Publications: Dr Alasdair King
King A
(
2024
)
.
The Financial Image, Finance, Philosophy and Contemporary Film
.
Springer Nature
KING A
(
2019
)
.
'Écritures d’un présent visible. Diffusions et réceptions anglo-saxonnes du Baukasten'
.
Hans Magnus Enzensberger: Kit de construction pour une théorie des médias
suivi de
Usages d’une théorie marxiste des médias
sous la dir. de Jeremy Hamers & Céline Letawe
Presses du réel, coll. « Médias/Théories »
,
Editors:
Hamers, J, Letawe, C
,
Les Presses du réel
(
21000 DIJON, France
),
KING A
(
2018
)
.
Wenn die Provinz zweimal klingelt: Christian Petzolds Heimatfilm Noir Jerichow
.
Über Christian Petzold
,
Editors:
Brombach, I, Kaiser, T
,
Edition.
1
,
vol.
.
,
Vorwerk 8
(
Berlin
),
KING A
(
2017
)
.
Film und Finanzzeit
.
Archiv für Mediengeschichte
vol.
17
,
King A
(
2016
)
.
Film and the financial city
.
Studies in European Cinema
vol.
14
,
(
1
)
7
-
21
.
KING A, Wood C
(
2016
)
.
Terminal Value: Building the Alternative Bloomberg
.
Finance and Society
KING A
(
2016
)
.
Documenting Financial Performativity: Film aesthetics and financial crisis
.
Journal of Cultural Economy
KING A
(
2014
)
.
Still lives in transit: movement and inertia in Angela Schanelec's Orly (2010)
.
Studies in European Cinema
vol.
11
,
(
2
)
139
-
150
.
King A
(
2014
)
.
Still lives in transit: movement and inertia in Angela Schanelec’s Orly (2010)
.
Studies in European Cinema
vol.
11
,
(
2
)
139
-
150
.
KING A
(
2014
)
.
Fault Lines: Deleuze, cinema, and the ethical landscape
.
Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship
,
Editors:
Choi, J
,
Routledge
(
Abingdon, Oxon and New York
),
KING A
(
2013
)
.
What the World Needs Now: Love and the ethical landscape
.
Edinburgh German Yearbook
vol.
7
,
KING A
(
2012
)
.
Heimat 3: Edgar Reitz's Time Machine
.
Cinema and Social Change in Germany and Austria
,
Editors:
Mueller, G
,
Wilfried Laurier University Press
(
Ontario, Canada
),
KING A
(
2011
)
.
New Directions in German Cinema
.
New Directions in German Cinema
,
Editors:
Cooke, P, Homewood, C
,
I. B. Tauris
KING A
(
2011
)
.
No Place Like Heimat: Mediaspaces and moving landscapes in Edgar Reitz's Heimat 3
.
New Directions in German Cinema
,
Editors:
Cooke, P
,
I. B. Tauris
(
London and New York
),
KING A
(
2010
)
.
The Province Always Rings Twice: Christian Petzold's Heimatfilm Noir
.
T R A N S I T
vol.
2010
,
(
1
)
KING A
(
2007
)
.
Hans Magnus Enzensberger: Writing, Media, Democracy
.
Peter Lang
(
Bern
),
KING A
(
2007
)
.
Literatur und Linse: Enzensberger goes to the movies
.
Processes of trancription: German literature and film
,
Editors:
Rasche, H, Schönfeld, C
,
Rodopi
(
Amsterdam, Netherlands
),
King A
(
2007
)
.
When Heimat Meets Hollywood. German Filmmakers and America, 1985-2005
.
COLLOQ GERMANICA
vol.
40
,
(
3-4
)
334
-
337
.
KING A
(
2005
)
.
Cinegraph Lexicon Compact
.
Editors:
Bock, H-J
,
Cinegraph
(
Hamburg, Germany
),
Notes:
(Leading German film reference work) entries on Doris Dörrie, Andreas Dresen, Slatan Dudow, Michael Haneke, Veit Harlan, F.W. Murnau, Rudolf Prack, Volker Schlöndorff, Kristina Soederbaum, Sonia Ziemann
,
KING A
(
2005
)
.
Colloquia Germanica, A. Francke Verlag, Tübingen, Germany
.
Notes:
book review: Charlotte Ann Melin: Poetic Maneuvers: Hans Magnus Enzensberger and the Lyric Genre
,
KING A
(
2004
)
.
Enzensberger's Titanic: The sinking of the German Left and the aesthetics of survival
.
The Titanic in Myth and Memory: Representations in Visual and Literary Culture
,
Editors:
Bergfelder, T, Street, S
,
I. B. Tauris
(
London
),
KING A
(
2004
)
.
Intensities: Journal of Cult Media (edited at University of Wales, Cardiff)
.
Notes:
book review: H-B Moeller, G Lellis: Volker Schlöndorff: Adaptation, Politics and the `Movie-Appropriate’
,
KING A
(
2003
)
.
Placing Green is the Heath (1951): Spatial politics and emergent West German Identity
.
Light Motives: German Popular Film in Perspective
,
Editors:
Halle, R, McCarthy, M
,
Wayne State University Press
(
Detroit, Michigan, USA
),