Publications: Dr Mario Slugan
Slugan M
(
2024
)
.
What Counts as (Evidence of) Narrow Aesthetic Cognitivism
.
European journal of analytic philosophy
vol.
20
,
(
2
)
363
-
388
.
Slugan M, Terrone E
(
2024
)
.
Introduction
.
Rivista di estetica
(
83
)
3
-
4
.
Slugan M
(
2023
)
.
Melodrama of the Unknown Woman Lost in Space
.
Alien Legacies
,
Oxford University Press (OUP)
Slugan M
(
2023
)
.
Changing Minds: Fiction, Beliefs, and Emotion
.
Can Fiction Change the World?
,
Editors:
James, A, Kubo, A, Lavacot, F
,
Legenda
Slugan M
(
2023
)
.
Melodrama of the Unknown Woman Lost in Space: A Cavellian Reading of the Alien Franchise
.
Alien Legacies: The Evolution of the Franchise
,
Slugan M
(
2022
)
.
Fiction as Challenge to Text-Oriented Film Studies
.
New Review of Film and Television Studies
Slugan M
(
2022
)
.
4 Rainer Werner Fassbinder’s Berlin Alexanderplatz (1980) as Remake?
.
European Film Remakes
,
De Gruyter
Coëgnarts M, Slugan M
(
2022
)
.
Embodying Meaning Visually: From Perceptual Dynamics to Motion Kinematics
.
Art and Perception
vol.
10
,
(
2
)
137
-
158
.
Slugan M, Biltereyst D
(
2022
)
.
Introduction: New Perspectives On Early Cinema History
.
New Perspectives on Early Cinema History
,
Bloomsbury Academic
Slugan M, Biltereyst D
(
2022
)
.
New Perspectives on Early Cinema History: Concepts, Approaches, Audiences
.
Slugan M
(
2022
)
.
Revisiting The Fiction/Non-Fiction Distinction: Early Cinema and The Philosophy of Imagination
.
New Perspectives on Early Cinema History
,
Bloomsbury Academic
Willemsen S, Slugan M, Weissmann E, Bolton L
(
2021
)
.
Book Reviews
.
Projections
vol.
15
,
(
3
)
88
-
106
.
Slugan M
(
2021
)
.
Fiction, Knowledge and Cinematic Realism
.
Journal of Theoretical & Philosophical Criminology
vol.
13
,
99
-
110
.
Slugan M, Terrone E
(
2021
)
.
The Fiction/Nonfiction Distinction: Documentary Studies and Analytic Aesthetics in Conversation
.
Studies in Documentary Film
vol.
15
,
(
2
)
107
-
113
.
Slugan M
(
2021
)
.
Textualism, extratextualism, and the fiction/nonfiction distinction in documentary studies
.
Studies in Documentary Film
vol.
15
,
(
2
)
114
-
126
.
Slugan M
(
2021
)
.
Introducing pandemic cinema in central and eastern europe
.
Apparatus
vol.
2021
,
(
12
)
Slugan M
(
2021
)
.
Pandemic (Movies): A Pragmatic Analysis of a Nascent Genre
.
Quarterly Review of Film and Video
Slugan M
(
2021
)
.
Fikcijske emocije i moralna dimenzija paradoksa fikcije u filmu
.
Filozofska Istraživanja
vol.
40
,
(
4
)
685
-
697
.
Slugan M
(
2021
)
.
Film as Embodied Art: Bodily Meaning in the Cinema of Stanley Kubrick
.
PROJECTIONS-THE JOURNAL FOR MOVIES AND MIND
vol.
15
,
(
3
)
92
-
97
.
Slugan M
(
2021
)
.
Rainer Werner Fassbinder’s Berlin Alexanderplatz (1980) as Remake?
.
European Film Remakes
,
Slugan M, Terrone E
(
2020
)
.
Introduction
.
Projections
vol.
14
,
(
3
)
v
-
vi
.
Slugan M
(
2020
)
.
Fiction and Imagination in Early Cinema
.
Bloomsbury Academic
Slugan M
(
2019
)
.
The Role of Montage in Berlin Alexanderplatz in Relation to Technology, Nature and the Psyche
.
Internationales Alfred-Doeblin-Kolloquium Cambridge 2017: Natur, Technik und das (Post-)Humane in den Schriften Alfred Doeblins
,
Slugan M, Bareis JA
(
2019
)
.
Introducing Fiction in Central and Eastern European Film Theory and Practice
.
Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe
(
8
)
1
-
12
.
Slugan M
(
2019
)
.
Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory
.
Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe
(
8
)
13
-
26
.
Slugan M
(
2019
)
.
The film narrator and the early American screenwriting manuals
.
Early Popular Visual Culture
Slugan M
(
2019
)
.
The Turn-of-the-Century Understanding of ‘Fakes’ in the US and Western Europe
.
Participations: journal of audience and reception studies
vol.
16
,
(
1
)
718
-
737
.
Slugan M
(
2019
)
.
Noël Carroll and Film A Philosophy of Art and Popular Culture
.
Bloomsbury Publishing
Slugan M
(
2019
)
.
Fiction and Imagination in Early Cinema: A Philosophical Approach to Film History
.
Slugan M
(
2019
)
.
Klimaks
.
HRVATSKI FILMSKI LJETOPIS
vol.
25
,
(
97
)
157
-
160
.
Slugan M
(
2019
)
.
Theorizing fiction in film non/fiction: Some thoughts on recent german film theory
.
Apparatus
vol.
2019
,
(
8
)
Slugan M
(
2018
)
.
Early Cinema in Asia NICK DEOCAMPO (ed), 2017 Bloomington, Indiana University Press pp. x + 341, illus., $ (paper)
.
Historical Journal Of Film Radio and Television
vol.
38
,
(
4
)
893
-
895
.
Slugan M
(
2018
)
.
Robert K. Weninger, The German Joyce
.
Comparative Critical Studies
vol.
15
,
(
1
)
119
-
122
.
Slugan M
(
2018
)
.
Redemption in New York (<i>You Were Never Really Here</i>, Lynne Ramsay, 2017)
.
HRVATSKI FILMSKI LJETOPIS
vol.
24
,
(
93-94
)
172
-
175
.
Slugan M
(
2017
)
.
Letters
.
Slavic Review
vol.
73
,
(
2
)
453
-
454
.
Slugan M
(
2017
)
.
The Rhetorics of Interpretation and Źižek's Approach to Film
.
Slavic Review
vol.
72
,
(
4
)
728
-
749
.
Slugan M
(
2017
)
.
A Brief Excursion
.
HRVATSKI FILMSKI LJETOPIS
vol.
23
,
(
92
)
183
-
185
.
Slugan M
(
2017
)
.
Montage as Perceptual Experience Berlin Alexanderplatz from Döblin to Fassbinder
.
Screen Cultures: German Film a
Slugan M
(
2017
)
.
Taking Bazin Literally
.
Projections
vol.
11
,
(
1
)
Slugan M
(
2017
)
.
The Young Pope
.
HRVATSKI FILMSKI LJETOPIS
vol.
23
,
(
90-91
)
259
-
262
.
Slugan M
(
2016
)
.
The use and abuse of cinema: German legacies from the Weimar era to the present
.
Studies in European Cinema
vol.
14
,
(
1
)
83
-
85
.
Slugan M
(
2016
)
.
Late 1920s film theory and criticism as a test-case for Benjamin’s generalizations on the experiential effects of editing
.
Early Popular Visual Culture
vol.
14
,
(
3
)
215
-
233
.
Slugan M
(
2016
)
.
Dheepan
.
HRVATSKI FILMSKI LJETOPIS
vol.
22
,
(
86-87
)
239
-
241
.
Slugan M
(
2015
)
.
Deixis in Literary and Film Fiction
.
How to Make Believe
,
De Gruyter
Slugan M
(
2015
)
.
Philip cavendish: The men with the movie camera. the poetics of visual style in soviet avant-garde cinema of the 1920s
.
Apparatus
vol.
2015
,
(
1
)
63
-
66
.
Slugan M
(
2014
)
.
Generic Histories of German Cinema: Genre and its Deviations
.
Journal of Contemporary European Studies
vol.
22
,
(
4
)
525
-
526
.
Slugan M
(
2014
)
.
Responses to Balkanism in Emir Kusturica's Život je čudo/Life is a Miracle (2004)
.
Studies in Eastern European Cinema
vol.
2
,
(
1
)
37
-
47
.
Slugan M
(
2014
)
.
12 years a slave
.
HRVATSKI FILMSKI LJETOPIS
vol.
20
,
(
77-78
)
233
-
235
.
Slugan M
(
2014
)
.
Untitled
.
SLAVIC REVIEW
vol.
73
,
(
2
)
453
-
454
.
Slugan M
(
2012
)
.
A welcome detachment from the well-established theoretical frameworks
.
HRVATSKI FILMSKI LJETOPIS
vol.
18
,
(
71
)
161
-
166
.
Slugan M
(
2012
)
.
Epistemology as Ethics: Skepticism in Blade Runner
.
Film and Philosophy
vol.
16
,
84
-
100
.
Slugan M
(
2011
)
.
The problem of general narrator in fiction film
.
Hrvatski Filmski Ljetopis
vol.
17
,
(
67
)
33
-
41
.
Slugan M
(
2009
)
.
Zagrebačke priče
.
Hrvatski Filmski Ljetopis
vol.
15
,
(
60
)
135
-
138
.
Slugan M
(
2009
)
.
Synecdoche, New York, Charlie Kaufman, 2008
.
Hrvatski Filmski Ljetopis
vol.
15
,
(
59
)
229
-
233
.