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  1. Queen Mary University of London
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Publications: Dr Mathieu Barthet

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Cui W, Sarmento P, Barthet M ( 2024 ) . MoodLoopGP: Generating Emotion-Conditioned Loop Tablature Music with Multi-granular Features . Artificial Intelligence in Music, Sound, Art and Design , vol. 14633 , Springer Nature
Yang S, Barthet M, Reed C, Chew E ( 2023 ) . Do You Hear What I Hear? . Computer vol. 56 , ( 12 ) 4 - 6 .
Graf M, Barthet M ( 2023 ) . Combining Vision and EMG-Based Hand Tracking for Extended Reality Musical Instruments . Conference: International Symposium on Computer Music Multidisciplinary Research ( Tokyo ) from: 13/11/2023 to: 17/11/2023 ,
Martelloni A, Mcpherson AP, Barthet M ( 2023 ) . Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar . Conference: 24th International Society for Music Information Retrieval Conference ( Milan, Italy ) from: 09/11/2023 to: 05/11/2023 ,
Deacon T, Barthet M ( 2023 ) . Invoke: A Collaborative Virtual Reality Tool for Spatial Audio Production Using Voice-Based Trajectory Sketching . Conference: Proceedings of the 18th International Audio Mostly Conference161 - 168 .
Frachi Y, Chanel G, Barthet M ( 2023 ) . Affective gaming using adaptive speed controlled by biofeedback . Conference: International Cconference on Multimodal Interaction238 - 246 .
Graf M, Barthet M ( 2023 ) . Reducing Sensing Errors in a Mixed Reality Musical Instrument . Presented at: VRST 2023 , Abstract: java.sql.Clob org.hibernate.engine.jdbc.WrappedClob java.io.Serializable ,
Williams A, Lattner S, Barthet M ( 2023 ) . Sound-and-Image-informed Music Artwork Generation Using Text-to-Image Models . https://sites.google.com/view/murs/program . Editors: Ferraro, A, Knees, P, Quadrana, M, Ye, T et al. , Conference: Music Recommender Systems Workshop at the 17th ACM Conference on Recommender Systems ( Singapore ) from: 18/09/2023 to: 22/09/2023 ,
Mcintosh T, Woscholski O, Barthet M ( 2023 ) . Affective Conditional Modifiers in Adaptive Video Game Music . Conference: Audio Mostly 2023 ( Edinburgh, UK ) from: 29/08/2023 to: 01/09/2023 ,
Loth J, Mamou-Mani A, Barthet M ( 2023 ) . Playing Style Affects Steel-String Acoustic Guitar Timbre . Conference: 3rd International Conference on Timbre ( Thessaloniki, Greece ) from: 12/06/2023 to: 10/07/2023 ,
Ceriani M, Viola F, Rudan S, Antoniazzi F, Barthet M, Fazekas G ( 2023 ) . Semantic integration of audio content providers through the Audio Commons Ontology . Journal of Web Semantics vol. 77 ,
Montague LE, Barthet M ( 2023 ) . Collaboration on the Tracks: Ethnographically-Informed Design for Computer-Assisted Music Collaboration between Producers and Performers . Conference: Creativity and Cognition391 - 392 .
Sarmento P, Kumar A, Chen Y-H, Carr C, Zukowski Z, Barthet M ( 2023 ) . GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers . Artificial Intelligence in Music, Sound, Art and Design , vol. 13988 , Springer Nature
Adkins S, Sarmento P, Barthet M ( 2023 ) . LooperGP: A Loopable Sequence Model for Live Coding Performance Using GuitarPro Tablature . Artificial Intelligence in Music, Sound, Art and Design , vol. 13988 , Springer Nature
Deacon T, Healey P, Barthet M ( 2022 ) . “It’s cleaner, definitely”: Collaborative Process in Audio Production . Computer Supported Cooperative Work (CSCW) vol. 32 , ( 3 ) 475 - 505 .
Deacon T, Barthet M ( 2022 ) . Spatial Design Considerations for Interactive Audio in Virtual Reality . Sonic Interactions in Virtual Environments , Springer Nature
Sarmento P, Holmqvist O, Barthet M ( 2022 ) . Ubiquitous Music in Smart City: Musification of Air Pollution and User Context . 10.5281/zenodo.6819563 . Conference: Ubiquitous Music Symposium 2022
Graf M, Barthet M . Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural Control . Conference: NIME 2022
Frachi Y, Takahashi T, Wang F, Barthet M ( 2022 ) . Design of Emotion-Driven Game Interaction Using Biosignals . HCI in Games , vol. 13334 , Springer Nature
Takahashi T, Barthet M ( 2022 ) . EMOTION-DRIVEN HARMONISATION AND TEMPO ARRANGEMENT OF MELODIES USING TRANSFER LEARNING . Proceedings of the 23rd International Society for Music Information Retrieval Conference, ISMIR 2022 . 741 - 748 .
Wei C, Kronland-Martinet T, Frachi Y, Barthet M ( 2022 ) . Influence of Music on Perceived Emotions in Film . AES New York 2022 - 153rd Audio Engineering Society Convention 2022 .
Sarmento P, Kumar A, Carr CJ, Zukowski Z, Barthet M, Yang Y-H ( 2021 ) . DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Models . Conference: International Society for Music Information Retrieval Conference ( Online ) from: 07/11/2021 to: 12/11/2021 ,
Löbbers S, Barthet M, Fazekas G ( 2021 ) . Sketching sounds: an exploratory study on sound-shape associations . Conference: International Computer Music Conference ( Santiago de Chile, Chile ) from: 25/07/2021 to: 31/07/2021 ,
Yang S, Reed CN, Chew E, Barthet M ( 2021 ) . Examining Emotion Perception Agreement in Live Music Performance . IEEE Transactions on Affective Computing
Graf M, Opara HC, Barthet M ( 2021 ) . An Audio-Driven System for Real-Time Music Visualisation . Conference: Audio Engineering Society Convention 150 from: 24/05/2021 to: 28/05/2021 ,
Martelloni A, McPherson A, Barthet M . Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design . Conference: NIME 2021
Irvine L, Barthet M ( 2021 ) . Immersive Spatial Sound Design Using Creative Commons Audio . ICMC 2021 - Proceedings of the International Computer Music Conference 2021 . 126 - 132 .
Dannemann T, Barthet M ( 2021 ) . SonicDraw: a web-based tool for sketching sounds and drawings . ICMC 2021 - Proceedings of the International Computer Music Conference 2021 . 301 - 308 .
Sarmento P, Holmqvist O, Barthet M ( 2020 ) . Musical Smart City: Perspectives on Ubiquitous Sonification . Conference: Ubiquitous Music Workshop ( Porto Seguro, BA, Brazil ) from: 09/11/2020 to: 13/11/2020 ,
Martelloni A, Mcpherson A, Barthet M ( 2020 ) . Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study . Conference: New Interfaces for Musical Expression (NIME) ( Royal Birmingham Conservatoire ) from: 22/07/2020 to: 25/07/2020 ,
Yang S, Barthet M, Chew E ( 2019 ) . Identifying Listener-informed Features for Modeling Time-varying Emotion Perception . Conference: Inter- national Symposium on Computer Music Multidisciplinary Research
Turchet L, Barthet M ( 2019 ) . Haptification of performer's control gestures in live electronic music performance . Conference: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound244 - 247 .
Bruford F, Barthet M, McDonald S, Sandler M ( 2019 ) . Modelling Musical Similarity for Drum Patterns . Conference: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound131 - 138 .
Stolfi AS, Milo A, Barthet M ( 2019 ) . Playsound.space: Improvising in the browser with semantic sound objects . Journal of New Music Research vol. 48 , ( 4 ) 366 - 384 .
BROMHAM G, Moffat D, Barthet M, Daneilsen A, Fazekas G ( 2019 ) . The Impact of Audio Effects Processing on the Perception of Brightness and Warmth . Conference: Audio Mostly ( Nottingham, UK ) from: 17/09/2019 to: 20/09/2019 ,
Turchet L, Barthet M ( 2019 ) . An ubiquitous smart guitar system for collaborative musical practice . Journal of New Music Research vol. 48 , ( 4 ) 352 - 365 .
Turchet L, Barthet M ( 2019 ) . Smart Musical Instruments . Foundations in Sound Design for Embedded Media , Taylor & Francis
Xambó A, Font F, Fazekas G, Barthet M ( 2019 ) . Leveraging Online Audio Commons Content for Media Production . Foundations in Sound Design for Linear Media , Taylor & Francis
Deacon T, Bryan-Kinns N, Healey PGT, Barthet M ( 2019 ) . Shaping Sounds . Conference: Proceedings of the 2019 on Creativity and Cognition121 - 132 .
Weaver J, Barthet M, Chew E ( 2019 ) . Filling the space: The impact of convolution reverberation time on note duration and velocity in duet performance . 147th Audio Engineering Society International Convention 2019 .
Bruford F, McDonald ST, Barthet M, Sandler M ( 2019 ) . Groove explorer: An intelligent visual interface for drum loop library navigation . CEUR Workshop Proceedings . vol. 2327 ,
Turchet L, Barthet M ( 2019 ) . Smart Musical Instruments: Key Concepts and Do-It-Yourself Tutorial . Foundations in Sound Design for Embedded Media: A Multidisciplinary Approach ,
TURCHET L, BARTHET M ( 2018 ) . Co-design of Musical Haptic Wearables for Electronic Music Performer's Communication . IEEE Transactions on Human-Machine Systems
Turchet L, Barthet M ( 2018 ) . Jamming with a Smart Mandolin and Freesound-based Accompaniment . Conference: 2018 23rd Conference of Open Innovations Association (FRUCT) vol. 00 , 375 - 381 .
Turchet L, Viola F, Fazekas G, Barthet M ( 2018 ) . Towards a Semantic Architecture for the Internet of Musical Things . Conference: 2018 23rd Conference of Open Innovations Association (FRUCT) vol. 00 , 382 - 390 .
Stolfi A, Sokolovskis J, Gorodscy F, Iazzetta F, Barthet M ( 2018 ) . Audio semantics: Online chat communication in open band participatory music performances . AES: Journal of the Audio Engineering Society vol. 66 , ( 11 ) 910 - 921 .
Viola F, Stolfi A, Milo A, Ceriani M, Barthet M, Fazekas G ( 2018 ) . Playsound.space . Conference: Proceedings of the 1st International Workshop on Semantic Applications for Audio and Music46 - 53 .
Turchet L, Fischione C, Essl G, Keller D, Barthet M ( 2018 ) . Internet of Musical Things: Vision and Challenges . IEEE Access vol. 6 , 61994 - 62017 .
Pauwels J, Xambo Sedo A, Roma G, Barthet M, Fazekas G ( 2018 ) . Exploring Real-time Visualisations to Support Chord Learning with a Large Music Collection . Proceedings of the 4th Web Audio Conference (WAC) . Conference: 4th Web Audio Conference (WAC) ( Berlin, Germany ) from: 19/09/2018 to: 21/09/2018 ,
Xambó A, Pauwels J, Roma G, Barthet M, Fazekas G ( 2018 ) . Jam with Jamendo . Conference: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion1 - 7 .
Turchet L, McPherson A, Barthet M ( 2018 ) . Real-Time Hit Classification in a Smart Cajón . Frontiers in ICT vol. 5 ,
GODDARD C, BARTHET M, WIGGINS G ( 2018 ) . Assessing Musical Similarity for Computational Music Creativity . Journal of the Audio Engineering Society
Turchet L, McPherson A, Barthet M ( 2018 ) . Co-design of a smart Cajón . AES: Journal of the Audio Engineering Society vol. 66 , ( 4 ) 220 - 230 .
SKACH S, XAMBO A, TURCHET L, Stolfi A, STEWART RL, BARTHET MHE ( 2018 ) . Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts . Conference: ACM Conference on Tangible, Embedded, and Embodied Interactions ( Stockholm, Sweden ) from: 21/03/2018 to: 18/03/2018 ,
Weaver J, Barthet M, Chew E ( 2018 ) . Analysis of piano duo tempo changes in varying convolution reverberation conditions . 145th Audio Engineering Society International Convention, AES 2018 .
Turchet L, Barthet M ( 2018 ) . Demo of interactions between a performer playing a smart mandolin and audience members using musical haptic wearables . Proceedings of the International Conference on New Interfaces for Musical Expression . 82 - 83 .
Xambo A, Roma G, Lerch A, Barthet M, Fazekas G ( 2018 ) . Live Repurposing of Sounds: MIR Explorations with Personal and Crowd-sourced Databases . Proc. of the New Interfaces for Musical Expression (NIME), 3-6 June, Blacksburg, VA, USA. .
de Souza Stolfi A, Turchet L, Ceriani M, Barthet M ( 2018 ) . Playsound.space: Inclusive free music improvisations using audio commons . Proceedings of the International Conference on New Interfaces for Musical Expression . 228 - 233 .
Weisling A, Xambó A, Olowe I, Barthet M ( 2018 ) . Surveying the compositional and performance practices of audiovisual practitioners . Proceedings of the International Conference on New Interfaces for Musical Expression . 344 - 345 .
Bromham G, Moffat D, Barthet M, Fazekas G ( 2018 ) . The impact of compressor ballistics on the perceived style of music . 145th Audio Engineering Society International Convention, AES 2018 .
Deacon T, Stockman T, Barthet M ( 2017 ) . User experience in an interactive music virtual reality system: An exploratory study . vol. 10525 LNCS , Springer
Pigrem J, Barthet M ( 2017 ) . Datascaping . Conference: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences1 - 8 .
Goddard C, BARTHET M, Wiggins G ( 2017 ) . Designing Computationally Creative Musical Performance Systems . dl.acm.org . Conference: Audio Mostly 2017 ( Queen Mary University of London, London ) from: 23/08/2017 to: 26/08/2017 , vol. Proceedings of AM ’1 ,
Olowe I, Barthet M, Grierson M ( 2017 ) . FEATUR.UX.AV . Conference: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences1 - 5 .
Herremans D, Yang S, Chuan C-H, Barthet M, Chew E ( 2017 ) . IMMA-Emo . Conference: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences1 - 8 .
Subramaniam A, Barthet M ( 2017 ) . Mood Visualiser . Conference: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences1 - 8 .
Stolfi A, Barthet M, Goródscy F, de Carvalho AD ( 2017 ) . Open Band . Conference: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences1 - 8 .
Olowe I, Grierson M, Barthet M ( 2017 ) . User Requirements for Live Sound Visualization System Using Multitrack Audio . Conference: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences1 - 8 .
Fazekas G, Barthet M, Stockman T ( 2017 ) . Welcome to Audio Mostly 2017! . ACM International Conference Proceeding Series . vol. Part F131930 ,
Wu Y, Zhang L, Bryan-Kinns N, Barthet M ( 2017 ) . Open Symphony: Creative Participation for Audiences of Live Music Performances . IEEE Multimedia vol. 24 , ( 1 ) 48 - 62 .
Turchet L, Fischione C, Barthet M ( 2017 ) . Towards the Internet of Musical Things . Proceedings of the Sound and Music Computing Conference . 13 - 20 .
Zhang L, Wu Y, BARTHET M ( 2016 ) . A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case . Conference: International Conference on New Interfaces for Musical Expression
Hayes K, BARTHET M, Wu Y, Zhang L, Bryan-Kinns N ( 2016 ) . A Participatory Live Music Performance with the Open Symphony System . Conference: ACM Conference on Human Factors in Computing Systems (CHI): Interactivity
Barthet M, Fazekas G, Thalmann F, Sandler M, Wiggins GA ( 2016 ) . Crossroads: Interactive Music Systems Transforming Performance, Production and Listening . Proc. ACM Conference on Human Factors in Computing Systems (CHI), May 7–12, San Jose, CA, USA. .
Barthet M, Fazekas G, Allik A, Thalmann F, Sandler M ( 2016 ) . From interactive to adaptive mood-based music listening experiences in social or personal context . Journal of the Audio Engineering Society vol. 64 , Article 9 , 673 - 682 .
Saari P, Fazekas G, Eerola T, Barthet M, Lartillot, O S, M ( 2016 ) . Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation . IEEE Transactions on Affective Computing (TAC) vol. 7 , Article 2 , 122 - 135 .
Olowe I, Moro G, Barthet M ( 2016 ) . ResidUUm: User mapping and performance strategies for multilayered live audiovisual generation . Proceedings of the International Conference on New Interfaces for Musical Expression . 271 - 276 .
Allik A, Fazekas G, Barthet M, Sandler M ( 2016 ) . myMoodplay: An interactive mood-based music discovery app . Proc. of the 2nd Web Audio Conference (WAC), April 4–6, Atlanta, Georgia, USA. .
Barthet M, Fazekas G, Allik A, Sandler M ( 2015 ) . Moodplay: an interactive mood-based musical experience . Proc. of the ACM Audio Mostly International Conference, 7-9 Oct. Thessaloniki, Greece. .
Fazekas G, BARTHET M, Sandler MB ( 2014 ) . Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework . Lecture Notes in Computer Science vol. 8905 , ( Sound, Music, and Motion ) 122 - 147 .
Kachkaev A, Wolff D, BARTHET M, Plumbley MD, Dykes J, Weyde T ( 2014 ) . Visualising Chord Progressions in Music Collections: A Big Data Approach . Conference: 9th Conference on Interdisciplinary Musicology (CIM) ( Berlin )
Weyde T, Cottrell S, Dykes J, Benetos E, Wolff D, Tidhar D, Gold N, Abdallah S et al. ( 2014 ) . Big Data for Musicology . Editors: Page, K, Fields, B , Conference: 1st International Digital Libraries for Musicology workshop ( London, UK ) from: 12/09/2014 to: 12/09/2014 ,
Kolozali S, Fazekas G, Barthet M, Sandler M ( 2014 ) . A framework for automatic ontology generation based on semantic audio analysis . Proc. of the AES 53rd International Conference on Semantic Audio, Jan, 26-29., London, UK .
BARTHET MHE, Plumbley MD, Kachkaev, A, Dykes J, Wolff D, Weyde T ( 2014 ) . Big Chord Data Extraction and Mining . Conference: 9th Conference on Interdisciplinary Musicology (CIM) ( Berlin )
Weyde T, Cottrell S, Benetos E, Wolff D, Tidhar D, Plumbley MD, Dixon S, BARTHET MHE et al. ( 2014 ) . Digital Music Lab - A Framework for Analysing Big Music Data . http://ecda2014.eu/wp-content/uploads/2014/06/bookofabstracts.pdf . Conference: European Conference on Data Analysis (ECDA) ( Bremen )
Lou T, Barthet M, Fazekas G, Sandler M ( 2014 ) . Evaluation and Improvement of the Mood Conductor Interactive System . Proc. of the AES 53rd International Conference on Semantic Audio, Jan, 26-29., London, UK .
Fazekas G, Barthet M, Sandler M ( 2014 ) . Novel Methods in Facilitating Audience and Performer Interaction using the Mood Conductor Framework . Editors: Aramaki, M, Kronland-Martinet, R, Ystad, S , Edition. Sound Music and Motion , vol. 8905 , Springer-Verlag, Heidelberg, Germany.
Baume C, Fazekas G, Barthet M, Martson D, Sandler M ( 2014 ) . Selection of audio features for music emotion recognition using production music . Proc. of the AES 53rd International Conference on Semantic Audio, Jan, 26-29., London, UK .
BARTHET M, Benetos E, Cottrell S, Dixon S, Dykes J, Gold N, Mahey M, Plumbley MD et al. ( 2014 ) . The DML Research Project: Digital Music Lab - Analysing Big Music Data . Presented at: Workshop on "Big Data: Challenges and Applications", Imperial College, London ,
Aramaki M, Barthet M, Kronland-Martinet R, Ystad S ( 2013 ) . Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics): Preface .
Kolozali S, Barthet M, Fazekas G, Sandler M ( 2013 ) . Automatic Ontology Generation for Musical Instruments Based on Audio Analysis . IEEE Transactions on Audio, Speech, and Language Processing (TASLP) vol. 21 , Article 10 , 2207 - 2220 .
Barthet M, Kronland-Martinet R, Ystad S ( 2013 ) . Consistency of timbre patterns in expressive music performance . Proceedings of the International Conference on Digital Audio Effects, DAFx . 19 - 24 .
Barthet M, Marston D, Baume C, Fazekas G, Sandler M ( 2013 ) . Design and evaluation of semantic mood models for music recommendation . Proceedings of the 14th International Society for Music Information Retrieval Conference, ISMIR 2013 . 421 - 426 .
Saari P, Barthet M, Fazekas G, Eerola T, Sandler M ( 2013 ) . Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags . Proc. of the IEEE International Conference on Multimedia & Expo (ICME2013) International Workshop on Affective Analysis in Multimedia (AAM), 15-19 July 2013, San Jose, CA, USA .
Fazekas G, Barthet M, Sandler M ( 2013 ) . The BBC Desktop Jukebox music recommendation system: A large-scale trial with professional users . Proc. of the IEEE International Conference on Multimedia and Expo (ICME), 15–19, July, San Jose, CA, USA. .
Saari P, Eerola T, Fazekas G, Barthet M, Lartillot O, Sandler M ( 2013 ) . The Role of Audio and Tags in Music Mood Prediction: a Study Using Semantic Layer Projection . Proc. of the 14th International Society for Music Information Retrieval Conference, ISMIR’13, November 4-8, Curitiba, Brazil . Editors: Britto, ASJ, Gouyon, F, Dixon, S ,
Barthet M, Dixon S ( 2011 ) . Ethnographic observations of musicologists at the british library: Implications for music information retrieval . Proceedings of the 12th International Society for Music Information Retrieval Conference, ISMIR 2011 . 353 - 358 .
Stowell D, Barthet M, Dixon S, Sandler M ( 2011 ) . Musicology for the masses: Situating new audio technologies for musicology and music education . Proceedings of the Digital Economy All Hands Conference 2011 . Conference: Digital Engagement 2011 ( Newcastle ) from: 15/11/2011 to: 17/11/2011 ,
Barthet M, Hargreaves S, Sandler M ( 2011 ) . Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre Recognition . Lecture Notes in Computer Science . vol. 6684 , 138 - 162 .
Barthet M, Guillemain P, Kronland‐Martinet R, Ystad S ( 2008 ) . Exploration of timbre variations in music performance . The Journal of the Acoustical Society of America vol. 123 , ( 5 ) 3663 - 3663 .
Barthet M, Depalle P, Kronland-Martinet R, Ystad S ( 2007 ) . The effect of timbre in clarinet interpretation . International Computer Music Conference, ICMC 2007 . 59 - 62 .
Barthet M, Guillemain P, Kronland-Martinet R, Ystad S ( 2005 ) . On the relative influence of even and odd harmonics in clarinet timbre . International Computer Music Conference, ICMC 2005 .
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