Publications: Prof Susan Harris

Harris S ( 2022 ) . Années 1960 : Louis Malle et le star system . Louis Malle dans tous ses états , Editors: Met, P , Les impressions nouvelles ( Brussels ),

Harris S ( 2021 ) . Bertrand Blier: Les Valseuses (1974) . Klassiker des französischen Kinos in Einzeldarstellungen , Editors: Junkerjürgen, R, von Tschilschke, C, Wher, C , Erich-Schmidt-Verlag ( Berlin ),

HARRIS S ( 2018 ) . Louis Malle’s 1960s ‘Star’ Films . The Cinema of Louis Malle: Transatlantic Auteur , Editors: Met, P , Wallflower Press

HARRIS S, Provencher D, Bazgan N ( 2016 ) . Contemporary French Civilisation at 40 . Contemporary French Civilization vol. 41 , ( 3-4 ) 359 - 363 .

Harris S ( 2016 ) . Introduction . French Cultural Studies vol. 15 , ( 3 ) 211 - 217 .

Harris S ( 2016 ) . Ripping Open the Set: French Film Design, 1930–1939 . By Ben McCann . French Studies vol. 70 , ( 3 ) 472 - 473 .

Harris S ( 2016 ) . After Love . SIGHT AND SOUND vol. 26 , ( 11 ) 60 - 61 .

Harris S ( 2015 ) . L’Arlequin. Le Balzac. L’étoile des Lilas. La Grande Italie. Le Max Linder. Le Nouveau Latina/Luminor. La Pagode. Le Panthéon . Cinemas of Paris , Editors: Iordanova, D, Frodon, J-M , St Andrews Film Studies ( St Andrews ),

Harris S ( 2015 ) . Degraded divinity? Sacred monstrosity? Gérard Depardieu and the abject star body . Screen vol. 56 , ( 3 ) 319 - 334 .

HARRIS S ( 2015 ) . An American in Paris . Palgrave

HARRIS S ( 2015 ) . Toujours Delon: The Script of Aging . Alain Delon: Style, Stardom and Masculinity , Editors: Rees-Roberts, N, Waldron, D , Bloomsbuty ( New York, Lonodn ),

HARRIS S ( 2013 ) . Ninette (Jose Luis Garci, 2005): Paris revisited . Spanish Cinema 1973-2010: Auteurism, Politics, Landscape and Memory , Editors: Delgado, M, Fiddian, R , Manchester University Press ( Manchester ),

Harris S ( 2011 ) . Chronicle of a death unseen: Cinematic treatments of the disappearance of Mehdi Ben Barka . L'Esprit Createur: a critical quarterly of French literature vol. 51 , ( 3 ) 74 - 87 .

Harris S ( 2011 ) . Renoir's Paris: The City as Film Set . South Central Review vol. 28 , ( 3 ) 84 - 102 .

Harris S ( 2011 ) . Sex, comedy and sexy comedy at the French box office in the 1970s: rethinking Emmanuelle and Les Valseuses . Contemporary French Civilization vol. 35 , ( 1 ) 1 - 18 .

Harris S ( 2010 ) . Alain Resnais . FR STUD vol. 64 , ( 2 ) 224 - 225 .

Harris S ( 2010 ) . Jill Forbes: the continued conversation . Studies in French Cinema: UK Perspectives 1985-2010 , Editors: Higbee, W, Leahy, S , Intellect L & D E F A E

Harris S ( 2009 ) . Conspiracy, surveillance, and the spatial turn in the Bourne trilogy . Globalization, violence, and the visual culture of cities , Editors: Lindner, C , Taylor & Francis

HARRIS S ( 2009 ) . Films parlants, chantants et dansants: René Clair’s early experiments with sound cinema’ . Words and Things: Essays in memory of Keith Foley , Editors: Morris, A, Moreau, C, Charnley, J , Glasgow University Press ( Glasgow ),

HARRIS S, Bergfelder T, Street S ( 2007 ) . Film Architecture and the Transnational Imagination: Set design in 1930s European Cinema . Amsterdam University Press ( Amsterdam ),

Harris S, Downing LM ( 2007 ) . From Perversion to Purity: The Stardom of Catherine Deneuve . Manchester University Press ( Manchester ),

HARRIS S ( 2007 ) . ‘Madame la France: Deneuve as Heritage Icon’ . From Perversion to Purity: The Stardom of Catherine Deneuve , Editors: Harris, S, Downing, LM , Manchester University Press ( Manchester ),

HARRIS S ( 2005 ) . Encyclopedia entries: Goodis, David; Guy-Blaché, Alice; Lang, Jack; Melville, Jean-Pierre; Rouch, Jean; Vadim, Roger . Encyclopaedia of the French Atlantic, ed. Bill Marshall (Santa Barbara, CA: ABC-CLIO), pp. 527-8, 546-7, 680-1, 1012-13, 1173-4 , Notes: Encyclopedia articles. ,

HARRIS S ( 2004 ) . Introduction to ‘New Directions in French Cinema’ . French Cultural Studies vol. 15 , ( 3 ) 211 - 217 .

Harris S ( 2004 ) . Dancing in the streets: The Aurillac Festival of Street Theatre (Alternative dramatic practices in provincial France) . CONTEMP THEATRE REV vol. 14 , ( 2 ) 57 - 71 .

HARRIS S ( 2004 ) . French Cultural Studies, special issue: New Directions in French Cinema .

HARRIS S ( 2004 ) . The Cinéma du Look . European Cinema , Editors: Ezra, E , Oxford University Press ( Oxford ),

HARRIS S ( 2004 ) . ‘Spectatorship 1960-2004: The Decline, Fall and Rebirth in Cinemagoing’ . The French Cinema Book , Editors: Temple, M, Witt, M , British Film Institute ( London ),

HARRIS S ( 2003 ) . ‘Lives out of sequence’: Maternal identity in François Truffaut’s Les 400 coups (1959) and Claude Miller’s La Petite Voleuse (1988) . French Cultural Studies vol. 14 , ( 3 ) 299 - 309 .

Harris S ( 2003 ) . The 'Truth about Charlie' . SIGHT SOUND vol. 13 , ( 8 ) 60 - + .

Harris S ( 2003 ) . Gender and French cinema . FR STUD vol. 57 , ( 1 ) 124 - 125 .

Forbes J, HARRIS S ( 2003 ) . ‘Cinema’ . The Cambridge Companion to Modern French Culture , Editors: Hewitt, N , Cambridge University Press ( Cambridge ),

HARRIS S ( 2003 ) . ‘Dispossession and Exclusion in La Vie rêvée des anges’ . Possessions: Essays in French Literature, Cinema and Theory. Modern French Identities: Volume 24 , Editors: Horn, J, Russell-Watts, L , Peter Lang ( Oxford ),

Harris S ( 2002 ) . Bertrand Tavernier: Fractured narrative and bourgeois values . FR STUD vol. 56 , ( 1 ) 134 - 135 .

HARRIS S ( 2001 ) . Bertrand Blier . Manchester University Press ( Manchester ),

Ezra E, Harris S ( 2000 ) . France in Focus Film and National Identity . Bloomsbury Academic