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Research
  1. Queen Mary University of London
  2. Research
  3. Publications

Publications: Dr Ashvin Devasundaram

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Devasundaram AI ( 2024 ) . Local Realism . Cinemas of the Global South , Taylor & Francis
Devasundaram AI ( 2022 ) . Bollywood’s Majoritarian Politics and the Independent Alternative . Current History vol. 121 , ( 834 ) 154 - 156 .
Devasundaram AI, Azmi S ( 2022 ) . Indian Indies, A Guide to New Independent Indian Cinema . Taylor & Francis
Devasundaram A ( 2021 ) . Tracing Bergman in Contemporary Indian Cinema: Philosophical Cross-Connections in Through a Glass Darkly, Ship of Theseus and Dear Molly . Popular Communication vol. 19 , ( 2 ) 96 - 111 .
Devasundaram A ( 2020 ) . Subalterns and the city: Dubai as cross-cultural caravanserai in City of Life and Pinky Memsaab . Transnational Screens vol. 11 , ( 3 ) 248 - 265 .
Devasundaram AI ( 2020 ) . Interrogating Patriarchy: Transgressive Discourses of ‘F-Rated’ Independent Hindi Films . BioScope South Asian Screen Studies vol. 11 , ( 1 ) 27 - 43 .
Devasundaram AI, Barn R ( 2020 ) . Performativity of rape culture through fact and fiction: An exploration of India’s Daughter and Anatomy of Violence . International Journal of Cultural Studies vol. 23 , ( 6 ) 879 - 897 .
Devasundaram AI ( 2018 ) . Indian Cinema Beyond Bollywood The New Independent Cinema Revolution . Routledge
DEVASUNDARAM AI ( 2018 ) . Beyond Brand Bollywood: Alternative Articulations of Geopolitical Discourse in New Indian Films . Popular Geopolitics Plotting an Evolving Interdiscipline , Editors: Saunders, R, Strukov, V , Routledge
Böser U, Nic Craith M, Devasundaram AI ( 2018 ) . The representation of ‘building events’ in Wim Wenders’ Cathedrals of Culture . Studies in Documentary Film vol. 11 , ( 1 ) 1 - 15 .
Devasundaram A ( 2017 ) . Alternative Narratives from New Independent Indian Cinema .
Chaubey AK, Devasundaram AI ( 2017 ) . South Asian Diasporic Cinema and Theatre Re-visiting Screen and Stage in the New Millennium .
Nic Craith M, Böser U, Devasundaram A ( 2016 ) . Giving voice to heritage: a virtual case study . Social Anthropology vol. 24 , ( 4 ) 433 - 445 .
Devasundaram AI ( 2016 ) . India’s New Independent Cinema: Rise of the Hybrid . Routledge
Devasundaram AI ( 2016 ) . Bollywood’s soft power: Branding the nation, sustaining a meta-hegemony . New Cinemas Journal of Contemporary Film vol. 14 , ( 1 ) 51 - 70 .
Devasundaram AI ( 2015 ) . Book Review: The Cinema of Michael Winterbottom: Borders, Intimacy, Terror . Media International Australia vol. 154 , ( 1 ) 141 - 142 .
Devasundaram A ( 2014 ) . Cyber Buccaneers, Public and Pirate Spheres: The Phenomenon of Bittorrent Downloads in the Transforming Terrain of Indian Cinema . Media International Australia vol. 152 , ( 1 ) 108 - 118 .
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