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Research

Publications: Prof Parvati Nair

Nair P ( 2019 ) . Beyond Mapped Horizons: Reflections on the Model International Mobility Convention . COLUMBIA JOURNAL OF TRANSNATIONAL LAW vol. 56 , ( 2 ) 248 - 256 .
Nair P ( 2016 ) . Migration Across Boundaries Linking Research to Practice and Experience . Editors: Nair, P, Bloom, T , Routledge
NAIR P ( 2013 ) . Beirut: City of Lines . Wasafiri: Caribbean, African, Asian and Associated Literatures in English vol. 28 , ( 1 ) 10 - 12 .
NAIR P ( 2013 ) . ‘Postcolonial Theories of Migration: Historicizing Displacement, Dissonance and Difference, . The Encyclopaedia of Global Human Migration , Wiley Blackwell
NAIR P ( 2012 ) . Hispanic and Lusophone Women Filmmakers: Critical Discourses and Cinematic Practices . Editors: Nair, P, Gutierrez-Albilla, J-D , Manchester University Press ( Manchester ),
NAIR P ( 2012 ) . Reconfiguring the Rural: Fettered Geographies, Unsettled Histories and the Abyss of Alienation in Recent Socially Engaged Cinema from Spain . Hispanic and Lusophone Women Filmmakers: Critical Discourses and Cinematic Practices , Manchester University Press ( Manchester ),
NAIR P ( 2012 ) . The Refuge of Photography: Perspectives on Asylum Citizenship and Belonging . Moving Worlds: a journal for transcultural writings vol. 12 , ( 2 )
Nair P ( 2012 ) . The body politic of dissent: the paperless and the indignant . CITIZENSHIP STUDIES vol. 16 , ( 5-6 ) 783 - 792 .
NAIR P ( 2012 ) . Travelling Song: Music, Iteration and Translation in La leyenda del tiempo (The Legend of Time, Isaki Lacuesta, 2006)' . Screening Songs in Hispanic and Lusophone Cinema , Editors: Shaw, L, Stone, R , Manchester University Press ( Manchester ),
NAIR P ( 2011 ) . A Different Light: The Photography of Sebastião Salgado . Duke University Press
NAIR PARVATI ( 2010 ) . Editorial . Crossings: Journal of Migration & Culture vol. 1 , ( 1 ) 3 - 4 .
NAIR P ( 2010 ) . After-Images: Trauma, History and Connection in the Photography of Alfredo Jaar,' . The Eyes of Gutete Emerita , Dirac Publishers ( Santiago de Chile ),
NAIR P ( 2009 ) . IslaMigration of the Other within: Testing the Limits of European Tolerance . Revista de Derecho Migratorio y Extranjería vol. 21, 2009 , 11 - 21 .
NAIR P ( 2009 ) . Islamigration or the Other Within: Testing the Limits of European Democracy and Tolerance . Revista de Derecho Migratorio y Extranjería vol. 21 , 11 - 20 .
NAIR P ( 2009 ) . Trazar frontera: inmigración y movimientos culturales en España,' . Migraciones internacionales en el Mediterráneo y UE: un reto ,
NAIR P ( 2008 ) . Autography from the Margins: Photography, Collective Self-Representation and the Disturbance of History, . Hispanic Research Journal vol. 9 No. 2 , 181 - 190 .
NAIR P ( 2008 ) . Europe’s “Last” Wall: Contiguity, Exchange and Heterotopia in Ceuta, the Confluence of Europe and North Africa . Border Interrogations , Editors: Doubleday, S, Sampedro, B , Berghahn Publishers ( Oxford ),
NAIR P ( 2007 ) . 'Voicing Risk: migration, transgression and relocation in Spanish/Moroccan rai . Between the Local and the Global: Popular Music and National Identity , Editors: Knights, V, Biddle, I , Ashgate ( London ),
NAIR P ( 2006 ) . The Regard of the Gypsy: Ramón Zabalza’s gitano images and the visual challenge to the stereotype . Iberoamericana vol. 24 no. 4 , 111 - 119 .
NAIR P ( 2006 ) . Fotografía en torno al Estrecho . Dos siglos de imágenes de Andalucía , Editors: Egea, A ,
NAIR P ( 2006 ) . Practices of migration voicing risk: migration, transgression and relocation in Spanish/Moroccan raï . Interventions: Journal of Postcolonial Studies vol. 8 , ( 1 ) 67 - 82 .
NAIR P ( 2006 ) . Rumbo al norte: immigración y movimientos culturales entre el Magreb y España . Edicions Bellaterra ( Barcelona ),
NAIR P, Marsh S ( 2004 ) . "Borderline Men: Gender, Place and Power in Representations of Moroccans in Recent Spanish Cinema" . Gender and Spanish Cinema , Editors: Marsh, S, Nair, P , Berg Publishers ( Oxford ),
NAIR P ( 2004 ) . 'Moor-Veiled Matters: the hijab as troubling interrogative of the relation between the West and Islam’ . New Formations: a journal of culture/theory/politics vol. winter 2003-4 , 39 - 49 .
NAIR P ( 2004 ) . Configuring Community: Theories, Narratives and Practices of Community Identities in Contemporary Spain . MHRA ( London ),
NAIR P, Marsh S ( 2004 ) . Gender and Spanish Cinema . Berg Publishers ( Oxford ),
NAIR P ( 2003 ) . In Modernity's Wake: transculturality, deterritorialization and the question of community in Las flores de otro mundo . Postscript vol. 21 , ( 2 ) 38 - 39 .
NAIR P ( 2003 ) . Memory in Motion: Ethnicity, Hybridity and Globalisation in Self-Photographs of Moroccan Immigrants in Spain . Journal of the Institute of Romance Studies vol. 3 , ( 1 ) 73 - 86 .
NAIR P ( 2003 ) . Memory in Motion: Ethnicity, Hybridity and Globalization in Self-Photographs of Moroccan Immigrants in Spain’ . Journal of Romance Studies, 3,1 vol. 3,1 , 73 - 86 .
NAIR P ( 2003 ) . Moor-Veiled-Matters: the Hijab as troubling interrogative of the relation between the West and Islam . New Formations: the short century vol. 51 , 39 - 49 .
NAIR P ( 2002 ) . In Modernity's Wake: Transculturality, Deterriotorialization and the Question of Community in Icíar Bollaín's Las flores de otro mundo (Flowers from Another World) . Postscript vol. 21, No.2 , 38 - 49 .
NAIR P ( 2002 ) . "Elusive song: flamenco as field and negotiation among the gitanos in Cordoba prison" . Constructing Identity in Twentieth-Century Spain: Theoretical Debates and Narrative Practices , Editors: Labanyi, J , Oxford University Press ( Oxford ),
NAIR P ( 2002 ) . Vocal In-roads: Flamenco, Orality and Postmodernity in Las 3000 Viviendas: Viejo Patio (EMI 1999) . Music, Culture, Identity, ed. Richard Young , Rodopi ( Amsterdam ),
NAIR P ( 2001 ) . Straddling the personal and the public: elastic boundaries or a case-study of two gitana daughters of reknowned flamencos . Journal of the Institute of Romance Studies vol. 1 , 27 - 34 .
Nair P ( 2000 ) . Albums of no return: Ethnicity, displacement and recognition in photographs of North African immigrants in contemporary Spain . Journal of Spanish Cultural Studies vol. 1 , ( 1 ) 59 - 73 .
NAIR P ( 2000 ) . Displacing the hero: masculine ambivalence in the cinema of Luis García Berlanga’ . Entertaining Ideologies: 100 Years of European Cinema , Editors: Holmes, D , Manchester University Press ( Manchester ),
NAIR P ( 2000 ) . Homing the Other: the Immigrant as New European in David Planell’s Bazar . Beyond Boundaries , Editors: Hollis, A , Rodopi Press
NAIR P ( 1999 ) . Between Being and Becoming: an ethnographic examination of border crossings in Alma gitana (Chus Gutiérrez, 1995) . Tesserae: Journal of Iberian and Latin American Studies vol. 5 , ( 2 ) 173 - 188 .