Publications: Prof Susan Harris
Harris S
(
2022
)
.
Années 1960 : Louis Malle et le star system
.
Louis Malle dans tous ses états
,
Editors:
Met, P
,
Les impressions nouvelles
(
Brussels
),
Harris S
(
2021
)
.
Bertrand Blier: Les Valseuses (1974)
.
Klassiker des französischen Kinos in Einzeldarstellungen
,
Editors:
Junkerjürgen, R, von Tschilschke, C, Wher, C
,
Erich-Schmidt-Verlag
(
Berlin
),
HARRIS S
(
2018
)
.
Louis Malle’s 1960s ‘Star’ Films
.
The Cinema of Louis Malle: Transatlantic Auteur
,
Editors:
Met, P
,
Wallflower Press
HARRIS S, Provencher D, Bazgan N
(
2016
)
.
Contemporary French Civilisation at 40
.
Contemporary French Civilization
vol.
41
,
(
3-4
)
359
-
363
.
Harris S
(
2016
)
.
Introduction
.
French Cultural Studies
vol.
15
,
(
3
)
211
-
217
.
Harris S
(
2016
)
.
Ripping Open the Set: French Film Design, 1930–1939. By Ben McCann
.
French Studies
vol.
70
,
(
3
)
472
-
473
.
Harris S
(
2016
)
.
After Love
.
SIGHT AND SOUND
vol.
26
,
(
11
)
60
-
61
.
Harris S
(
2015
)
.
L’Arlequin. Le Balzac. L’étoile des Lilas. La Grande Italie. Le Max Linder. Le Nouveau Latina/Luminor. La Pagode. Le Panthéon
.
Cinemas of Paris
,
Editors:
Iordanova, D, Frodon, J-M
,
St Andrews Film Studies
(
St Andrews
),
Harris S
(
2015
)
.
Degraded divinity? Sacred monstrosity? Gérard Depardieu and the abject star body
.
Screen
vol.
56
,
(
3
)
319
-
334
.
HARRIS S
(
2015
)
.
An American in Paris
.
Palgrave
HARRIS S
(
2015
)
.
Toujours Delon: The Script of Aging
.
Alain Delon: Style, Stardom and Masculinity
,
Editors:
Rees-Roberts, N, Waldron, D
,
Bloomsbuty
(
New York, Lonodn
),
HARRIS S
(
2013
)
.
Ninette (Jose Luis Garci, 2005): Paris revisited
.
Spanish Cinema 1973-2010: Auteurism, Politics, Landscape and Memory
,
Editors:
Delgado, M, Fiddian, R
,
Manchester University Press
(
Manchester
),
Harris S
(
2011
)
.
Chronicle of a death unseen: Cinematic treatments of the disappearance of Mehdi Ben Barka
.
L'Esprit Createur: a critical quarterly of French literature
vol.
51
,
(
3
)
74
-
87
.
Harris S
(
2011
)
.
Renoir's Paris: The City as Film Set
.
South Central Review
vol.
28
,
(
3
)
84
-
102
.
Harris S
(
2011
)
.
Sex, comedy and sexy comedy at the French box office in the 1970s: rethinking Emmanuelle and Les Valseuses
.
Contemporary French Civilization
vol.
35
,
(
1
)
1
-
18
.
Harris S
(
2010
)
.
Alain Resnais
.
FR STUD
vol.
64
,
(
2
)
224
-
225
.
Harris S
(
2010
)
.
Jill Forbes: the continued conversation
.
Studies in French Cinema: UK Perspectives 1985-2010
,
Editors:
Higbee, W, Leahy, S
,
Intellect L & D E F A E
Harris S
(
2009
)
.
Conspiracy, surveillance, and the spatial turn in the Bourne trilogy
.
Globalization, violence, and the visual culture of cities
,
Editors:
Lindner, C
,
Taylor & Francis
HARRIS S
(
2009
)
.
Films parlants, chantants et dansants: René Clair’s early experiments with sound cinema’
.
Words and Things: Essays in memory of Keith Foley
,
Editors:
Morris, A, Moreau, C, Charnley, J
,
Glasgow University Press
(
Glasgow
),
HARRIS S, Bergfelder T, Street S
(
2007
)
.
Film Architecture and the Transnational Imagination: Set design in 1930s European Cinema
.
Amsterdam University Press
(
Amsterdam
),
Harris S, Downing LM
(
2007
)
.
From Perversion to Purity: The Stardom of Catherine Deneuve
.
Manchester University Press
(
Manchester
),
HARRIS S
(
2007
)
.
‘Madame la France: Deneuve as Heritage Icon’
.
From Perversion to Purity: The Stardom of Catherine Deneuve
,
Editors:
Harris, S, Downing, LM
,
Manchester University Press
(
Manchester
),
HARRIS S
(
2005
)
.
Encyclopedia entries: Goodis, David; Guy-Blaché, Alice; Lang, Jack; Melville, Jean-Pierre; Rouch, Jean; Vadim, Roger
.
Encyclopaedia of the French Atlantic, ed. Bill Marshall (Santa Barbara, CA: ABC-CLIO), pp. 527-8, 546-7, 680-1, 1012-13, 1173-4
,
Notes:
Encyclopedia articles.
,
HARRIS S
(
2004
)
.
Introduction to ‘New Directions in French Cinema’
.
French Cultural Studies
vol.
15
,
(
3
)
211
-
217
.
Harris S
(
2004
)
.
Dancing in the streets: The Aurillac Festival of Street Theatre (Alternative dramatic practices in provincial France)
.
CONTEMP THEATRE REV
vol.
14
,
(
2
)
57
-
71
.
HARRIS S
(
2004
)
.
French Cultural Studies, special issue: New Directions in French Cinema
.
HARRIS S
(
2004
)
.
The Cinéma du Look
.
European Cinema
,
Editors:
Ezra, E
,
Oxford University Press
(
Oxford
),
HARRIS S
(
2004
)
.
‘Spectatorship 1960-2004: The Decline, Fall and Rebirth in Cinemagoing’
.
The French Cinema Book
,
Editors:
Temple, M, Witt, M
,
British Film Institute
(
London
),
HARRIS S
(
2003
)
.
‘Lives out of sequence’: Maternal identity in François Truffaut’s Les 400 coups (1959) and Claude Miller’s La Petite Voleuse (1988)
.
French Cultural Studies
vol.
14
,
(
3
)
299
-
309
.
Harris S
(
2003
)
.
The 'Truth about Charlie'
.
SIGHT SOUND
vol.
13
,
(
8
)
60
-
+
.
Harris S
(
2003
)
.
Gender and French cinema
.
FR STUD
vol.
57
,
(
1
)
124
-
125
.
Forbes J, HARRIS S
(
2003
)
.
‘Cinema’
.
The Cambridge Companion to Modern French Culture
,
Editors:
Hewitt, N
,
Cambridge University Press
(
Cambridge
),
HARRIS S
(
2003
)
.
‘Dispossession and Exclusion in La Vie rêvée des anges’
.
Possessions: Essays in French Literature, Cinema and Theory. Modern French Identities: Volume 24
,
Editors:
Horn, J, Russell-Watts, L
,
Peter Lang
(
Oxford
),
Harris S
(
2002
)
.
Bertrand Tavernier: Fractured narrative and bourgeois values
.
FR STUD
vol.
56
,
(
1
)
134
-
135
.
HARRIS S
(
2001
)
.
Bertrand Blier
.
Manchester University Press
(
Manchester
),
Ezra E, Harris S
(
2000
)
.
France in Focus Film and National Identity
.
Bloomsbury Academic