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Research
  1. Queen Mary University of London
  2. Research
  3. Publications

Publications: Prof Janet Harbord

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Harbord J ( 2024 ) . The visualization of autism: Filming children at the Maudsley Hospital, London, 1957–8 . History of the Human Sciences vol. 37 , ( 2 ) 117 - 137 .
Eastwood S, Evans B, Gaigg S, Harbord J, Milton D ( 2022 ) . Autism through cinema: co-creation and the unmaking of knowledge . International Journal of Qualitative Studies in Education1 - 18 .
Harbord J ( 2019 ) . The Autistic Gesture: Film as Neurological Training . NECSUS: European Journal of Media Studies vol. Autumn ,
HARBORD JP ( 2019 ) . Greta Gerwig's Gestures: Agamben in the Land of Stardom . Film-Philosophy vol. 23 , 177 - 193 .
Harbord J ( 2016 ) . Ex-centric Cinema Giorgio Agamben and Film Archaeology . Bloomsbury Publishing USA
HARBORD JP ( 2016 ) . Contingency, time and event: An archaeological approach to the film festival . Marijke de Valck, Brendan Kredell, Skadi Loist (eds.) Film Festivals: History, Theory, Method, Practice, London: Routledge , Routledge
Harbord J ( 2015 ) . Agamben’s cinema: Psychology versus an ethical form of life . NECSUS European Journal of Media Studies vol. 4 , ( 2 ) 13 - 30 .
HARBORD JP, BERRY C ( 2015 ) . Tracking the Screen in Public Spaces: Everyday Dis/Enchantment . Technovisuality: Cultural Re-enchantment and the Experience of Technology , Editors: Grace, H , IBTaurus ( UK ),
HARBORD JP ( 2014 ) . Gesture, time, movement: Giorgio Agamben meets David Claerbout on the Boulevard du Temple . Cinema and Agamben: Ethics, Biopolitics and the Moving Image , Editors: Gustafsson, H, Gronstad, A , Bloomsbury
HARBORD JP ( 2013 ) . Copernicus and I: Revolutions in Perception and The Powers of Ten . Technology and Desire: the Transgressive Art of Moving Images , Editors: Gaafar, R, Schulz, M , Intellect/Chicago University Press
HARBORD JP ( 2012 ) . Focus: Wilhelm Noack oHG . Simon Starling , Editors: Roelstraete, D, Harbord, J, Manacorda, F , Phaidon Press
Harbord J ( 2012 ) . Ex-centric Cinema: mechinic vision in the Powers of Ten and Electronic Cartography . Body and Society vol. 18 , ( 1 ) Article 4 , 99 - 119 .
HARBORD J, Moore R ( 2011 ) . Film in our Midst: City as Cinematic Archive . Urban Cinematics , Editors: Penz, F, Lu, A , Intellect Limited
HARBORD JP ( 2010 ) . Ex-centric Cinema: Artists' Films . UnSpooling: Artists & Cinema , Editors: Bracey, A, Griffiths, D, Harbord, J ,
HARBORD JP ( 2010 ) . The Skein of the Archive: Denise Bellon and Remembrance of Things to Come . Afterall Medium: Online Journal ,
Harbord J, Blackman L ( 2010 ) . Technologies of Mediation and the Affective: A Case-study of the Mediated Environment of MediaCity UK . Cognitive architecture: From bio-politics to noo-politics. Architecture & mind in the age of communication & information , Editors: Hauptmann, D, Neidich, W , 010 Publishers ( Rotterdam, Netherlands ),
Harbord J ( 2009 ) . Chris Marker: La Jetee (One Work Series) (Afterall) . Afterall Books & MIT ( London, UK and Massachusetts, US ),
HARBORD JP, Blake T ( 2008 ) . Typewriters, Cameras and love Affairs: the Fateful Haunting of Margaret Mead . Journal of Media Practice vol. 9 , ( 3 ) 215 - 227 .
Harbord J ( 2007 ) . The Evolution of Film . Polity Press
Harbord J ( 2002 ) . Film Cultures . Sage Publications Limited
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