Publications: Prof Parvati Nair
Nair P
(
2023
)
.
With Strings AttachedMaterial Goods, Transnational Migrants, and Border Dynamics among the Manteros of Contemporary Spain
.
Romanic Review
vol.
114
,
(
2
)
420
-
435
.
Nair P
(
2019
)
.
Beyond Mapped Horizons: Reflections on the Model International Mobility Convention
.
COLUMBIA JOURNAL OF TRANSNATIONAL LAW
vol.
56
,
(
2
)
248
-
256
.
Nair P
(
2016
)
.
Migration Across Boundaries Linking Research to Practice and Experience
.
Editors:
Nair, P, Bloom, T
,
Routledge
NAIR P
(
2013
)
.
Beirut: City of Lines
.
Wasafiri: Caribbean, African, Asian and Associated Literatures in English
vol.
28
,
(
1
)
10
-
12
.
NAIR P
(
2013
)
.
‘Postcolonial Theories of Migration: Historicizing Displacement, Dissonance and Difference,
.
The Encyclopaedia of Global Human Migration
,
Wiley Blackwell
NAIR P
(
2012
)
.
Hispanic and Lusophone Women Filmmakers: Critical Discourses and Cinematic Practices
.
Editors:
Nair, P, Gutierrez-Albilla, J-D
,
Manchester University Press
(
Manchester
),
NAIR P
(
2012
)
.
Reconfiguring the Rural: Fettered Geographies, Unsettled Histories and the Abyss of Alienation in Recent Socially Engaged Cinema from Spain
.
Hispanic and Lusophone Women Filmmakers: Critical Discourses and Cinematic Practices
,
Manchester University Press
(
Manchester
),
NAIR P
(
2012
)
.
The Refuge of Photography: Perspectives on Asylum Citizenship and Belonging
.
Moving Worlds: a journal for transcultural writings
vol.
12
,
(
2
)
Nair P
(
2012
)
.
The body politic of dissent: the paperless and the indignant
.
CITIZENSHIP STUDIES
vol.
16
,
(
5-6
)
783
-
792
.
NAIR P
(
2012
)
.
Travelling Song: Music, Iteration and Translation in La leyenda del tiempo (The Legend of Time, Isaki Lacuesta, 2006)'
.
Screening Songs in Hispanic and Lusophone Cinema
,
Editors:
Shaw, L, Stone, R
,
Manchester University Press
(
Manchester
),
NAIR P
(
2011
)
.
A Different Light: The Photography of Sebastião Salgado
.
Duke University Press
NAIR PARVATI
(
2010
)
.
Editorial
.
Crossings: Journal of Migration & Culture
vol.
1
,
(
1
)
3
-
4
.
NAIR P
(
2010
)
.
After-Images: Trauma, History and Connection in the Photography of Alfredo Jaar,'
.
The Eyes of Gutete Emerita
,
Dirac Publishers
(
Santiago de Chile
),
NAIR P
(
2009
)
.
IslaMigration of the Other within: Testing the Limits of European Tolerance
.
Revista de Derecho Migratorio y Extranjería
vol.
21, 2009
,
11
-
21
.
NAIR P
(
2009
)
.
Islamigration or the Other Within: Testing the Limits of European Democracy and Tolerance
.
Revista de Derecho Migratorio y Extranjería
vol.
21
,
11
-
20
.
NAIR P
(
2009
)
.
Trazar frontera: inmigración y movimientos culturales en España,'
.
Migraciones internacionales en el Mediterráneo y UE: un reto
,
NAIR P
(
2008
)
.
Autography from the Margins: Photography, Collective Self-Representation and the Disturbance of History,
.
Hispanic Research Journal
vol.
9 No. 2
,
181
-
190
.
NAIR P
(
2008
)
.
Europe’s “Last” Wall: Contiguity, Exchange and Heterotopia in Ceuta, the Confluence of Europe and North Africa
.
Border Interrogations
,
Editors:
Doubleday, S, Sampedro, B
,
Berghahn Publishers
(
Oxford
),
NAIR P
(
2007
)
.
'Voicing Risk: migration, transgression and relocation in Spanish/Moroccan rai
.
Between the Local and the Global: Popular Music and National Identity
,
Editors:
Knights, V, Biddle, I
,
Ashgate
(
London
),
NAIR P
(
2006
)
.
The Regard of the Gypsy: Ramón Zabalza’s gitano images and the visual challenge to the stereotype
.
Iberoamericana
vol.
24 no. 4
,
111
-
119
.
NAIR P
(
2006
)
.
Fotografía en torno al Estrecho
.
Dos siglos de imágenes de Andalucía
,
Editors:
Egea, A
,
NAIR P
(
2006
)
.
Practices of migration voicing risk: migration, transgression and relocation in Spanish/Moroccan raï
.
Interventions: Journal of Postcolonial Studies
vol.
8
,
(
1
)
67
-
82
.
NAIR P
(
2006
)
.
Rumbo al norte: immigración y movimientos culturales entre el Magreb y España
.
Edicions Bellaterra
(
Barcelona
),
NAIR P, Marsh S
(
2004
)
.
"Borderline Men: Gender, Place and Power in Representations of Moroccans in Recent Spanish Cinema"
.
Gender and Spanish Cinema
,
Editors:
Marsh, S, Nair, P
,
Berg Publishers
(
Oxford
),
NAIR P
(
2004
)
.
'Moor-Veiled Matters: the hijab as troubling interrogative of the relation between the West and Islam’
.
New Formations: a journal of culture/theory/politics
vol.
winter 2003-4
,
39
-
49
.
NAIR P
(
2004
)
.
Configuring Community: Theories, Narratives and Practices of Community Identities in Contemporary Spain
.
MHRA
(
London
),
NAIR P, Marsh S
(
2004
)
.
Gender and Spanish Cinema
.
Berg Publishers
(
Oxford
),
NAIR P
(
2003
)
.
In Modernity's Wake: transculturality, deterritorialization and the question of community in Las flores de otro mundo
.
Postscript
vol.
21
,
(
2
)
38
-
39
.
NAIR P
(
2003
)
.
Memory in Motion: Ethnicity, Hybridity and Globalisation in Self-Photographs of Moroccan Immigrants in Spain
.
Journal of the Institute of Romance Studies
vol.
3
,
(
1
)
73
-
86
.
NAIR P
(
2003
)
.
Memory in Motion: Ethnicity, Hybridity and Globalization in Self-Photographs of Moroccan Immigrants in Spain’
.
Journal of Romance Studies, 3,1
vol.
3,1
,
73
-
86
.
NAIR P
(
2003
)
.
Moor-Veiled-Matters: the Hijab as troubling interrogative of the relation between the West and Islam
.
New Formations: the short century
vol.
51
,
39
-
49
.
NAIR P
(
2002
)
.
In Modernity's Wake: Transculturality, Deterriotorialization and the Question of Community in Icíar Bollaín's Las flores de otro mundo (Flowers from Another World)
.
Postscript
vol.
21, No.2
,
38
-
49
.
NAIR P
(
2002
)
.
"Elusive song: flamenco as field and negotiation among the gitanos in Cordoba prison"
.
Constructing Identity in Twentieth-Century Spain: Theoretical Debates and Narrative Practices
,
Editors:
Labanyi, J
,
Oxford University Press
(
Oxford
),
NAIR P
(
2002
)
.
Vocal In-roads: Flamenco, Orality and Postmodernity in Las 3000 Viviendas: Viejo Patio (EMI 1999)
.
Music, Culture, Identity, ed. Richard Young
,
Rodopi
(
Amsterdam
),
NAIR P
(
2001
)
.
Straddling the personal and the public: elastic boundaries or a case-study of two gitana daughters of reknowned flamencos
.
Journal of the Institute of Romance Studies
vol.
1
,
27
-
34
.
Nair P
(
2000
)
.
Albums of no return: Ethnicity, displacement and recognition in photographs of North African immigrants in contemporary Spain
.
Journal of Spanish Cultural Studies
vol.
1
,
(
1
)
59
-
73
.
NAIR P
(
2000
)
.
Displacing the hero: masculine ambivalence in the cinema of Luis García Berlanga’
.
Entertaining Ideologies: 100 Years of European Cinema
,
Editors:
Holmes, D
,
Manchester University Press
(
Manchester
),
NAIR P
(
2000
)
.
Homing the Other: the Immigrant as New European in David Planell’s Bazar
.
Beyond Boundaries
,
Editors:
Hollis, A
,
Rodopi Press
NAIR P
(
1999
)
.
Between Being and Becoming: an ethnographic examination of border crossings in Alma gitana (Chus Gutiérrez, 1995)
.
Tesserae: Journal of Iberian and Latin American Studies
vol.
5
,
(
2
)
173
-
188
.