Elizabeth Saxton
Romao T, Saxton L, Turner P, Whissel K
(
2023
)
.
Book Reviews
.
Projections
vol.
17
,
(
3
)
83
-
101
.
Saxton L
(
2023
)
.
4 Close encounters with distant suffering
.
Five directors
,
Manchester University Press
Saxton L
(
2020
)
.
An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann’s ‘Shoah’. By Jennifer Cazenave
.
French Studies
vol.
74
,
(
4
)
655
-
656
.
Saxton E
(
2020
)
.
No Power Without an Image: Icons Between Photography and Film
.
Edinburgh University Press
Pick A, Saxton L
(
2019
)
.
Introduction
.
Paragraph
vol.
42
,
(
3
)
273
-
278
.
Saxton E, Pick A
(
2019
)
.
Introduction (to special issue, 'Religion in Contemporary Thought and Film')
.
Paragraph
vol.
42
,
(
3
)
Saxton E
(
2019
)
.
Make Believe: Marie-José Mondzain and Cinema's Christian Economy
.
Paragraph
vol.
42
,
(
3
)
Bangert A, Gordon RSC, Saxton L
(
2017
)
.
Holocaust Intersections, Genocide and Visual Culture at the New Millennium
.
Taylor & Francis
SAXTON EA
(
2016
)
.
'The Falling Soldier' and Film
.
Screen (Oxford)
vol.
57
,
(
3
)
353
-
361
.
WESTWELL GR, Hicks J, Saxton E
(
2016
)
.
Rising Flags, Falling Soldiers: Film, Icons and Political Violence
.
Screen (Oxford)
SAXTON EA
(
2014
)
.
Passion, Agamben and the Gestures of Work
.
Cinema and Agamben: Ethics, Biopolitics and the Moving Image
,
Editors:
Gustafsson, H, Gronstadt, A
,
Bloomsbury Publishing USA
(
New York
),
Saxton L
(
2013
)
.
Shoah
.
French Studies
vol.
67
,
(
3
)
438
-
439
.
Saxton L, Stone R, Gutiérrez‐Albilla JD
(
2013
)
.
Between God and the Machine
.
A Companion to Luis Buñuel
,
SAXTON EA
(
2013
)
.
Between God and the Machine: Buñuel's Cine-Miracles
.
A Companion to Luis Buñuel
,
Editors:
Stone, R, Gutierrez-Albilla, JD
,
Wiley-Blackwell
Bangert A, Gordon RSC, Saxton L
(
2013
)
.
Holocaust Intersections: Genocide and Visual Culture at the New Millennium
.
Editors:
Bangert, A, Gordon, RSC, Saxton, L
,
Legenda
Saxton EA
(
2011
)
.
Night and Fog and the Concentrationary Gaze
.
Concentrationary Cinema: Aesthetics as Political Resistance in Alain Resnais’s ‘Night and Fog’
,
Editors:
Silverman, M, Pollock, G
,
Berghahn
(
Oxford and New York
),
Saxton L
(
2011
)
.
Book Review: Didier Fassin and Richard Rechtman, The Empire of Trauma: An Inquiry into the Condition of Victimhood, trans. R. Gomme. Princeton, NJ and Oxford: Princeton University Press, 2009. xii + 305 pp. ISBN 978-0-691-13752-0 (hardback); 978-0-691-13753-7 (paperback)
.
History of the Human Sciences
vol.
24
,
(
2
)
159
-
163
.
Saxton EA
(
2011
)
.
Holocaust Writing and Film
.
Cambridge History of French Literature
,
Editors:
Burgwinkle, B, Hammond, N, Wilson, E
,
Cambridge University Press
(
Cambridge
),
Saxton EA
(
2011
)
.
Terms of Engagement: Algeria, France and the Middle East in Barbet Schroeder’s L’Avocat de la terreur and Philippe Faucon’s Dans la vie
.
Modern and Contemporary France
vol.
19
,
(
2
)
209
-
222
.
Saxton EA
(
2010
)
.
Horror By Analogy: Paradigmatic Aesthetics in Nicolas Klotz’s and Elisabeth Perceval’s La Question humaine
.
Yale French Studies
vol.
118/119
,
209
-
224
.
Saxton L
(
2010
)
.
Contemporary French Cinema: An Introduction
.
French Studies
vol.
64
,
(
2
)
226
-
226
.
Downing L, SAXTON EA
(
2010
)
.
Film and Ethics: Foreclosed Encounters
.
Routledge
(
Abingdon, Oxon; New York
),
Downing L, Saxton L
(
2009
)
.
Film and Ethics, Foreclosed Encounters
.
Taylor & Francis
SAXTON E
(
2008
)
.
Close Encounters with Distant Suffering: Michael Haneke’s Disarming Visions
.
Authorship from Assayas to Ozon: Five Directors
,
Editors:
Ince, K
,
Manchester University Press
(
Manchester
),
SAXTON EA
(
2008
)
.
Haunted Images: Film, Ethics, Testimony and the Holocaust
.
Wallflower
(
London
),
SAXTON E
(
2008
)
.
History, Memory, Fiction in French Cinema
.
Teaching Holocaust Literature and Film
,
Editors:
Eaglestone, R, Langford, B
,
Palgrave
(
Basingstoke
),
SAXTON EA
(
2007
)
.
Fragile Faces: Levinas and Lanzmann
.
Film-Philosophy
vol.
11
,
(
2
)
1
-
14
.
SAXTON EA
(
2007
)
.
Secrets and Revelations: Off-Screen Space in Michael Haneke's 'Caché'
.
Studies in French Cinema
vol.
7
,
(
1
)
5
-
17
.
SAXTON E
(
2004
)
.
Anamnesis and Bearing Witness
.
For Ever Godard: The Work of Jean-Luc Godard 1950–2000
,
Editors:
Temple, M, Williams, JS, Witt, M
,
Black Dog
(
London
),
SAXTON E
(
2004
)
.
Through the Spy-Hole: Indecent Exposures on Screen
.
Exposure: Revealing Bodies, Unveiling Representations
,
Editors:
Banks, K, Harris, J
,
Peter Lang
(
London and Bern
),
SAXTON EA
(
2003
)
.
Anamnésis: Godard/Lanzmann
.
Trafic
vol.
47
,
48
-
66
.
SAXTON E
(
2003
)
.
Surrendering Possession? Images and Ethics after Auschwitz
.
Possessions: Essays in French Literature, Cinema and Theory
,
Editors:
Horn, J, Russell-Watts, L
,
Peter Lang
(
London and Bern
),
SAXTON E
(
2003
)
.
The Forbidden Real of French Filmic Testimony
.
Reading and Writing the Forbidden: Essays in French Studies
,
Editors:
Roberts, H, Roberts, H, Facques, B
,
2001 Group
(
Reading
),
SAXTON EA, Kemp S
(
2002
)
.
Seeing Things: Vision, Perception and Interpretation in French Studies
.
Editors:
Kemp, S, Saxton, EA
,
Peter Lang
(
London and Bern
),