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Research
  1. Queen Mary University of London
  2. Research
  3. Publications

Publications: Dr Mario Slugan

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Slugan M ( 2024 ) . What Counts as (Evidence of) Narrow Aesthetic Cognitivism . European journal of analytic philosophy vol. 20 , ( 2 ) 363 - 388 .
Slugan M, Terrone E ( 2024 ) . Introduction . Rivista di estetica ( 83 ) 3 - 4 .
Slugan M ( 2023 ) . Melodrama of the Unknown Woman Lost in Space . Alien Legacies , Oxford University Press (OUP)
Slugan M ( 2023 ) . Changing Minds: Fiction, Beliefs, and Emotion . Can Fiction Change the World? , Editors: James, A, Kubo, A, Lavacot, F , Legenda
Slugan M ( 2023 ) . Melodrama of the Unknown Woman Lost in Space: A Cavellian Reading of the Alien Franchise . Alien Legacies: The Evolution of the Franchise ,
Slugan M ( 2022 ) . Fiction as Challenge to Text-Oriented Film Studies . New Review of Film and Television Studies
Slugan M ( 2022 ) . 4 Rainer Werner Fassbinder’s Berlin Alexanderplatz (1980) as Remake? . European Film Remakes , De Gruyter
Coëgnarts M, Slugan M ( 2022 ) . Embodying Meaning Visually: From Perceptual Dynamics to Motion Kinematics . Art and Perception vol. 10 , ( 2 ) 137 - 158 .
Slugan M, Biltereyst D ( 2022 ) . Introduction: New Perspectives On Early Cinema History . New Perspectives on Early Cinema History , Bloomsbury Academic
Slugan M, Biltereyst D ( 2022 ) . New Perspectives on Early Cinema History: Concepts, Approaches, Audiences . New Perspectives on Early Cinema History: Concepts, Approaches, Audiences ,
Slugan M ( 2022 ) . Revisiting The Fiction/Non-Fiction Distinction: Early Cinema and The Philosophy of Imagination . New Perspectives on Early Cinema History , Bloomsbury Academic
Willemsen S, Slugan M, Weissmann E, Bolton L ( 2021 ) . Book Reviews . Projections vol. 15 , ( 3 ) 88 - 106 .
Slugan M ( 2021 ) . Fiction, Knowledge and Cinematic Realism . Journal of Theoretical & Philosophical Criminology vol. 13 , 99 - 110 .
Slugan M, Terrone E ( 2021 ) . The Fiction/Nonfiction Distinction: Documentary Studies and Analytic Aesthetics in Conversation . Studies in Documentary Film vol. 15 , ( 2 ) 107 - 113 .
Slugan M ( 2021 ) . Textualism, extratextualism, and the fiction/nonfiction distinction in documentary studies . Studies in Documentary Film vol. 15 , ( 2 ) 114 - 126 .
Slugan M ( 2021 ) . Introducing pandemic cinema in central and eastern europe . Apparatus vol. 2021 , ( 12 )
Slugan M ( 2021 ) . Pandemic (Movies): A Pragmatic Analysis of a Nascent Genre . Quarterly Review of Film and Video
Slugan M ( 2021 ) . Fikcijske emocije i moralna dimenzija paradoksa fikcije u filmu . Filozofska Istraživanja vol. 40 , ( 4 ) 685 - 697 .
Slugan M ( 2021 ) . Film as Embodied Art: Bodily Meaning in the Cinema of Stanley Kubrick . PROJECTIONS-THE JOURNAL FOR MOVIES AND MIND vol. 15 , ( 3 ) 92 - 97 .
Slugan M, Terrone E ( 2020 ) . Introduction . Projections vol. 14 , ( 3 ) v - vi .
Slugan M ( 2020 ) . Fiction and Imagination in Early Cinema . Bloomsbury Academic
Slugan M ( 2019 ) . The Role of Montage in Berlin Alexanderplatz in Relation to Technology, Nature and the Psyche . Internationales Alfred-Doeblin-Kolloquium Cambridge 2017: Natur, Technik und das (Post-)Humane in den Schriften Alfred Doeblins ,
Slugan M, Bareis JA ( 2019 ) . Introducing Fiction in Central and Eastern European Film Theory and Practice . Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe ( 8 ) 1 - 12 .
Slugan M ( 2019 ) . Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory . Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe ( 8 ) 13 - 26 .
Slugan M ( 2019 ) . The film narrator and the early American screenwriting manuals . Early Popular Visual Culture
Slugan M ( 2019 ) . The Turn-of-the-Century Understanding of ‘Fakes’ in the US and Western Europe . Participations: journal of audience and reception studies vol. 16 , ( 1 ) 718 - 737 .
Slugan M ( 2019 ) . Noël Carroll and Film A Philosophy of Art and Popular Culture . Bloomsbury Publishing
Slugan M ( 2019 ) . Fiction and Imagination in Early Cinema: A Philosophical Approach to Film History .
Slugan M ( 2019 ) . Klimaks . HRVATSKI FILMSKI LJETOPIS vol. 25 , ( 97 ) 157 - 160 .
Slugan M ( 2019 ) . Theorizing fiction in film non/fiction: Some thoughts on recent german film theory . Apparatus vol. 2019 , ( 8 )
Slugan M ( 2018 ) . Early Cinema in Asia NICK DEOCAMPO (ed), 2017 Bloomington, Indiana University Press pp. x + 341, illus., $ (paper) . Historical Journal Of Film Radio and Television vol. 38 , ( 4 ) 893 - 895 .
Slugan M ( 2018 ) . Robert K. Weninger, The German Joyce . Comparative Critical Studies vol. 15 , ( 1 ) 119 - 122 .
Slugan M ( 2018 ) . Redemption in New York (<i>You Were Never Really Here</i>, Lynne Ramsay, 2017) . HRVATSKI FILMSKI LJETOPIS vol. 24 , ( 93-94 ) 172 - 175 .
Slugan M ( 2017 ) . Letters . Slavic Review vol. 73 , ( 2 ) 453 - 454 .
Slugan M ( 2017 ) . The Rhetorics of Interpretation and Źižek's Approach to Film . Slavic Review vol. 72 , ( 4 ) 728 - 749 .
Slugan M ( 2017 ) . A Brief Excursion . HRVATSKI FILMSKI LJETOPIS vol. 23 , ( 92 ) 183 - 185 .
Slugan M ( 2017 ) . Montage as Perceptual Experience Berlin Alexanderplatz from Döblin to Fassbinder . Screen Cultures: German Film a
Slugan M ( 2017 ) . Taking Bazin Literally . Projections vol. 11 , ( 1 )
Slugan M ( 2017 ) . The Young Pope . HRVATSKI FILMSKI LJETOPIS vol. 23 , ( 90-91 ) 259 - 262 .
Slugan M ( 2016 ) . The use and abuse of cinema: German legacies from the Weimar era to the present . Studies in European Cinema vol. 14 , ( 1 ) 83 - 85 .
Slugan M ( 2016 ) . Late 1920s film theory and criticism as a test-case for Benjamin’s generalizations on the experiential effects of editing . Early Popular Visual Culture vol. 14 , ( 3 ) 215 - 233 .
Slugan M ( 2016 ) . Dheepan . HRVATSKI FILMSKI LJETOPIS vol. 22 , ( 86-87 ) 239 - 241 .
Slugan M ( 2015 ) . Deixis in Literary and Film Fiction . How to Make Believe , De Gruyter
Slugan M ( 2015 ) . Philip cavendish: The men with the movie camera. the poetics of visual style in soviet avant-garde cinema of the 1920s . Apparatus vol. 2015 , ( 1 ) 63 - 66 .
Slugan M ( 2014 ) . Generic Histories of German Cinema: Genre and its Deviations . Journal of Contemporary European Studies vol. 22 , ( 4 ) 525 - 526 .
Slugan M ( 2014 ) . Responses to Balkanism in Emir Kusturica's Život je čudo/Life is a Miracle (2004) . Studies in Eastern European Cinema vol. 2 , ( 1 ) 37 - 47 .
Slugan M ( 2014 ) . 12 years a slave . HRVATSKI FILMSKI LJETOPIS vol. 20 , ( 77-78 ) 233 - 235 .
Slugan M ( 2014 ) . Untitled . SLAVIC REVIEW vol. 73 , ( 2 ) 453 - 454 .
Slugan M ( 2012 ) . A welcome detachment from the well-established theoretical frameworks . HRVATSKI FILMSKI LJETOPIS vol. 18 , ( 71 ) 161 - 166 .
Slugan M ( 2012 ) . Epistemology as Ethics: Skepticism in Blade Runner . Film and Philosophy vol. 16 , 84 - 100 .
Slugan M ( 2011 ) . The problem of general narrator in fiction film . Hrvatski Filmski Ljetopis vol. 17 , ( 67 ) 33 - 41 .
Slugan M ( 2009 ) . Zagrebačke priče . Hrvatski Filmski Ljetopis vol. 15 , ( 60 ) 135 - 138 .
Slugan M ( 2009 ) . Synecdoche, New York, Charlie Kaufman, 2008 . Hrvatski Filmski Ljetopis vol. 15 , ( 59 ) 229 - 233 .
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