Publications: Dr Mario Slugan
Slugan M
(
2022
)
.
Fiction as Challenge to Text-Oriented Film Studies
.
New Review of Film and Television Studies
Coëgnarts M, Slugan M
(
2022
)
.
Embodying Meaning Visually: From Perceptual Dynamics to Motion Kinematics
.
Art and Perception
vol.
10
,
(
2
)
137
-
158
.
Willemsen S, Slugan M, Weissmann E, Bolton L
(
2021
)
.
Book Reviews
.
Projections
vol.
15
,
(
3
)
88
-
106
.
Slugan M, Terrone E
(
2021
)
.
The Fiction/Nonfiction Distinction: Documentary Studies and Analytic Aesthetics in Conversation
.
Studies in Documentary Film
vol.
15
,
(
2
)
107
-
113
.
Slugan M
(
2021
)
.
Textualism, extratextualism, and the fiction/nonfiction distinction in documentary studies
.
Studies in Documentary Film
vol.
15
,
(
2
)
114
-
126
.
Slugan M
(
2021
)
.
Introducing pandemic cinema in central and eastern europe
.
Apparatus
vol.
2021
,
(
12
)
Slugan M
(
2021
)
.
4 Rainer Werner Fassbinder’s Berlin Alexanderplatz (1980) as Remake?
.
European Film Remakes
,
Slugan M
(
2021
)
.
Pandemic (Movies): A Pragmatic Analysis of a Nascent Genre
.
Quarterly Review of Film and Video
Slugan M
(
2020
)
.
Film studies and the experimental method
.
NECSUS: European Journal of Media Studies
vol.
2020
,
(
Autumn_#Method
)
Slugan M
(
2020
)
.
Fiction and Imagination in Early Cinema
.
Slugan M
(
2020
)
.
Fictional emotions and the moral dimension of the paradox of fiction in cinema
.
Filozofska Istrazivanja
vol.
40
,
(
4
)
685
-
697
.
Slugan M, Terrone E
(
2020
)
.
Introduction: Film Studies and Analytic Aesthetics in Dialogue
.
Projections (New York)
vol.
14
,
(
3
)
v
-
vi
.
Slugan M
(
2019
)
.
The Role of Montage in Berlin Alexanderplatz in Relation to Technology, Nature and the Psyche
.
Internationales Alfred-Doeblin-Kolloquium Cambridge 2017: Natur, Technik und das (Post-)Humane in den Schriften Alfred Doeblins
,
Slugan M
(
2019
)
.
Fiction and Imagination in Early Cinema A New Film History
.
Bloomsbury Academic
Slugan M, Bareis JA
(
2019
)
.
Introducing Fiction in Central and Eastern European Film Theory and Practice
.
Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe
(
8
)
1
-
12
.
Slugan M
(
2019
)
.
Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory
.
Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe
(
8
)
13
-
26
.
Slugan M
(
2019
)
.
The film narrator and the early American screenwriting manuals
.
Early Popular Visual Culture
Slugan M
(
2019
)
.
The Turn-of-the-Century Understanding of ‘Fakes’ in the US and Western Europe
.
Participations: journal of audience and reception studies
vol.
16
,
(
1
)
718
-
737
.
Slugan M
(
2019
)
.
Noël Carroll and Film A Philosophy of Art and Popular Culture
.
Bloomsbury Publishing
Slugan M
(
2019
)
.
Noël Carroll and Film
.
Slugan M
(
2019
)
.
Theorizing fiction in film non/fiction: Some thoughts on recent german film theory
.
Apparatus
vol.
2019
,
(
8
)
Slugan M
(
2018
)
.
Montage as Perceptual Experience
.
Slugan M
(
2018
)
.
Robert K. Weninger, The German Joyce
.
Comparative Critical Studies
vol.
15
,
(
1
)
119
-
122
.
Slugan M
(
2018
)
.
Early Cinema in Asia
.
Historical Journal of Film, Radio and Television
Slugan M
(
2017
)
.
Montage as Perceptual Experience Berlin Alexanderplatz from Döblin to Fassbinder
.
Screen Cultures: German Film a
Slugan M
(
2017
)
.
Taking bazin literally
.
Projections (New York)
vol.
11
,
(
1
)
63
-
82
.
Slugan M
(
2016
)
.
The use and abuse of cinema: German legacies from the Weimar era to the present
.
Studies in European Cinema
vol.
14
,
(
1
)
83
-
85
.
Slugan M
(
2016
)
.
Late 1920s film theory and criticism as a test-case for Benjamin’s generalizations on the experiential effects of editing
.
Early Popular Visual Culture
vol.
14
,
(
3
)
215
-
233
.
Slugan M
(
2015
)
.
Deixis in Literary and Film Fiction
.
How to Make Believe
,
Slugan M
(
2015
)
.
Philip cavendish: The men with the movie camera. the poetics of visual style in soviet avant-garde cinema of the 1920s
.
Apparatus
vol.
2015
,
(
1
)
63
-
66
.
Slugan M
(
2014
)
.
Generic Histories of German Cinema: Genre and its Deviations
.
Journal of Contemporary European Studies
vol.
22
,
(
4
)
525
-
526
.
Slugan M
(
2014
)
.
From the slavic review editorial board:
.
Slavic Review
vol.
73
,
(
2
)
453
-
454
.
Slugan M
(
2014
)
.
Untitled
.
SLAVIC REVIEW
vol.
73
,
(
2
)
453
-
454
.
Slugan M
(
2013
)
.
The rhetorics of interpretation and Žižek's approach to film
.
Slavic Review
vol.
72
,
(
4
)
728
-
749
.
Slugan M
(
2012
)
.
Epistemology as Ethics: Skepticism in Blade Runner
.
Film and Philosophy
vol.
16
,
84
-
100
.
Slugan M
(
2011
)
.
The problem of general narrator in fiction film
.
Hrvatski Filmski Ljetopis
vol.
17
,
(
67
)
33
-
41
.
Slugan M
(
2011
)
.
Responses to Balkanism in Emir Kusturica's Život je čudo/Life is a Miracle (2004)
.
Studies in Eastern European Cinema
vol.
2
,
(
1
)
37
-
47
.
Slugan M
(
2009
)
.
Zagrebačke priče
.
Hrvatski Filmski Ljetopis
vol.
15
,
(
60
)
135
-
138
.
Slugan M
(
2009
)
.
Synecdoche, New York, Charlie Kaufman, 2008
.
Hrvatski Filmski Ljetopis
vol.
15
,
(
59
)
229
-
233
.