Publications: Prof Jeremy Hicks
Hicks J
(
2024
)
.
POLITICS AND SOCIAL ENGAGEMENT IN RECENT RUSSIAN DOCUMENTARY FILM
.
Contemporary Russian Documentary: Negotiating the Personal and the Political
,
Editors:
Shpolberg, M, Kostina, A
,
Edinburgh University Press
(
Edinburgh
),
Hicks J, Machulin L
(
2024
)
.
Special joint issue of Studies in Russian and Soviet Cinema and Culture of Ukraine (Kul’tura Ukrainy)
.
Studies in Russian and Soviet Cinema
vol.
18
,
(
3
)
251
-
262
.
Hicks J, Machulin L
(
2024
)
.
Introduction to Special issue of Studies in Russian and Soviet Cinema and Culture of Ukraine
.
Studies in Russian and Soviet Cinema
Hicks J
(
2024
)
.
The Place of Ukraine in Mark Donskoi’s The Rainbow
.
Studies in Russian and Soviet Cinema
Hicks J
(
2024
)
.
Transnational Russian Studies. Ed. by Andy Byford, Connor Doak and Stephen Hutchings
.
vol.
60
,
is.
1
,
pp.
149
-
150
.
Oxford University Press (OUP)
Hicks J
(
2023
)
.
Esfir Shub: Pioneer of Documentary Filmmaking
.
vol.
43
,
is.
2
,
pp.
624
-
626
.
Taylor & Francis
Hicks J
(
2023
)
.
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)
.
Historical Journal Of Film Radio and Television
vol.
43
,
(
3
)
645
-
667
.
Hicks J
(
2022
)
.
Saving the Children: Humanitarianism, Internationalism, and Empire
.
vol.
42
,
is.
4
,
pp.
851
-
852
.
Taylor & Francis
Hicks J
(
2020
)
.
Victory Banner Over the Reichstag: Film, Document, and Ritual in Russia's Contested Memory of World War II
.
University of Pittsburgh Press
(
Pittsburgh, PA
),
HICKS JG
(
2019
)
.
‘Paradise,’ (Andrei Konchalovsky)
.
The Russian Cinema Reader: Contemporary Russian Cinema (2005-2016)
,
Editors:
Salys, R
,
Academic Studies Press, forthcoming 2019
(
Brighton: MA
),
Hicks J
(
2019
)
.
Austerlitz. Dir. Sergei Loznitsa. Germany, Imperativ Film, 2016. 94 min. Black and white. In German
.
Slavic Review
vol.
77
,
(
4
)
1048
-
1049
.
HICKS JG
(
2019
)
.
Aid, Appropriation and Amnesia: Documentary Film and The Arctic Convoys of World War Two
.
Arctic Cinema and the Documentary Ethos
,
Editors:
Kaganovsky, L, McKenzie, S, Stenport, A
,
University of Indiana Press
(
Bloomington
),
Hicks J
(
2019
)
.
Sentimental Tales
.
RUSSIAN REVIEW
vol.
78
,
(
4
)
664
-
665
.
HICKS JG
(
2019
)
.
Soviet Journalists at Nuremberg: Establishing the Soviet War Narrative
.
Stalin's Soviet Justice: ‘Show’ Trials, War Crimes Trials, and Nuremberg
,
Editors:
Crowe, DM
,
Bloomsbury Academic
(
London
),
HICKS JG
(
2018
)
.
Kul´t lichnosti v fil´makh Mikhaila Romma
.
International Journal of Cultural Research (Mezhdunarodnyi zhurnal isledovanii kul´tury)
vol.
2(3)
,
83
-
91
.
HICKS JG
(
2018
)
.
Was the Left’s Thunder Stolen? Soviet Short Films on British Wartime Screens
.
Connexe, Les espaces postcommunistes en question(s)
(
3
)
113
-
132
.
HICKS JG
(
2018
)
.
Bewegte und unbewegte Blicke der Toten: Aus der Warchauer Ghetto und Charkiv
.
Bildformeln: Visuelle Erinnerungskulturen in Osteuropa
,
Editors:
Frank, SK
,
transcript Verlag
(
Bielefeld
),
HICKS JG
(
2017
)
.
A Holy Relic of War: The Soviet Victory Banner as Artefact
.
Remembering the Second World War
,
Editors:
Finney, P
,
Routledge
(
London
),
Hicks J
(
2017
)
.
Golos kak kul΄turnyi fenomen. By Oksana Bulgakova . Moscow: Novoe literaturnoe obozrenie, 2015. Ocherki vizual΄nosti. 568 pp. Appendix. Notes. Index. Paper
.
Slavic Review
vol.
76
,
(
1
)
267
-
268
.
HICKS JG
(
2016
)
.
Appropriating the presence of history: raising the victory banner over the Reichstag
.
Screen (Oxford)
vol.
57
,
(
3
)
362
-
370
.
WESTWELL GR, Hicks J, Saxton E
(
2016
)
.
Rising Flags, Falling Soldiers: Film, Icons and Political Violence
.
Screen (Oxford)
HICKS JG
(
2016
)
.
Soiuzdetfil´m Studios, The Birth of Soviet Children’s Film, and the Child Actor
.
Willey-Blackwell Companion to Russian Cinema
,
Willey-Blackwell
(
Oxford
),
Hicks J
(
2015
)
.
Filming the end of the Holocaust: allied documentaries, Nuremberg and the liberation of the concentration camps
.
Historical Journal Of Film Radio and Television
vol.
35
,
(
4
)
682
-
684
.
HICKS JG
(
2014
)
.
Back to the Archives: The Testimonial Power of Soviet Silent Footage of the Holocaust
.
Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989: Re-Visions
,
Editors:
Bahun, S, Haynes, J
,
Routledge
(
London and New York
),
HICKS JG
(
2014
)
.
Challenging the Voice-of-God in Soviet Documentaries of World War II
.
Sound/ Music/ Speech in Soviet and Post-Soviet Cinema
,
Editors:
Kaganovsky, L, Salazkina, M
,
Indiana University Press
(
Bloomington
),
Hicks J
(
2014
)
.
The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe by Olga Gershenson (review)
.
Ab Imperio
vol.
2014
,
(
3
)
495
-
501
.
HICKS JG
(
2013
)
.
‘“Soul Destroyers” – Soviet Journalism on the Krasnodar and Kharkov trials,’
.
History: the journal of the Historical Association
vol.
98
,
(
332
)
530
-
547
.
HICKS JG
(
2013
)
.
"Too Gruesome to be Fully Taken in": Konstantin Simonov’s “The Extermination Camp” As Holocaust Literature
.
The Russian Review: an American quarterly devoted to Russia past and present
vol.
72
,
(
2
)
242
-
259
.
Hicks J
(
2013
)
.
Through Soviet Jewish Eyes: Photography, War, and the Holocaust by David Shneer (review)
.
Shofar An Interdisciplinary Journal of Jewish Studies
vol.
31
,
(
3
)
176
-
178
.
Hicks J
(
2013
)
.
Challenging the voice of god in world war II-Era Soviet documentaries
.
Sound, Speech, Music in Soviet and Post-Soviet Cinema
,
Hicks J
(
2013
)
.
Fighting Words and Images: Representing War across the Disciplines
.
RUSSIAN REVIEW
vol.
72
,
(
1
)
160
-
161
.
Hicks J
(
2012
)
.
First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-46
.
University of Pittsburgh Press
(
Pittsburgh
),
HICKS JG
(
2012
)
.
The Archipelago of Gulag Film
.
When the Elephant Broke Out of the Zoo: A Festschrift for Donald Rayfield
,
Editors:
Schonle, A, Makarova, O, Hicks, JG
,
Stanford Slavic Studies
(
Stanford
),
HICKS JG
(
2012
)
.
«Les Morts ne mentent pas» : le cinéma soviétique, la Shoah et le procès de Nuremberg
.
Kinojudaica: l’image des Juifs dans le cinéma russe et soviétique des années 1910 aux années 1960
,
Editors:
Pozner, V, Laurent, N
,
Noveau monde
(
Paris
),
HICKS JG
(
2012
)
.
‘El juicio de los pueblos: los muertos nunca mienten,’
.
Archivos de la filmoteca
(
70
)
29
-
42
.
HICKS JG
(
2011
)
.
Sokurov’s Documentaries
.
The Cinema of Alexander Sokurov
,
Editors:
Beumers, B, Condee, N
,
IB Tauris
(
London and New York
),
HICKS J
(
2011
)
.
From Atrocity to Action: How Soviet Cinema Initiated the Holocaust Film
.
Justice, Politics, and Memory in Europe after the Second World War: Landscapes After Battle
,
Editors:
Cesarani, D
,
vol.
Vol. 2
,
Vallentine Mitchell
(
Edgware
),
HICKS JG
(
2009
)
.
Confronting the Holocaust: Mark Donskoi’s The Unvanquished
.
Studies in Russian and Soviet Cinema
vol.
3
,
(
1
)
33
-
51
.
Bohlinger V, Sharp I, Taylor R, Sarkisova O, Kepley V, Hicks J, Chernetsky V, Prokhorov A et al.
(
2009
)
.
Reviews
.
Studies in Russian and Soviet Cinema
vol.
3
,
(
3
)
353
-
385
.
Hicks J
(
2009
)
.
Revue (Predstavleniye) (2008) (review)
.
Film & History An Interdisciplinary Journal
vol.
39
,
(
2
)
63
-
65
.
HICKS J
(
2009
)
.
Confronting the Holocaust: Mark Donskoi’s The Unvanquished,
.
Studies in Russian Soviet Cinema
vol.
3
,
(
1
)
33
-
51
.
Hicks J
(
2009
)
.
The Vertov Collection at the Austrian Film Museum
.
vol.
87
,
is.
1
,
pp.
119
-
120
.
Graffy J, Beumers B, Morley R, Renfrew A, Cavendish P, Taylor R, Graffy J, Widdis E et al.
(
2008
)
.
A hundred years of Russian film: the forgotten and the under-rated
.
Studies in Russian and Soviet Cinema
vol.
2
,
(
3
)
327
-
354
.
Hicks J
(
2008
)
.
Russian Studies: Russian Film Studies
.
The Year’s Work in Modern Language Studies
vol.
70
,
(
1
)
871
-
882
.
HICKS JG
(
2008
)
.
Lost in Translation? Did Sound stop Soviet Films finding Foreign Audiences?
.
Russia and Its Other(s) on Film: Screening Intercultural Dialogue
,
Editors:
Hutchings, S
,
Palgrave Macmillan
Heywood A, Morison J, O'Rourke S, Williams H, Neumann M, Hicks J, Baron N, Healey D
(
2007
)
.
BOOK REVIEWS
.
Revolutionary Russia
vol.
20
,
(
2
)
225
-
241
.
Hicks J
(
2007
)
.
Worker correspondents: Between journalism and literature
.
RUSS REV
vol.
66
,
(
4
)
568
-
585
.
Prokhorova E, Prokhorov A, Hutchings S, Hartmann U, Hicks J, Graffy J, Norris SM
(
2007
)
.
Book Reviews
.
Studies in Russian and Soviet Cinema
vol.
1
,
(
3
)
329
-
349
.
HICKS JG
(
2006
)
.
From Conduits to Commanders: Shifting Views of Worker Correspondents, 1924-26
.
Revolutionary Russia
vol.
19
,
(
2
)
131
-
149
.
HICKS JG
(
2006
)
.
Dziga Vertov: Defining Documentary
.
IB Tauris
(
London
),
Hicks J
(
2005
)
.
The international reception of early Soviet sound cinema: Chapaev in Britain and America
.
HIST J FILM RADIO TV
vol.
25
,
(
2
)
273
-
289
.
(
2004
)
.
Russian and Soviet Film Adaptations of Literature, 1900-2001, Screening the Word
.
Taylor & Francis
Hicks J
(
2004
)
.
Visions of a new land: Soviet film from the Revolution to the Second World War
.
vol.
99
,
pp.
1127
-
1128
.
Hicks J
(
2004
)
.
Zoshchenko and the Ilf-Petrov partnership: How they laughed
.
vol.
82
,
is.
4
,
pp.
949
-
950
.
Hicks J
(
2004
)
.
Against the grain: Parody, satire, and intertextiuality in Russian literature
.
vol.
63
,
is.
3
,
pp.
681
-
682
.
HICKS JG
(
2004
)
.
Educating Chapaev: From Document to Myth
.
Russian and Soviet Film Adaptations of Literature, 1900-2001
,
Editors:
Hutchings, S, Vernitski, A
,
Routledge Curzon
(
London
),
Hicks J
(
2003
)
.
Vsevolod Pudovkin: Classic films of the Soviet avant-garde
.
MOD LANG REV
vol.
98
,
1070
-
1071
.