WARD C ( 2019 ) . Victorian Painting and Social Action .
WARD C ( 2018 ) . Activism through Empathy: Images of Suffrage Force-Feeding . Conference: Suffrage 18: A Centenary Exploration at LSE ( London School of Economics )
WARD C ( 2018 ) . Images of Force Feeding in the British Suffrage Movement . Conference: A Vote of My Own: Celebrating Women’s Suffrage in England ( University of Kent )
WARD C ( 2018 ) . Images of Empathy: Representations of Force Feeding in Votes for Women . Suffrage and the Arts , Editors: Thomas, Z, Garrett, M , Bloomsbury ( London ),
WARD C ( 2018 ) . Clytie: “That Swallow of 1868” . Conference: Nineteenth Century Studies Seminar ( Institute of English Studies )
WARD C ( 2017 ) . Images as Historical Agents: Representations of the British Suffrage Movement . Conference: Art and Activism: Resilience Techniques in Times of Crisis ( University of Leiden )
Ward C ( 2017 ) . Identifying with Images: Illustrations of Force-Feeding in the British Suffrage Movement . Conference: Illustratidentity ( Université de Nancy ) from: 08/11/2017 to: 10/11/2017 ,
Ward C ( 2017 ) . How Art Makes Political Impacts: Suffrage Images and a New Methodology for Assessing their Influence . Conference: Artists as Reformers ( Watts Gallery, Compton, Surrey ) from: 30/10/2017 to: 30/10/2017 ,
Ward C ( 2016 ) . England’s Michelangelo in the Metropolitan Museum of Art: The G. F. Watts Exhibition, 1884–1885 . Comparative American Studies An International Journal vol. 14 , ( 1 ) 62 - 75 .
WARD C ( 2015 ) . Drawings of G.F. Watts . Philip Wilson Publishers Ltd
Kroeter C ( 2014 ) . The warrior and the wife: imagining the Irish homeland in the illustrations of John Campbell . Irish Studies Review vol. 22 , ( 1 ) 7 - 21 .
Brebner JB ( 1924 ) . British America . Canadian Historical Review . vol. 5 , 56 - 57 .